Marshmallows

Years after the crime, three clueless investigators discuss the disappearance of a young tourist in a small French town.

The death of the minotavr talks about the concept of the heroine's journey. Suffering, horror and exhaustion lead the protagonist to a process of transformation, abyss and expiation, because only murdering to minotaur and everything he represents is possible to return to life. From the female gaze, it shows the depth of the emotional wounds caused by domestic violence; the same one that the surrealist Dora Maar lived and that ask why, as a society, instead of killing the minotaur, we blindly continue to send him women only to be devoured and ask them why they simply did not fight, why they did not try get out of the labyrinth.

A visual barrage of nature, colors, and scenery combining into a montage that overwhelms the senses, playing with Wesendock Lieder's Richard Wagner piece.

A poet's muse calls on his inner child to save their relationship.

A conversation between reality and consciousness.

July, 1941. After the beginning of the German invasion, an Italian soldier, a veteran of the colonial wars, is sent to the Soviet front. As he remembers the fairy tales his Russian mother used to tell him, the train he is travelling in crosses Europe on its way to the vast Ukrainian plains, where the enemy and a cruel winter await him… (Based on the experiences of several Italian soldiers.)

A man leaves suddenly. Two men chase him. A woman in black and white. The landscape – the one outside and the one inside of the characters – takes over. Landscape of images and words.

Andrea and the simbionte travel to Toledo; when they arrive, they find a lonely bus station, which slowly turns off the lights for them. In the silence that surrounds them, Andrea watches the moment pass and with it her certainty about her future dream with the simbionte, feeling that everything she experiences is actually a memory.

Simon is an eight-year-old boy who seems to have everything from life. He’s a handsome child, he’s rich yet unhappy. He senses that there’s something wrong with his life and this leads him to wander off thanks to his fervid imagination. His greatest wish is to leave the materialistic world behind since he isn’t fond of it. That’s why the only present he wants for Christmas is for Santa Claus to take him away to live in his fairyland toy factory. At the same time, a secret that his family has been keeping for a long time suddenly comes to the surface and it is feared that the worst might happen soon. The expectation for the stroke of midnight on the night before Christmas is transformed into reality for everyone on the eve of something truly different. Something terrible that might happen.

After a woman comes into contact with photographs from an archive, she reflects on her existence through her memories and the memories printed on photographs.

Feeling not real? Let me go insane. An homage to the director's mind. A take on body dysmorphia and the bloody tale of self love.

A woman reflects under the parapet.

A reclusive former star of British cinema reflects on the loss of her child and her past life in the spotlight.

Bustoni, a performing arts worker who lives with his mother who are dying, has a question that distract his life. What will happen to a woman after death?

Picnic

Three ancient heroes encounter the spectres of their dead loved ones and struggle to let them go.

Alex returns to a lifeless home that she ran away from at a young age. Once home, she begins filming a video about her past life but begins to question why she is putting her misery on display instead of doing what makes her happy.

A group of characters deal with the aftermath of catastrophe.

Normality is a human state of good intentions, empathy, caring and wanting to do the best for those we love and the world at large.

A man who is paranoid and deluded by his own conspiracies that someone out there is after him must come to terms with the root of his suffering.