Zé Rocha is a director trying to shoot his first film. He dreams of making a professional movie, and starts shooting in 35mm. But as his budget begins to fade, he changes to Black-and-White, then gradually down to 16mm, Super-8 and, in the end, to his despair, to the video format. With the help of Edna Marla, producer who is searching for the Holy Grail of a genuinely 100% Brazilian celluloid; Dona Martírio, his mother, former left-wing activist; Guará Rodrigues, an underground Brazilian movie star; and Lila Lessa, who stars in a 6 p.m. soap opera, they develop strategies and outlandish plans to win the insane battle of filmmaking in Brazil.
When the individual lifestyles of the embodiments of urban and nature meet... They clash, and create a new parasitic relationship.
Hollywood producer Alexander Meyerheimer has hired drunken writer Richard Benson to write his latest movie. Benson has been in Paris supposedly working on the script for months, but instead has spent the time living it up. Benson now has just two days to the deadline and thus hires a temporary secretary, Gabrielle Simpson, to help him finish on time.
A small town is riddled with a series of murders targeting couples at make-out point. The police, the mob, and individuals of Union, Ontario take it upon themselves to try and stop their .44 killer before it's too late.
It's 1957, and James Whale's heyday as the director of "Frankenstein," "Bride of Frankenstein" and "The Invisible Man" is long behind him. Retired and a semi-recluse, he lives his days accompanied only by images from his past. When his dour housekeeper, Hannah, hires a handsome young gardener, the flamboyant director and simple yard man develop an unlikely friendship, which will change them forever.
A film student at Ryerson University struggles to complete her thesis project.
In a hospital on the outskirts of 1920s Los Angeles, an injured stuntman begins to tell a fellow patient, a little girl with a broken arm, a fantastic story about 5 mythical heroes. Thanks to his fractured state of mind and her vivid imagination, the line between fiction and reality starts to blur as the tale advances.
HECKLER is a comedic feature documentary exploring the increasingly critical world we live in. After starring in a film that was critically bashed, Jamie Kennedy takes on hecklers and critics and ask some interesting questions of people such as George Lucas, Bill Maher, Mike Ditka, Rob Zombie, Howie Mandel and many more. This fast moving, hilarious documentary pulls no punches as you see an uncensored look at just how nasty and mean the fight is between those in the spotlight and those in the dark.
A budding director endeavors to research a merciless gangster for making a film on gangsterism. But his secret attempts to conduct the research fail when he gets caught for snooping.
Hrundi V. Bakshi, an accident-prone actor from India, is accidentally put on the guest list for an upcoming party at the home of a Hollywood film producer. Unfortunately, from the moment he arrives, one thing after another goes wrong with compounding effect.
A Midwestern ingenue arrives in Hollywood to try her luck as an actress. An incompetent agent hooks her up with a production company which specializes in low budget B-movie fare, which starts being plagued by strange, deadly accidents.
Hollywood hopeful Peggy Pepper arrives at a major studio, from Georgia, to become a great dramatic star. Things don't go entirely according to plan.
“FRAZIER PARK RECUT” follows first-time filmmakers (Tyler and Sam) as they document the behind-the-scenes trials and tribulations of producing an independent found-footage horror film. After writing a script, collecting production gear, and securing a “cabin in the woods” location, Tyler and Sam hit gold when they cast the perfect actor, Tom Morris, to play the psychopathic antagonist of their film. With everything falling into place, the trio travels to the small, isolated town of Frazier Park, California to make their dream a reality.
A pushy, narcissistic filmmaker persuades a Phoenix family to let him and his crew film their everyday lives, in the manner of the ground-breaking PBS series "An American Family".
Nunca Seré Agnès V
The arrival of a beautiful new stranger in town prompts two boys to spend their summer holidays enticing the young woman to act in a short-film. However their motivation is purely that of seeing her naked.
A rock band, on the brink of success, arrives at a movie studio to produce their first music video. Somebody doesn't have much respect for their talent, and starts bumping off members of the band, their groupie girlfriends, and the crew.
Four stories intersect in this violent film parody. Exterminators dress as hit men and try to protect the wife of their boss, Montello. Meanwhile, the strippers at Montello's strip club, dressed as nuns, attempt to rob him. Tag-team wrestlers steal Montello's briefcase, thinking its contents are valuable. Finally, Bumpkin, running to deliver a script, loses a lot of the pages.
As she keeps watching old home movies isolated in her hotel room, the screen becomes a mirror from which she tries to see herself. Levels of subjectivity, narrative, and reality entwine into a surrealist fever dream of scopophilic cinéma pur. The final layer of meaning is all of us watching the film on the screen-mirror in the theatre.
After unearthing the camcorder his dying father gave him at his bar mitzvah, a Long Island teenager claws his way into a Manhattan film school — where, with one festival slot on the line and a classmate's film in contention, he must confront the truth that the documentary he's making about everyone else cannot be finished until he stops editing himself, and his father's memory, out of the frame.