Benutzt und gesteuert – Künstler im Netz der CIA

Jo; or The Act of Riding a Bike is Zefier's third film.

Crossfire is the investigative documentary by an international team of journalists about two reporters, Andrea Rocchelli and Andrej Mironov, killed in eastern Ukraine, and the Ukrainian soldier Vitaly Markiv accused of their murder

Master filmmaker Alexander Sokurov (Russian Ark) transforms a portrait of the world-renowned museum into a magisterial, centuries-spanning reflection on the relation between art, culture and power.

With documentary cartoonist Derf Backderf, a poignant look back at the story of ‘My Friend Dahmer’, an investigative graphic novel exploring existential issues. The author sets out to explore his adolescence, which was overshadowed by Jeffrey Dahmer, a former high school friend who went on to become a serial killer.

A documentary expose on the first Gulf War.

A hand-filmed 32-minute documentary of the Skinny Puppy's 1988 'Head Trauma' tour of Europe by Dwayne Rudolph Goettel. Edited by Nivek Ogre in 2005.

Concert film and documentary from Mika Nakashima's First Tour 2003 performed on February 23, 2003 at Zepp Tokyo.

Live concert documentary that was filmed during her "Sokenbicha Natural Breeze 2001 Happy Live" tour. In addition to the live show, it contains extensive backstage and behind-the-scenes footage. It also includes live perfomrance fragments from the 6 venues throughout Japan of her first tour.

In 2017, 20 years after Hype! (1996), filmmaker Doug Pray made a new short documentary featuring updated conversations with some of the personalities and bands who participated in the original documentary about the Seattle music scene and the Grunge movement.

Two filmmakers juxtapose field recordings and documented moving images as an attempt to reconcile with their place in their desensitized semi-urban hometown in India.

Reflexões Sobre a Vida: Um Retrato Sobre Dos Meus Avós

Poème Électronique is an 8-minute piece of electronic music by composer Edgard Varèse, written for the Philips Pavilion at the 1958 Brussels World’s Fair. The Philips corporation commissioned Le Corbusier to design the pavilion, which was intended as a showcase of their engineering progress. The pavilion was shaped like a stomach, with a narrow entrance and exit on either side of a large central space. As the audience entered and exited the pavilion, the electronic composition Concret PH by Iannis Xenakis (who also acted as Le Corbusier's architectural assistant for the pavilion's design) was heard. Poème électronique was synchronized to a film of black and white photographs selected by Le Corbusier which touched on vague themes of human existence.

Has the time of women finally come? Have their everyday lives truly changed over the past sixty years? Guided by Agnès Jaoui, women—famous and unknown—share their stories across generations. From childhood to retirement, the documentary traces shared experiences shaped by prejudice, but also by hope, strength, and humor. Blending personal archives, historic moments, and social media footage, the film places women at the center of their own story. Welcome to the Time of Women.

Portrait of the Italian sculptor Donatello (1386-1466), a precursor of the High Renaissance who considerably influenced sculptural art with his innovative way of conceiving space. Donatello is already a legend in his own lifetime. The sculptor is the forefather of the High Renaissance and pioneer for artists such as Raphael or Michelangelo. His bronze sculpture of the "David" or the "Pazzi Madonna" in marble are icons of art history and testify to his sculptural power of renewal.

Revealing the flaws of Japanese society, the 1995 sarin gas attack in the Tokyo subway prompted Murakami to return to his homeland, whose conformism he rejected, to examine it closely. This led to the creation of two works: Underground and 1Q84.

Bjørn Nørgaard and a team of Czech glass artists in the demanding process of creating a grave monument for Queen Margrethe and Prince Henrik of Denmark.

Odvaha

In the summer of 1975, the young director Steven Spielberg set new standards for cinema worldwide with an oversized shark bite, a plastic shark fin and an unmistakable two-note main theme composed by John Williams. With the horror from the deep, a man-eating, gigantic great white shark, the film of the same name became a similarly traumatic reference as Alfred Hitchcock's "Psycho": it triggered lasting primal fears across generations. On the beaches of the world, there was clearly a "before" and an "after". Steven Spielberg, who was only 28 at the time, not only set new standards for the thriller genre, but also hid his biting criticism of US capitalism in the 1970s behind it.

Fledgling comedian Eric Rushton has never been on a date - until this documentary.

Dr. Steven Greer presents brand new top-secret evidence supporting extraterrestrial contact, including witness testimony, classified documents, and UFO footage, while also exploring the consequences of ruthlessly enforcing such secrecy.