A pregnant single mother, with two children in foster care, embraces her Bay Area community as she fights to reclaim her family.
A Russian countess stows away in the stateroom of a married U.S. diplomat bound for New York.
On the eve of his execution, a vice-rackets bigshot recalls his various exploits in crimes such as abortion and white slavery, in which he frequently operated under an alias.
Ni una Sola Palabra de Amor
Girl Lost tackles the issue of underage prostitution as told through the eyes of a wayward teen. Groomed by her own mother to work in the underbelly of Los Angeles, the young girl struggles to survive in this dark world.
Degree Maaila is the only English graduate in a village, who has returned from a city. As the campus committee is warned to run the English classes properly or bear the consequences of shutting down, they decide to hire him for the job, which he declines. Maaila's love interest and the committee want him to take up the job but he is adamant.
Kanji Watanabe is a middle-aged man who has worked in the same monotonous bureaucratic position for decades. Learning he has cancer, he starts to look for the meaning of his life.
Feeling lost and lonely after a tragic loss years prior, Ben lives out his day in total seclusion.
Rejected by Law (Sheung-kwun Kwan-wai), ruffian Koo (Wong Yee) exacts his vengeance by making Law lose her job. When her father is injured at work, her brother Fai and boyfriend Tse resort to obtaining a loan. Koo even kills their creditor and frames the murder on Tse. Law and her brother sow discord between Koo and his mistress, eventually exposing their crime and leading to Tse's acquittal. While retaining her feminie elegance and charm in subtle details, Law resourcefully eliminates all the threats and dangers. Unlike other conventional detective dramas of Cantonese films, this film is filled with a sense of community and grassroot sensibility. Sheung-kwun Kwan-wai impressively demonstrates a great flexibility and versatility in her characterisation and performance of this female detective role.
Diane and Dora are two prostitutes who begin to rebel against their lot in life. Meanwhile, in another part of town, a murderer is at large.
A desperate woman turns to prostitution but is saved by true love.
Sultry Sandra Julien stars as a teenage virgin who is traumatized after being raped by her 2 "friends", a young man and his sister, leaving her with no interest in sex. Discouraged, she embarks on a journey of sexual awakening in hopes of curing herself.
Erika Kohut, a sexually repressed piano teacher living with her domineering mother, meets a young man who starts romantically pursuing her.
Yuri Orlov is a globetrotting arms dealer and, through some of the deadliest war zones, he struggles to stay one step ahead of a relentless Interpol agent, his business rivals and even some of his customers who include many of the world's most notorious dictators. Finally, he must also face his own conscience.
An escort, a stripper, and a drug dealer come together in Las Vegas in this tale of gangsters, second chances, and finding love in Sin City.
Eros, a renowned business motivator, leads a brilliant career despite his lonely personal life. One day, he gets the chance to try an Artificial Intelligence machine coded A.G.N.E.S., which promises to perform any task given to it. Eros makes a request to A.G.N.E.S., something that should be impossible to fulfill. Will A.G.N.E.S. be able to make it happen?
Yoshie Nogami, a factory worker by day, works as a bar hostess at night. She begins a passionate affair with one of her regulars, but his changing demeanor and constant demands for money lead Yoshie down a dark path.
Monster (Grattan Smith), a diminutive young Dubliner, dreams of going abroad in search of opportunity and adventure. Finding his plans consistently thwarted by a host of oddball characters, he is joined by Freddie, a homeless explorer (MC Wuzza), as he struggles to find an alternate escape.
Returning home to visit their ill grandfather, two estranged brothers must confront their unresolved rivalry while their parents’ marriage frays.
Germany in the autumn of 1957: Lola, a seductive cabaret singer-prostitute exults in her power as a temptress of men, but she wants out—she wants money, property, and love. Pitting a corrupt building contractor against the new straight-arrow building commissioner, Lola launches an outrageous plan to elevate herself in a world where everything, and everyone, is for sale. Shot in childlike candy colors, Fassbinder’s homage to Josef von Sternberg’s classic The Blue Angel stands as a satiric tribute to capitalism.