Grandin, les raisons d'une victoire

Dancing in Dulias was made by members of Lesbians and Gays Support the Miners (LGSM) and Lesbians Against Pit Closures during and immediate after the 1984/85 minders strike. Like the forthcoming movie, Pride, it documents the interactions between lesbians and gay men and the miners and their families in Dulais in South Wales - only this time it's the real thing. As well as some memorable footage that includes the Blaenant Lodge banner leading the 1985 Lesbian and Gay Pride march and LGSM members struggling with bingo at the local community hall, the film documents the wider political impact of this seemingly unlikely alliance. (cont. http://www.cambridgefilmfestival.org.uk/films/2014/dancing-in-dulais#sthash.HScQCj7E.dpuf)

In 1992 – 500 years after the beginning of Spain's global empire with the discovery of America – Spain proudly presented itself to the international community as a modern, developed, dynamic country through the Olympic Games in Barcelona and the Expo in Seville. But for filmmaker Luis López Carrasco (1981, Murcia), 1992 was also the year in which the regional parliament building in Cartagena was razed during furious protests against the threatened closure of various local industries. El año del descubrimiento revives this almost forgotten history in a typical Spanish bar in Cartagena, where different generations come together to drink, eat, smoke and talk. Stories from witnesses, demonstrators and strikers from back then and discussions among younger café visitors on themes such as class consciousness, the economic crisis and the role of unions percolate to the surface amidst talk of other life issues.

I have been pretty satisfied with my life before I got on the bus. When I do in June 2011, my whole life turns upside down. I am just a regular passenger at first. Like other people I was sorry, and felt obliged to help and care for other passengers. Then I begin to film these common heroes with my camera. Those who speak about hope, who provide it and get on the bus, Ms. Kim Jin-suk, and other crane laborers who risk their safety while demonstrating for their rights on high. She, while stationed insecurely on high, begins interacting with the world through Twitter and makes friends. Then I realize I really love her. Will we have her back safely?

In the heyday of the jute industry, millions of people in Bengal made their living doing this laborious work, which has hardly changed since the industrial revolution. The 100-year-old machinery has been endlessly repaired. State aid kept this sustainable alternative to plastic going, but its future looks bleak.

Documentary marking the 30th anniversary of the 1984 miners' strike, one of the bitterest industrial disputes in British history, with stories from both sides of the conflict.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Documentary about the nurses' strike in Finland on autumn 2007.

‘VIGO 1972’ narrates the events which took place in Vigo in September 1972, when the firing of five Citröen auto workers resulted in the largest general strike in the history of Galicia — with over thirty thousand workers — all of this during the Franco dictatorship in Spain.

On the 5th of March 1985, a crowd gathered in a South Yorkshire pit village to watch a sight none of them had seen in a year. The villagers, many of them in tears, cheered and clapped as the men of Grimethorpe Colliery marched back to work accompanied by the village’s world-famous brass band. The miners and their families had endured months of hardship. It had all been for nothing. The miners had lost the strike called on March 6th 1984. They would lose a lot more in the years to come. But was it a good thing for the country that the miners lost their last battle?

Documentary following some stoner friends over the course of roughly a day. Featured here is Bill, a guy who got kicked out of the Marines for doing dope steadily for six years (I'm not gonna do it forever--or maybe I will, who knows?) and Barry, a forklift-driving doper who wins the Employee of the Month plaque while stoned (Live for yourself--live today and then worry about tomorrow when it gets here--that's the way I go).

Emma Freese is desperate when her husband Alfred falls ill at the Howaldtswerke in Kiel. How is the family supposed to get by without their wages? The war has scarred this generation, but now things are supposed to be looking up. The workers want their fair share and are fighting for an income that also gives them room to live. In October 1956, 34,000 metalworkers in the shipyards and factories of Schleswig-Holstein walk off the job to fight for justice and their dignity. This strike is still regarded as the toughest and longest in Germany. Employers and politicians stand in the strikers' way.

In July of 2019 the Blackjewel coal company announced it was declaring bankruptcy. Miners were told to stop working mid shift, and their last paychecks bounced. The miners retaliated by blocking a train full of coal, camping out on the coal tracks for weeks. Queer regional organizers made their way to the encampment to support the miners. The encampment became a place for community gathering and mutual aid distribution. Sarah Moyer, a film maker living in Kentucky, also made their way to the encampment and filmed this short documentary on the blockade. (Summary from Queer Appalachia)

How did the USSR - a country considered a second-rate industrial power, economically inferior to Germany, the USA and the UK - shape its victory over the armies of Hitler's regime, and secure its place among the winners?

A cinema verite study of the world of the blue-collar worker and the economic and psychological bind in which he is caught.

7 mill. HK – en film om Burmeister & Wain

Reserved by Citroën for immigrant workers, the Aulnay-sous-Bois factory experienced its first strike in 1982. Thirty years later, it's the turn of a new generation to join the fight. Worthy heirs of their parents, the workers revive a forgotten memory and offer a unique perspective on the history of contemporary France. Matteo Severi's film mirrors these two social struggles, led by workers from immigrant backgrounds.

Every year, many Asian workers arrive in South Korea with dreams of prosperity, only to face exploitation in what is known as the 'City of Machines.' This documentary follows three Nepali workers as they endure harsh realities while reclaiming their dignity through poetry.

When workers at the Hormel meatpacking plant in Austin, Minnesota are asked to take a substantial pay cut in a highly profitable year, the local labor union decides to go on strike and fight for a wage they believe is fair. But as the work stoppage drags on and the strikers face losing everything, friends become enemies, families are divided and the very future of this typical mid American town is threatened.

A detailed look at the gradual decline of Shenyang’s industrial Tiexi district, an area that was once a vibrant example of China’s socialist economy. But industry is changing, and the factories of Tiexi are closing. Director Wang Bing introduces us to some of the workers affected by the closures, and to their families.

The drastic economic development in South Korea once surprised the rest of the world. However, behind of it was an oppression the marginalized female laborers had to endure. The film invites us to the lives of the working class women engaged in the textile industry of the 1960s, all the way through the stories of flight attendants, cashiers, and non-regular workers of today. As we encounter the vista of female factory workers in Cambodia that poignantly resembles the labor history of Korea, the form of labor changes its appearance but the essence of the bread-and-butter question remains still.