Crossing the Divide

Sarajevo in the twentieth month of its besiegement. The situation is critical, but the city chooses to organise an international film festival. Dutch filmmakers Johan van der Keuken and Frank Vellenga present Van der Keuken's documentaries Face Value and Brass Unbound there, and one of the festival organisers asks a festival visitor: "What is the significance of film in war?" In Sarajevo Film Festival Film, a reflection on film, war and daily life, fictional images are juxtaposed in a disconcerting way with the gruesome reality of the life of a festival visitor.

For Filmmaker Film Festival (2023), Fulvio Baglivi and Cristina Piccino asked some filmmakers (R. Beckermann, J. Bressane, D’Anolfi/Parenti, T. De Bernardi, L. Di Costanzo, A. Fasulo, F. Ferraro, M. Frammartino, S. George, ghezzi/Gagliardo, C. Hintermann, G. Maderna, A. Momo, A. Rossetto, M. Santini, C. Simon, S. Savona) to give us their own "lost road," that is, a sequence, scene or piece of editing that did not later find its way into the final version of one of their works. Each fragment has its own accomplished presence, often has a different title from the film it was made for, which is not necessary to have seen in order to find meaning; on the contrary, those who set out thinking they know the world they are walking through will find themselves displaced.

In southern Italy, stateless migrants pick the tomatoes the rest of the world will taste. But what about these workers’ European dreams? Will they be ground to a pulp? Our canned tomatoes are picked by migrant workers who have come to southern Italy to realise their dream of Europe. However, they never get beyond the tomato fields. This documentary shows how the tomato broaches a broader issue. Will the pickers keep believing in their dream, or fight against a Europe where others reap the sweet rewards of their disillusion?

A secret culture of foragers hunt the Matsutake, a coveted Japanese mushroom worth up to $1,000 a pound—although its true value lies underground as a brilliant networker and healer of ruined landscapes. The Matsutake might just be our last, best hope for an American forest system run amok.

Twenty people, from all walks of life, are each locked alone in a room for the length of one 400-foot roll of 16mm film (11 minutes). They are each given the same set of twenty questions, which they can answer at random...if they're not completely distracted by their surroundings. Shot in 1987.

An elderly Catherine de Medici reflects back on how the prophecies of Nostradamus accurately predicted the fates of her husband, her three sons and herself.

A look at the horror movies of the 1980's.

A sociological meditation on the different "exits" that young Palestinians choose, in order to cope with life in the refugee camps.

In What Makes a Woman, Munroe Bergdorf sets out to explore the changing world of gender and identity by way of her very own, very personal journey. Showing her in quiet, intimate, and extremely vulnerable moments. An honest insight into gender identity, Bergdorf prepares for a life-changing facial surgery, helping her finally picture herself as a woman.

Documentary on the making of "The Searchers" (1956), starring John Wayne and directed by John Ford, with outtakes, behind-the-scenes footage and interviews with many of the surviving cast and crew.

A compilation of conferences/debates between renowned designers, environmental activists, and students on the concept of design. Held in Aspen, Colorado, USA.

Diving deep into the true causes of the Great Recession, the financial crisis of the 2010s, renowned economists, investors and business leaders explain what America is facing if we don't learn from our past mistakes. Is the economy really improving or are we just blowing up another Bubble?

The first woman to appear in front of an Edison motion picture camera and possibly the first woman to appear in a motion picture within the United States. In the film, Carmencita is recorded going through a routine she had been performing at Koster & Bial's in New York since February 1890.

A young woman of the Tarahumara, well-known for their extraordinary long distance running abilities, wins ultramarathons seemingly out of nowhere despite running in sandals.

The earliest surviving celluloid film, and believed to be the second moving picture ever created, was shot by Louis Aimé Augustin Le Prince using the LPCCP Type-1 MkII single-lens camera. It was taken in the garden of Oakwood Grange, the Whitley family house in Roundhay, Leeds, West Riding of Yorkshire (UK), possibly on 14 October 1888. The film shows Adolphe Le Prince (Le Prince's son), Mrs. Sarah Whitley (Le Prince's mother-in-law), Joseph Whitley, and Miss Harriet Hartley walking around in circles, laughing to themselves, and staying within the area framed by the camera. The Roundhay Garden Scene was recorded at 12 frames per second and runs for 2.11 seconds.

A film by Louis Aimé Augustin Le Prince, shot in late October 1888, showing pedestrians and carriages crossing Leeds Bridge.

Deus Vult

The AfD, founded in 2013, is a right-wing party that has become increasingly radicalized in recent years. To illustrate this, only those who enthusiastically joined the party in its early years are heard. They describe what they looked for and found in the party, but also how and why they left, disillusioned and frightened by the AfD's developments. How did they experience the party's radicalization process? How did friends and family react? When and why did they decide to turn their back on the party? How difficult was the exit process? The documentary provides an illuminating inside view of this party, which has been driving the established parties and the political establishment ahead of it for over ten years, gives viewers a unique look into the AfD's chronicle and world of thought and is at the same time a film about the mechanisms of political radicalization.

Poles forcibly displaced from the eastern lands after 1945 tell about their experiences, recall that difficult period when they had to leave their homes, leave all their possessions, neighbors. Paweł łoziński's Film is a story about people who had to start life from scratch in a new place. They can hardly hide their emotion, hold back tears. They're trying to make a whole out of memory chips.

What does beauty look like? In this award-winning short, Kenyan filmmaker Ng’endo Mukii combines animation, performance, and experimental techniques to create a visually arresting and psychologically penetrating exploration of the insidious impact of Western beauty standards and media-created ideals on African women’s perceptions of themselves. From hair-straightening to skin-lightening, YELLOW FEVER unpacks the cultural and historical forces that have long made Black women uncomfortable, literally, in their own skin.