The Monday Before Thanksgiving

A story narrated by a man who works in personal interactive holography, enabling people to experience fantasies, or the memories of others, through dream-like holograms.

I Don’t Belong Anywhere - Le Cinéma de Chantal Akerman, explores some of the Belgian filmmaker’s 40 plus films. From Brussels to Tel-Aviv, from Paris to New-York, this documentary charts the sites of her peregrinations. An experimental filmmaker, a nomad, Chantal Akerman shares her cinematic trajectory, one that has never ceased to interrogate the the meaning of her existence. Thanks in great part to the interventions of her editor, Claire Atherton, she delineates the origins of her film language and her aesthetic stance.

Studers erster Fall

An alternate look at a part of Sicilia, perhaps left out for its more straightforward didactic quality. Interesting to again see the long gaps. Also note the extra use of close-up (for them) on the old woman.

A young child's fear of "a monster in the well" may keep him from saving the life of someone close to him.

Nydia occupies her days by completing household chores and secretly reading poetry. Aspiring to escape a mapped out fate, she accepts a motorcycle ride invitation downtown from Jeff, a mysterious classmate of hers.

The film follows a woman who has a chance to reflect on her life when a wormhole opens upon David Bowie’s death.

FrackNation is a feature documentary that aims to address what the filmmakers say is misinformation about the process of hydraulic fracturing, commonly called fracking.

Red Rowan

Deneuve plays sassy grandmother Bettie who takes to the road after being betrayed by her lover and learning her business is on the verge of bankruptcy on the same day. During a weeklong odyssey across France, she spends time with a grandson she hardly knows and reconnects with her past as former Miss Brittany through a reunion for former beauty queens.

Palavra (En)Cantada makes a journey in the history of the Brazilian songbook with a look at the relationship between poetry and music, sewing testimonials of great names of our culture, musical performances and amazing research of images.

Documentary produced for the We Are Water Foundation, on the ecological disaster of the Aral Sea in Central Asia. Aral was just 50 years ago, the fourth largest lake in the world, with 66,000 square kilometers. Today is a vast desert with skeletons of boats stranded on the sand.

A performance artist works tirelessly to fulfill her dream of adopting Sudanese twins, placing her marriage and career at risk in this documentary.

Whatever happened to this promising young actress from Hollywood? A search for "the woman in the car" through the never-ending suburbia of Los Angeles, where the myth of cinema reigns. A sort of thriller without a corpse.

Rewa Singh (Tabu) and Sia Sheth (Sushmita Sen) are best friends. Having grown up together, the pair are inseparable and are always there for each other. They are very different when it comes to marriage and commitment.

In cities like Paris there are countless people from Eastern Europe who have forsaken their homelands because they can see no future there. Lucia and her little daughter Marussia are two such people. They have been thrown out by the Russian acquaintances they were staying with and must tramp the streets with their trolley suitcases searching for somewhere else to live. A Russian Orthodox priest offers them their first night's shelter. They spend the second night in a homeless hostel and party through the third with a chance acquaintance. On the fourth night they sleep clandestinely in a cinema and on the fifth with a Russian artist in a hotel … Lucia is good-looking, dresses elegantly and is certainly not shy of men. This serves the mother and her daughter well. In spite of all the uncertainties in their lives, the two frequently share tender moments.

Accompanied by gripping images from the war, 'Oh, Saigon' is an in-depth, compelling documentary about one refugee family's attempts to face its divided past and heal the physical and emotional wounds of the Vietnam War.

Lizzie's best friend, Andie, becomes pregnant and offers to give the baby to her. Lizzie's husband, Peter, reluctantly goes along with being the child's father, and Andie moves into the guest room for the remainder of the pregnancy.

A young woman called Fiona shows up in a city in the Ruhr area to work for the Bauer family as a housekeeper. Father, mother, daughter and son all live their own lives, co-existing without communicating. Nobody realizes that Fiona has made a decision.

On the eve of his wedding, a successful writer travels around the country to meet up with ex-lovers in an attempt to make amends for his wrongdoings.