A Man Walking Backwards and Forwards

One morning, a girl wakes up and it seems she can make time stop with her eyes.

Liminal explores the everyday sensation of being in-between, offering a moment to consciously experience what we usually pass through unconsciously. Set in the flow of a metro station, the film reflects on transition, estrangement, and fleeting pauses in motion. As a fashion film, Liminal treats clothing as lived self-presentation in transit, where silhouette, posture, and shifting light shape how a body is read within public space.

A man seeks revenge after the murder of his girlfriend.

A family lives a paranormal experience.

He needs to be helped out.

A woman discovers she's been married to a serial killer for fifteen years, albeit unwittingly. Her mind fractures as she examines her complicity -- should she have known? Could she have prevented him from killing? Or was part of her subconsciously attracted to his evil side?

A theater group begins their rehearsal on a play about a witness' account of a massacre eventually leading to a confrontation and inner conflicts of the actors portraying their roles.

Deiphago

MASK is a short film from Escape the Wolf Productions

A vicious Ogre rules over a town that has been stuck in time since the 1800's.

Office employee Barry Thomas is caught in a "time bounce" caused by a glitch in the company's secret project. Now the same day occurs again and again - and Barry's the only one who can do anything about it, including saving the life of beautiful research assistant Lisa Fredericks.

Seraphim Cloud and his life size doppelgänger enter the netherworld of Calico Ghost Town deep within the Mojave Desert.

A painter with artist's block is sent on a disorienting journey after a mysterious painting appears in his home.

A found footage examination of what happened at the lake today. Where were you? An exquisite corpse by Non Films. 8mm images randomly selected from found footage; poem written without images; music written without images or words. WINNER: BEST BROOKLYN PROJECT (Brooklyn Film Festival).

A girl sitting on an autumn leaf-filled sidewalk communicates with a mysterious figure across the street.

The nation's water turns deadly but Dave is oblivious. Will he survive?

Trevora Ramos is trapped in a nighttime time loop and can't escape the mysterious horror house that he is in. Various ghosts , ghouls and other vicious creatures lie in wait ready to torment Trevora and make him suffer. As he tries to find various ways to escape Trevora slowly realizes that he is NightBound to the house which means as long as its nighttime he can't escape.

The nation's water turns deadly and Dave is still oblivious. Will he survive yet more water-based hazards?

Atmospheric Offense is an interpretation of Ida Lupino’s 1953 Noir Thriller The Hitch-Hiker that explores how narrative both remains and disappears when exposed to avant-garde techniques, which include removing dialogue, jarring and destructive ellipses, the creation of loops to focus on certain elements, reimagining of time, exaggeration of a certain sinister aesthetic, and a push toward a certain dream like quality. Narrative remains, but with a bastardized and disoriented aftereffect, which transforms it into another way of experiencing it. The spree killings of Billy Cook (portrayed in Lupina’s film by the actor William Talman, and renamed Emmett Myers) are looked at more as a moment in time that begins and ends with vague qualities much like a dream, or an experience of weather in Robert Musil’s The Man Without Qualities.

“And, 'twixt the shadows and frights of nocturnal splendors, My beloved will secretly be hiding. Say what you will, say what you may.” The sound of a distant whistle and theorbo calls a sleeping singer through the empty streets of Stuttgart in a midnight journey to the opera house. ‘dei notturni splendori’ is an experimental opera film made for the Staatsoper Stuttgart in the early months of the Coronavirus pandemic lockdown. Anderson Matthew captures the singer Helene Schneiderman through a midnight dream with a hand-cranked kino camera in an ecstatic 35mm photo roman, in search for her own performance of the Tarquinio Merula madrigal Folle é ben chi se crede from 1638.