Group Groper Train: Plain-Clothed Prey, Uniformed Prey

A family drama in which popular sexy actresses Shizuka Kanno and Yuko Shiraki co-starred. The mother, who was said to be a guardian, passed away, and the three brothers and sisters fought for bones and flesh over the whereabouts of the heritage. Tetsuya Takehora, a veteran director of a pink movie known for "Junjo nurashi, Ai Seikatsu" and "Psycho Nobakayarou," picked up the megaphone.

OL 24 Ji: Bishôjo

One day a sexually frustrated wife is led to a gypsy fortune teller. But when the gypsy reads the tarot cards the wife is told that she must have a man soon or she will die. Not believing this the wife leaves but is soon confronted with several near death experiences that lead her to strange and disturbing erotic encounters.

Student Mistress: Taste of a Virgin

A bittersweet coming of age story of a high school girl, her father and the end of an erotic night club. An allegorical requiem for Nikkatsu studios.

Chikan Densha: OL Kando Kurabe

A road movie about three persons traveling in a campervan on their way to Tokyo, Hamamatsu, and Kyoto. The film is based on the story of the heroine, a young girl named Momo, who was a member of the "21 Faces of Kaijin" gang involved in the Glico Morinaga Incident, and the film's ideas are remarkable, including the use of a tape recording of the actual incident.

Rie, who moved to Tokyo from a rural mining town and is penniless after being cheated by her boyfriend, enters the world of underground wrestling by chance. This is a ridiculous ensemble drama inspired by Shinji Somai's "Luminous Woman" and incorporating the setting of "Tomorrow's Joe" (Ashita no Joe). Starring Aya Mizutorigawa, an idol of the pink film industry at the time.

A man with a troubled past including incest with a younger sister and the murder of a woman travels to an isolated countryside town in Nagano. There a local who mistakes him for a famous television actor shows him the town's sites, including a strip bar in which the performers remove Heian era costumes. The film's narrative is in an allegorical and disjointed manner with references to Buddhist concepts.

One day, Sonoko, a married woman having a husband, meets young, beautiful Mitsuko. Puzzled Sonoko is charmed by the beauty of Mitsuko, and two people fall into relations between women at the start.

Three high school student girls are on their spring break. They are expecting to get some sex of course. One becomes an adult magazine model. The second one nets a boyfriend. The third one is a little shy and needs helps from her friends. This last girl has fallen in love so her friends take her to his window and, by chance, arrive when mother is performing fellatio on son. The shy and pure third girl is in awe of a mother 'eating' genitalia and wants to give a similar performance.

A woman frustrated by her fiancé reluctance for premarital sex sends her on a round of boozing and remembrances of bad sexual encounters. Meanwhile someone is drugging young men late at night and doing unspeakable things to them.

A single woman has a series of messy relationships while feeling that her maternal clock is running out.

A part time student, who works at a book store, is offered a room at his boss’s house to use for his studies. But he takes advantage of the offer to sexually assault the boss’s two daughters.

Kyoko, discovering that her husband was having an affair, turns to her best friend for help.

Inspired by the true story of a Geisha murdered in a city famous for its baths, Adachi forged here his favorite style, a kind of conceptual documentary recounting the incident in monotone. The same event that at the beginning of Violated Angels escaped every principle of causality, is portrayed here as a singular anti-spectacle.

Himizu (Mayuko Sasaki) is a famous sex therapist who also appears on TV. However, the beliefs she has cultivated so far have been overturned by being raped by a man with a steel penis, a miserable sword! - When the sword thing was inserted into the anus of Himizu, a sensation that I had never experienced before ran through my body.

Semi document: Tôkyô in yoku no yoru

Mibôjin geshuku: Tadanori

A film adaptation of Koichiro Uno's original work that depicts the madness and debauchery that unfolds in a nurses' dormitory where men are strictly prohibited.