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On the eve of a significant birthday, a woman facing an existential crisis convinces her partner that a threesome might change everything.

An amateur stand-up comedian seeks company online after the bar closes on a winter's night, but fails to connect with her surroundings and herself.

When night dawns on the farm a little bat wakes up. The little bat wants somebody to keep its company. It doesn't want to be alone. It is looking for a friend.

Kontrol-Eskape

When snow comes, winter sports are back and all the animals rush to the frozen lake.

On her first day at a new school, a self conscious young girl learns that friendship can overcome difference.

This short film begins with the character Chauncey (a puppet made of sex toys resembling a mouth and hands with a sock for a body) rolling around in a babies’ rolling chair and watching obscure cartoons and shows on TV. They have satirical, comedic, religious, and disturbing overtones... but to Chauncey and his Dad, this is normal. After a while of the cartoons and Chauncey eating a sausage and then throwing it up, the cartoons inspire Chauncey to ask a series of philosophical questions to his Dad. The questions involve what happens after death, the meaning of life, and Chances asking about his identity and why he’s different.

A trippy pop-art collage of phallic objects, naked women and American icons, most notably Elvis Presley.

Abstract video art created in 1979. Video and audio by Dean Winkler, Glenn Van Alstyne, Tom Lucke, Elaine Lewis, and Brian Aitchison. Chirp-1 / Quantel was created in two separate effects passes: At the RPI Video Synthesizer Lab an old porno tape (on stock that was donated to us) was processed using an analog Serge modular music synthesizer to sequence the sounds and control the colorization of an analog Hern video synthesizer. The sounds are also inserted into the video, which are the stripes you see, changing with frequency. The tape from the first pass was taken to EUE Video and used to seed an analog feedback loop around a Quantel 5000 digital effects device.

At a tiny Parisian café, the adorable yet painfully shy Amélie accidentally discovers a gift for helping others. Soon Amelie is spending her days as a matchmaker, guardian angel, and all-around do-gooder. But when she bumps into a handsome stranger, will she find the courage to become the star of her very own love story?

Your first date becomes your worst nightmare...

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

County Durham, England, 1984. The miners' strike has started and the police have started coming up from Bethnal Green, starting a class war with the lower classes suffering. Caught in the middle of the conflict is 11-year old Billy Elliot, who, after leaving his boxing club for the day, stumbles upon a ballet class and finds out that he's naturally talented. He practices with his teacher Mrs. Wilkinson for an upcoming audition in Newcastle-upon Tyne for the royal Ballet school in London.

Two sisters arrive at their parents' home for Christmas with boyfriends in tow. When the family leaves for a last minute trip to the mall, the two boys are left to mind the turkey. What ensues will surely become a memorable holiday for all.

In the schoolyard, Benoît loses a bet to his friends. His penalty: ask Aglaée, a disabled student, out on a date.

Three love stories. The same country that condemns them. A queer Guatemalan anthology that explores love between men in a society without LGBTQ+ rights. FIRST: Two teenagers discover their attraction at a party, experiencing that first kiss that changes everything. TRUE: A bitter comedy about an ex who discovers her new boyfriend's secret at his wedding. LAST: Heartbreaking drama about a seven-year, closeted relationship that collapses.

In a bland, utilitarian world of order, one worker finds his inner jazz

Walter Winchell meets a budding country journalist and shows her around the Biltmore Hotel.

A woman gets too immersed in an artwork during a museum visit.

Walking towards the fire. In a ceaseless stream of light, people, landscapes and objects lead us to mysterious regions. French filmmaker Patrick Bokanowski’s work is hard to classify - and all the richer for it. Together with his wife Michèle, whose musique concrète compositions form the basis of the sound design, Bokanowski offers a prolonged, dense and visually visceral experience of the kind that is rare in cinema today. Difficult to define and locate, its strangeness is quite unique.