Wind

The „Haelgung“ films are charmingly impressionistic diary entries, crafted as mini homages to my closest friends, captured with a delightful lack of planning or structure and edited in camera.

During a 6-hour performance and in a additional Film, REA and Yannick Mosimann dedicate themselves to the stretching of time and space based on observations of different trees. The tree, the mammoth of floral time, seems to be a gnarled, proud and place-bound existence, nevertheless in low-frequency, flowing movement. Breathing is here a symbol of time and rhythm, carrier of tonal frequencies of our vocal cords.

Hand-edited Lomokino 35mm footage captures scenes from an island, blending shifting textures with guitars and watery drones. A visual and sonic meditation on place and transience.

A young girl is born into an enchanting yet complex world where she must make the crucial decision to follow the path of an angel or a demon, two forces mercilessly competing for her attention, set to the music of Mahler's Eighth Symphony.

Experimental cartoon which unites various techniques: puppets, sand & water (ebru) animations. About friendship, love and necessity to pay attention not only to the visual appeal.

After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.

A dynamic, contemporary dance performance about how it is impossible to explain your deepest wishes or desires... how these can only be expressed in dreams and sleep. In the final sequence, we see the importance of effort and hope in the dancers' attempt to escape gravity. The all-male company performs to the music of David Byrne.

This short film, built around a randomly chosen name and composed of scenes shot within a single room over the course of three hours, features an introspective monologue that was shaped and adapted during the editing process. The narrative aligns closely with the emotional tone and visual rhythm of the piece, particularly in harmony with the non-original music selection, Maggot Brain by Funkadelic.

Egglantine loves salt on her eggs. Eggbert prefers pepper. Who blinks first in this playful Easter ritual?

A subtle and atmospheric designed-nature film, following a beetle traversing through its newly found home, intertwined with and supplemental to the free electro-acoustic jazz album of the same name, by Cristiano Calcagnile. Complex and accessible from and in many directions, it in-cludes its elements and their displacement along the elusive boundaries of a penetrating dance, that you soon give up wanting to define, and entrusts its appeal to complexity and countless perspectives.

A stop motion/collaged based independent short film plays with the recontextualisation of memories and how time distorts them.

In a room where everything is safe and known, a man feels the pull of something vivid and uncertain just out of reach.

Exploring impressionistic, emotional and sensory environments found within the vast natural and urban landscapes of America. Neither image nor sound takes precedence: the two interact and combine preserving a raw sense of the discovery that field recordings and in-camera edited film rushes often yield.

Aspiring writer Lucy Simon embarks on a psychedelic road trip to the planet Mars with her brash, unnamed drug dealer behind the wheel in this music-driven space adventure presented entirely through the use of close-up photography.

A gang of leather-clad, powerful women take over a traditionally male domain, and hairspray, eyeliner, and bare flesh are on full display in Beth B’s music video for the Arthur Baker–produced club hit from synthpop band Dominatrix. Banned at the time of release, it was acquired by The Museum of Modern Art.

Dislocation in time, time signatures, time as a philosophical concept, and slavery to time are some of the themes touched upon in this 9-minute experimental film, which was written, directed, and produced by Jim Henson. Screened for the first time at the Museum of Modern Art in May of 1965, "Time Piece" enjoyed an eighteen-month run at one Manhattan movie theater and was nominated for an Academy Award for Outstanding Short Subject.

Through dance and movement improvisation, "Non lasciarmi" explores the metaphorical reaction of humanity when it realizes that its love story with Nature has irrevocably come to an end.

Dancers, shown in photographic negative, perform a series of ballet moves, solos, pas de deux, larger groupings. The dancers glide and rotate untroubled by gravity against a slowly changing starfield background. Their movements are accompanied by music scored for a small ensemble of woodwind and percussion.

Holly Blakey 2024

Experimental film featuring emulsion scratches set to music.