Roads of Fire

Documentary about asylum seekers in the Netherlands.

A close look at what really means to be part of Haus of Fraimpark, an alternative drag family in Panama City. Daughters and Nieces of Miss Veneno Fraimpark share their experience in belonging to one of Panama's most acclaimed drag houses.

Panamanian women tell their struggle to overcome inequality and discrimination in the political and public sphere and for the right to universal suffrage which they obtained in 1946.

Documentary on the Panamanian struggle for the rescue of the lands of the so-called Canal Zone, militarily occupied by the forces of the American army.

What does it mean to belong to a place, a country? In a south Tel Aviv elementary school, that question is addressed head-on by a fourth-grade class and their teacher. The children are asylum seekers whose families mostly do not have a legal status in Israel, yet learn, sing and play in Hebrew all the while examining their identity and sense of belonging.

Examines how the Immigration and Naturalization Service decides who will be granted asylum in the United States. The applicant must have a "well-founded fear" of persecution in his or her home country. Despite true and terrifying stories of torture and mistreatment, it's often up to how well the translator presents the case and how sensitive are the ears of the asylum officer to decide a person's fate.

An urgent and powerful documentary, shot in a detention centre where asylum seekers trying to reach Australian shores are indefinitely detained. Secretly shot on a mobile phone by Iranian journalist Behrouz Boochani while detained on Manus, in Papua New Guinea, the film is a collaboration with Dutch-Iranian filmmaker Arash Kamali Sarvestani. Boochani recounts, via the testimonies of fellow inmates, the abuse and violence inflicted and the precarious state of limbo they find themselves in. Chauka, the name of the dreaded solitary confinement unit within the detention centre, was originally the name of a beautiful bird and symbol of the Manus Island. By interweaving dialogue with two Manusian men and shots of daily life on the island, the film gives a much-needed voice to Manus inhabitants, understandably distressed by the current situation. With marked restraint, the film exposes lives broken by shocking immigration policies.

To cool the heat on the asylum debate - the biggest 'hot potato' in Australian politics, we took a hot potato food van around the country in the lead up to the 2013 Federal Election. The mission? To see what Australia really thinks asylum seekers. This is an account of this journey.

Growing up in poverty as a child, Dylan dreamt of travelling the world on a motorcycle. Many years later he broke the shackles of a normal life and took to the road. After journeying 200,000km across four continents, the road from Panama to Colombia comes to an end, swallowed up by an impenetrable jungle. Dylan has no choice but to take to the sea, building a raft powered by his motorcycle engine in the hope of reaching Colombia's road network 700km away. He must brave strong ocean currents and storm batterings in his journey from Central to South America.—Journeyman Pictures

The story of Ahmed Albarjo, a man living in Malta struggling to secure Refugee Status. Made in collaboration with Spark 15 and RAAH.

In 2000 in the jungles of Panama, a young journalist, named Ana, has a chance encounter with a tiny orphaned sloth, which she names Velcro. For nearly two years, the pair is inseparable until finally Ana travels up a remote river to reintroduce Velcro back to the wild. This is the story Ana’s return to Central and South America to see how much has changed since Velcro came into her life.

This winner of the 1993 Academy Award for Best Documentary Feature details the case that the 1989 invasion of Panama by the US was motivated not by the need to protect American soldiers, restore democracy or even capture Noriega. It was to force Panama to submit the will of the United States after Noriega had exhausted his usefulness.

This feature documentary follows three newly arrived people in Canada and their experiences with the Canadian Refugee process. As claims are assessed and paperwork is double checked, we begin to examine exactly who can be considered a refugee.

A small community of lovers of freestyle rap begins to grow in the parks and squares of Panama. From rapping on buses to on stage, the love of Hip-Hop abounds in their hearts.

INVASION is a documentary about the collective memory of a country. The invasion of Panama by the U.S in 1989 serves as an excuse to explore how a people remember, transform, and often forget their past in order to re-define their identity and become who they are today.

Music producer Professor Angel Dust and his wife Kene are arrested at Panama airport on their way back to Barcelona. Their daughter is taken into custody by the local social services. Angel's brother Mauricio is in shock. Forced to park his life in Spain, he flies to Panama to take custody of his niece, find a lawyer and seek protection for his brother in prison. After two months, he succeeds in bringing his niece back home, but has to fly back to Panama for the trial of his brother and sister-in-law... His journey will become a contemporary 'odyssey' full of overwhelming encounters with characters whose philosophy of life and daily routines illustrate some of the human paradoxes to their very limits.

The Perfect Story offers a riveting, intimate look at the ethical and moral challenges sparked by the relationship between a foreign correspondent and a young Somali refugee. By revealing the boundaries of journalism and filmmaking, the film questions what stories are told, why, and who gets to tell them.

The indigenous people of the Darién Gap rainforest work with conservationists to use their heritage and traditions to protect the endangered Harpy Eagle and, in turn, protect their community.

A Wounaan teenager and a leader of their community venture into the Darién in search of a sacred bird. Along the way, they will face the dangers that threaten their territory and their culture.

Filmmaker Azad Larki, who is undocumented, follows his mother during her final days in Sweden after his family has lived without legal status for two years. Facing deportation to Iran, they have survived in hiding, without rights or security. When his mother decides to flee alone to London - leaving her husband and son behind - the film captures a dangerous farewell where humor becomes a final survival strategy against fear, separation, and uncertainty.