A Girl Named Abigaël

Propaganda short about the "Führer" Adolf Hitler

Super-8 footage captured while filming Bergman Island. In voice-over, filmmaker Mia Hansen-Løve offers intimate reflections on her creative process on the island of Fårö and her relationship with Bergman and Swedish cinema.

A hotel in the centre of town is a war-time home and refuge for many of Sarajevo's homeless people. Every morning they leave the hotel and wander around the destroyed city gathering again at the defunct hotel in the afternoon. This film follows their separate fates through the bitter comparing of images of the bums with those of dogs abandoned by their owners and now left et the mercy of the war ravaged streets of Sarajevo.

The experiences of a young girl help to focus attention on some psycho-social aspects of the venereal disease problem. Written and directed by Rolf Forsberg (maker of Parable, Stalked, Ark, One Friday).

Jean-Michael Cousteau's documentary about the Great Barrier Reef keeps getting interrupted by characters from Disney's Finding Nemo.

An intimate portrait of a unique sportswoman in extreme life roles. Mother of three adopted children, world and European champion in fitness and record holder on long distances throughout Slovakia. Soňa Kopčoková is a former professional fitness athlete with the titles of World and European Champion. After the end of her elite sporting career, she devoted herself fully to her family until she discovered that she loves long-distance running in the mountains. And so today she fulfils her dreams in the hills, running often only by herself... On June 16, 2021, she reached Devín after 11 days, 15 hours and 30 minutes in a new Slovak women's record on the SNP Heroes' Route route. From Dukla to Bratislava, she ran alone, without support and with only a single backpack where she carried everything, she needed to survive...

Images, voices, and interrupted silences that evoke the intangible losses caused by COVID-19.

At his Long Island beach house, and on the occasion of the publication of his masterful nonfiction novel In Cold Blood, reporter Karen Dennison interviews celebrated writer Truman Capote, who displays his exuberant personality, makes witty jokes, shares his thoughts on writing, reflects on various aspects of the book and, in a sweet and endearing voice, reads and explains some of its highlights.

Rae Ripple, a welder from the outskirts of West Texas transforms neglected metal into works of art and in the process finds healing from her traumatic past.

Indonesia, 1965: hundreds and even thousands of people are arrested without warrant. Some did come back, the others lost without trace. Svet, one of the survivors of the Indonesian dark history recounts the memory she had of her father, whom she believes to be responsible for the 1965 tragedy.

A homage to Andrei Tarkovski made for the Spanish edition of the Chris Marker movie 'Une journée dans la vie d’Andrei Arsenevich'.

Carl Johan De Geer remembers his old friend Lena Svedberg. He talks about how they used to make their magazine together, how beautiful but strange she drew and how bad she seemed to feel.

A walk through the landscapes of the province of Salamanca, Spain, as well as a testimony of the daily life and customs of its inhabitants.

A walk through the landscapes of the province of Barcelona, Spain, as well as a testimony of the daily life and customs of its inhabitants.

Shot at high noon in New York’s financial district, Wallstreet is much like a vertical tickertape, charting the existence of typical office workers. The film’s elongated shadows suggest these workers’ depersonalized, neuter, nearly uniform lives, which flow by without any solid or stable element that might provide definition.

People-watching across lower Manhattan.

Short documentary about the Paykan automobile assembly-line

Ronald Reagan and Richard Nixon on Camera 1983

Through a powerful visual metaphor, Camille Vigny gives a first-person account of the domestic violence she suffered. The images and text interact with remarkable precision to convey the devastating impact of the cataclysm. It's a political gesture, brimming with courage, an icy cry that takes your breath away.

Susana Barriga’s documentary, the illusion, begins with violence. A long shot reveals a man standing on a street corner, his features indiscernible in the night. He moves out of the camera’s line of vision, but the filmmaker, persistent, moves with him as the jostling of the camera marks her steps. As we learn moments later, the man in the distance is Susana’s father – and this is the clearest image of him we will have. Suddenly, an angry British man demands that Susana cease filming. Susana protests in heavily accented English, “He is my father!” Glimpses of a man’s torso are followed by blurred images as the camera spins rapidly over surfaces. The image cuts to black. A new male voice asks in carefully spaced out words if Susana would like him to call the police. When she doesn’t respond immediately, he speaks louder, as though volume would compensate for the language difference. She gives her name; she refuses the offer of an ambulance.