The first film made by Markopoulos after moving to Europe, Bliss was shot over the course of two days using only available light to create a lyrical study of the interior of the Church of St. John on the island of Hydra.
An animated documentary exploring how a mother's abusive relationship shaped the director's own experiences in boarding school.
Rosita Hernandez, a nine-year-old Indio girl, tells about the everyday life of her family living in the the desert plain between the Andes and the Pacific Ocean, about 300 km south of Lima. Specific social and economic problems as well as ways of coping with them become visible.
In twelve short episodes, which are interwoven into the course of a day, the film depicts situations that arise from keeping and caring for two cats for a family with six children in a suburban home. In addition to aspects of animal care, the film also addresses social problems and conflicts that arise from dealing with the animals in this family.
Volcanoes erupt from the depths of the boiling earth to the surface of the celluloid film, to create a new abstract cinematographic language.
At a wildlife rehabilitation center in the Pacific Northwest, the steady, practiced, and gentle hands of veterinarians nurse dozens of convalescing animals back to health.
Family and friends pay tribute to the funnyman, who was one of Britain's best-loved stars of stage, TV and film for more than 50 years - and also became a cult figure in Albania, where his films were ruled to be acceptable entertainment during the country's long years of isolation during the Cold War. Including contributions by Norman's son Nick, singer Vera Lynn and actress Honor Blackman.
"Maravich's 68" is a documentary short that revisits the NBA legend Pete Maravich and his 68-point performance on February 25th, 1977. It includes play-by-play breakdowns, era-inspired editing, and retrospective discussion about this special night in NBA history.
A documentary which offers insights into the adaptation of the original stage play and the making of this new production of Beckett's work.
Three Afghan girls share what their ideal day may look like.
Haja Fatma, a mother to eight children, tells the tale of family life in Tripoli during the Libyan Revolution. Women, young and old, all contributed during these hostile months in their own unique way. A human portal into the acts of ordinary people in their hope for freedom.
Hedda Hopper plays hostess at a party for her (grown) son William (DeWolfe Jr.). Hopper, attends the dedication of the Motion Picture Relief Fund's country home and goes to the Mocambo. There is also a sequence dedicated to the Milwaukee, Wisconsin world premiere of the first short in this series attended by more that a few film stars.
Two children are directed by a cinemaker.
Report on a school in the Keistraat.
“This film is part of a series of films on gay men who survived the Nazi era. I met Walter Schwarze when he was already in his eighties. My camera recorded his first public account of his five-year incarceration as a homosexual at Sachsenhausen concentration camp. He was in his fifties when he met Ali in his hometown of Leipzig; the two men became partners and remained close until his demise. And yet, Walter told me, he felt he had lived in vain because he had not had the good fortune of today's gays, who are able to grow up in freedom. Walter Schwarze died of cancer on May 10, 1998.” Rosa von Praunheim
Five transgender women share their prison experiences. Interviews with attorneys, doctors, and other experts are also included.
Watch the chilling tale of African women whose fertility was tragically stripped away through an experimental tetanus vaccination program. Are women from other continents next?
An accurate depiction of the basic tenets of northern Mahayana Buddhism, cast into living or "experiential" form, consistent with powerful mantras heard on the soundtrack of the film. Tarthang Tulku, a Tibetan Lama, was the advisor.
In this short film, two starstruck movie fans hire a tour guide and see a plethora of Hollywood stars.
The everyday life of a family in Tanzania is portrayed from the point of view of the eight-year-old son Twaha.