A fan produced, unauthorized, non profit concert documentary featuring the Misfits playing their first show since 1983. Glenn Danzig and Jerry Only reuniting with Doyle as "The Misfits" to play two Riot Fest dates in 2016 was an unparalleled example of Hell truly freezing over. A obsession with a single challenge developed: Could one rip all of the crowd shot videos floating around on YouTube and sync their audio in order to recreate the FULL 80 minute show? The answer was yes.
Keith Emerson, Greg Lake and Carl Palmer first joined forces in 1970 and went on to become a global success story. After a break in the eighties, they reunited in the early nineties and took to the road once more. In 1997 they made their debut at the Montreux Jazz Festival with a performance that included all their trademark virtuosity and showmanship. The show includes classic tracks from across their career including Karnevil 9, Hoedown, Take A Pebble, Lucky Man, Tiger in the Spotlight, Tarkus and Fanfare for the Common Man. Recorded live on July 7, 1997 at the Audtitorium Stravinski, Montreux Jazz Festival (Switzerland). Programme copyright 2010.
One for All Tour is a concert video from The Bee Gees recorded live at the National Tennis Centre in Melbourne, Australia in November 1989. Melbourne was the final stop on their 1989 One For All World Tour, which included the United States, the first time The Bee Gees played live there since their 1979 Spirits Having Flown Tour. Originally, this video was released in two volumes on VHS, each 50 minutes apiece. Volume One incorrectly listed the song "My World" from 1972 instead of the song "World" from 1967. In the DVD era, the cover was slightly changed and was released under the title, The Very Best Of The Bee Gees Live! in 1997.
Award winning singer Katherine Jenkins performs an intimate concert in London's Cadogan Hall, accompanied by special guests, Collabro. Performing for a small audience of invited guests, and accompanied by a 25-piece orchestra, the celebrated artists will sing the songs that have made them famous - a selection that includes classical, popular, and musical theatre numbers.
Invisible Touch Tour is a live video by the English rock band Genesis, released in 1988 on Virgin Music Video. It was the first concert ever shot in High Definition and cameras and lenses had to be flown in from the USA and Japan. It was directed by Jim Yukich and produced by Paul Flattery of FYI. It was edited at the band's facilities known as The Farm by Jerry Behrens and David Foster. It documents the band's four sold out shows at Wembley Stadium in London between 1–4 July 1987 at the end of their Invisible Touch Tour promoting their thirteenth studio album, Invisible Touch. A limited edition release included a CD single containing the live version of "Domino" as performed on the video. In 2003, the video was reissued on DVD and renamed Genesis Live at Wembley Stadium.
By the time he released his third solo album, Phil Collins had become a near-ubiquitous presence on the radio, thanks to his increasingly mainstream work with Genesis, his own chart hits, and his indelible production stamp on other artists' albums. No Jacket Required did nothing to stem the tide of all-Phil-all-the-time playlists--which is fine, considering that overall, it's likely his best solo effort, ranging from the engaging rockers "I Don't Wanna Know," "Don't Lose My Number," and the silly Prince rewrite "Sussudio" to heartfelt ballads such as "One More Night" and "Long Long Way to Go," which features a vocal cameo by the (at the time) equally omnipresent Sting. --Daniel Durchholz
Filmed in Modena, Italy across two nights in November 1993 as part of Peter Gabriel's acclaimed Secret World Live tour in support of the Us album, the show is elaborately presented and choreographed with two stages joined by a narrow pier. Peter Gabriel has always been a charismatic live performer with the ability to draw his audience into the onstage world he has created and rarely has this been better captured than on Secret World Live.
Songs: Everyday, That's Why I'm Here, Only One, Frozen Man, On the 4th of July, Whenever You're Ready, Raised Up Family, Mexico, Steamroller Blues, Carolina in My Mind, Millworker, Sun on the Moon, Junkie's Lament, Copperline, Shed a Little Rain, Fire and Rain, You've Got a Friend, Your Smiling Face, How Sweet It Is (To Be Loved by You), Traffic Jam, Knock on Wood, You Can Close Your Eyes, Sweet Baby James Behind the scenes: the making of October Road Biography and discography
Between August and October of this year, Australia’s two biggest bands, POWDERFINGER and SILVERCHAIR, embarked on the biggest concert tour this country has seen in decades, playing to over 220,000 screaming fans across the nation. Now relive the spectacle at home! This deluxe three-disc set includes a full concert DVD from both bands featuring all their greatest hits recorded live at Rod Laver Arena, Melbourne, on 18th and 19th September 2007. This amazing 3 disc package also includes your own Access All Areas pass with Behind The Great Divide, a 90 minute behind the scenes documentary of the tour, plus a colour booklet featuring candid backstage shots!
Monte Montomery's 2005 Concert in Austin, TX
Eugenio Finardi recounts his life (and more) moving from one song to another proposed in a more intimate way and with new arrangements. With his always very charming voice that has led him to explore Rock, Blues, Fado and pop Finardi arrives with “Suono” to song theater telling and telling himself.
"Tokyo Incidents Live Tour 2012 Domestic Bon Voyage" was Tokyo Incidents' last live tour in February 2012 before they disbanded. This tour, called "the last live performance," features five members, a total of 43 orchestras led by Neko Saito, and four dancers from Idevian Crew.
New wave geniuses who helped define an era with their quirky, futuristic, and revolutionary style are back, entertaining the Japanese crowds who love them as much today as they did 25 years ago. Devo have been through a lot over the years, developing their parody of humankind's plight of conformity in their theory of devolution after member Gerald Casale witnessed the Kent State killings of student protesters in 1970, but they haven't wavered in their innovative sounds and pioneering visuals.
A feature length concert film of the former frontman of the resurrected Misfits, Michale Graves at the Europa Club in Brooklyn, NY.
The first live concert by ReGLOSS, held at Ariake Arena on December 16, 2025
Concert video release by Canadian musician Bryan Adams Live in Lisbon.
On October 16, 1992, an impressive and eclectic group of artists gathered at Madison Square Garden in New York City for the purpose of celebrating the music of Bob Dylan on the occasion of his 30th anniversary of recording. Bringing together musical greats as far-flung as Johnny Cash and Eddie Vedder, The Clancy Brothers and Lou Reed, the four-hour show celebrated a truly remarkable lifetime of songs in front of a sold-out audience of over 18,000. Warmly dubbed the Bobfest by participant Neil Young, the show was broadcast around the world and featured a cast of musical notables performing carefully chosen and often surprising selections from the incomparable Dylan songbook. At evening's end, the man of honor himself appeared on stage and gracefully brought it all back home again. In a world where all-star celebrity gatherings have become commonplace, the Bob Dylan celebration stood out as, first and foremost, a legitimately memorable musical event.
Paramore: Austin City Limits Music Festival 2022
Thirteen classic perfomances by Rock and Roll Hall of Fame band Jefferson Airplane, augmented by orginal interviews with the band members and photographs by famed photographer Jim Marshall.
Dido: Live at Baloise Session 2019 presents a polished and intimate performance built around her warm, unmistakable voice and quietly emotional songwriting. Moving between atmospheric pop, gentle electronic textures and acoustic moments, Dido creates a calm but deeply engaging mood. Supported by a precise band and elegant arrangements, the concert feels personal, reflective and beautifully controlled, with familiar songs gaining fresh emotional weight on stage.