A graphic portrayal of the last twelve hours of Jesus of Nazareth's life.
Maga Mommaga is a 1974 Indian Kannada-language film, directed by Y. R. Swamy and produced by R. Panduranga Naidu and D. R. Raghavendra Naidu. The film stars Dwarakish, K. S. Ashwath, Vajramuni and Balakrishna in the lead roles. The film has musical score by M. Ranga Rao.
m e m o r y - m a c h i n e
Emotionally wounded, blaming her father for the loss of her mother. Nozi navigates through life hurdles in search of healing and peace through music.
Prepare for an eye-opening journey into the heart of identity and division. 'Tethers' is a groundbreaking interview-style documentary that delves deep into the complex tapestry of cultural differences, racial tension, and the ethnocentric divide between Africans, African Americans, and Foundation Black Americans.
Nyengkuyung tells about the adventures of Pak Suratno, a former RT head who tries to hold a gamelan performance in the midst of his confusion about adapting to the new routine of becoming a retiree. In the midst of his efforts, he discovered odd things that were done by Pak Hari, the new RT head.
A deceased couple finds themselves trapped in limbo, faced with the dilemma of staying there forever or facing the crux of their relationship head-on.
A left-wing journalist whose wife died while giving birth to his son during a military coup returns to his family's farm. Estranged from his father for turning his back on the family and wasting his life with political activism instead, he tries to reconnect with him so that his son will have a place to live as his health is deteriorating due to the extensive torture he had to endure.
Fate unites Juju and Jimmy, two grieving hearts on a NY train, leading to unexpected solace and a second shot at love. Amidst shared pain, they uncover life's unforeseen second act. A tale of love, loss, and rediscovery.
Steve Thompson is losing himself, one memory at a time. Plagued with amnesia after getting a concussion, Steve is overwhelmed by his unrecognizable life and leaves his family in search of answers. But his quest only returns him back home, where he must face his demons and get at the truth.
A heroic fire captain values dedication and service to others above all else, but the most important partnership in his life, his marriage, is about to go up in smoke.
A relentless documentary filmmaker struggles to unravel the mystery of his uncle's death as an unknown adversary threatens to destroy the project and his family.
A short portrait of a mother-daughter relationship.
Like Handel’s Orlando (1732) and Ariodante (1734), Alcina derives from the narrative material in Ariosto’s Orlando furioso. The story of the sorceress Alcina, an initially hedonistic, manipulative woman who later finds herself a victim of love, fits into the genre of the ‘magical opera’ with numerous magical elements, but Handel achieved considerable emotional authenticity in his characterisations. This makes Alcina one of the most deeply felt and multifaceted operas. ‘You may despise what you like ; but you cannot contradict Handel,’ said the Irish playwright George Bernard Shaw. As in Tamerlano, Pierre Audi based this production on the stage at the baroque theatre at Drottningholm, for which he originally developed the directing concept. His set is thus based on the principles of perspective, with wings in the form of painted panels. The result is marvellous modern musical theatre in a historizing frame.
Harold May, an excellent Jewish-American tap dancer, on tour in Europe with his company, receives an offer from a German that is difficult to pass up: a large sum to put on a show in Berlin. The German does not know that Harold is of Jewish origins; the year is 1937 and, once they arrive in Germany, the company discovers that he will have to perform in the presence of Adolf Hitler.
Lobos e Cordeiros
When she realizes that her grandmother, the woman who raised her, is losing her sight, the director decides to explore the bond that unites them through the episodes of non-vision that these three generations share, the memories of the past, the misunderstandings and the new memories they seek to have in common.
Yahya is a middle-aged man who lives in a small town, a place where he can hide and forget his past, connected to the repression in Iran. One day, his son Nima leaves the house and disappears. Gradually, he distanced himself from Marta, his lover, and sought refuge alone. So, the police department calls and informs that a body that cannot be identified has been found, and Yahya is convinced that his son ran away because he found out his secret. To find him, Yahya will have to face his memories.
After discovering a mysterious drug that lets him relive his days, Cameron Carter falls deeper and deeper into his subconscious.
In the days leading to betrayal, a gathering of disciples unravels into a web of secrets and hidden motives. As tensions simmer beneath the surface, trust is tested, and loyalty is questioned. The Last Supper becomes a night where nothing is as it seems, and every glance hides a deeper truth.