Supply & Demand

Young sweethearts Billy and Kate move to the Big Apple, land jobs in a high-tech office park and soon reunite with the friendly and lovable Gizmo. But a series of accidents creates a whole new generation of Gremlins. The situation worsens when the devilish green creatures invade a top-secret laboratory and develop genetically altered powers, making them even harder to destroy!

A first-time raver enters an underground club searching for escape, but the night descends into terror.

An overview of the generation and use of electricity.

Short film about electricity in modern life.

The family dog warns Tom not to make any noise so he can take a nap. Jerry hears this and immediately devises plans to ensure that the dog's nap will be interrupted.

DRIFT is a collaboration started in 1991 between visual artist Leah Singer and musician and poet Lee Ranaldo of Sonic Youth. DRIFT is an immersive sonic/visual environment consisting of music, sounds and texts by Ranaldo in response to two 16mm analytical film projectors performed in real time by Singer. Much as a DJ scratches a vinyl record, Singer manipulates her films in a live improvisation with Ranaldo's guitar, poetry and soundscapes.

Urla, la città

A Propos d'Enedice

Sammy and his cousin Frank wait for a call that could change Sammy's life, but could it change Frank's too?

Trapped in the swirling thoughts of a late night shift, a restaurant worker receives a cryptic phone call, guiding her to a refuge from the noise.

A concert of the industrial band Ministry, filmed during the famous "The Mind is a Terrible Thing to Taste" tour with guest artists like Ogre (of Skinny Puppy) and Jello Biafra (of the Dead Kennedys). 1 Breathe 2 The Missing 3 Deity 4 So What 5 Burning Inside 6 Thieves 7 Stigmata 8 Jello Biafra 9 The Land Of Rape And Honey Filmed September 3, 1990 at the Riviera Theater - 4746 N. Racine Avenue, Uptown, Chicago, Illinois, USA

The ruin pub phenomenon in Budapest jolted the city to life like an explosion in the early 2000s. The capital, which had flourished and buzzed with culture at the turn of the century, was levelled in an instant by the Second World War. The people living here had to start from scratch, and through perseverance and determination, the city once again began to thrive—only to slide toward decline once more. Budapest exists within this cycle, and the ruin pub is part of it, encapsulating a sense of permanence built from the ruins of Eastern Europe.

After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.

A short documentary with funk, fashion and noise, with intimate stories from students and artisans from New Zealand and India pursuing a responsible fashion future.

On a clear and frigid Christmas Eve in 1998, in a small, forgotten city, a solitary taxi driver on the graveyard shift breathlessly awaits the sight of the International Space Station. As the hours count down, a parade of offbeat misfits derail his plans, propelling the story to its exhilarating climax. In this poetic, hilarious and often absurd tale, complete strangers discover unexpected unity and a newfound understanding of their place among the stars.

A documentary showcasing a series of tributes to deceased D-beat legend, Kawakami.

Pedro is a young man who begins to be tormented by a mysterious noise coming from the wall of his house, and he is the only one who can hear it. As the days go by, Pedro tries to find out where this sound is coming from in order to put an end to it and discovers that the noise is not actually coming from the wall.

Fuck TV was a comprehensive and experiential audio-visual presentation comprised of ten episodes. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. This DVD set marks the first time that this show has been made available since its original airing.

This educational film from the 1940s teaches the fundamental definitions of, and the physical concepts involved in, volt, ampere, ohm and watt.

While recording sound effects for a slasher flick, Jack Terry stumbles upon a real-life horror: a car careening off a bridge and into a river. Jack jumps into the water and fishes out Sally from the car, but the other passenger is already dead — a governor intending to run for president. As Jack does some investigating of his tapes, and starts a perilous romance with Sally, he enters a tangled web of conspiracy that might leave him dead.