Destination Big House

Caleb, a young SFX makeup artist struggles to create realistic effects until he witnesses a brutal murder. Intrigued by what he saw, he descends into a psychological abyss as he takes on extreme measures to create his masterful effects.

A rich girl steals her dad's Rolls Royce and heads off to Las Vegas to get married. However, her angry parents, a jealous suitor, and a bunch of reward seekers are determined to stop her.

Two space cadets crash-land on a desert planet, where an evil wizard seeks the ultimate power to take over the world. Although the movie borrows some background footage from Star Wars, the plot is mostly unrelated.

This is a shortened version of the 1945 Republic serial "The Purple Monster Strikes," which was released to television in 1966.

Berlin provides the backdrop for this crime drama that centers on a military doctor falsely accused of dealing illegal drugs. Determined to prove his innocence, he escapes from the MPs and ends up holing up in the apartment his wife rented. He doesn't know that she has sublet the flat to a nightclub singer. When he finds out, he begs the singer to assist him. She is attracted to him and agrees. The doctor believes that his wife is behind the black-market dealings, but in the end, they find the real culprit.

An erotic thriller actress becomes the prime suspect in the murder of a B-movie producer, leading her to hide out and engage in sexual thrills with a pair of innocents.

Career criminals and a local youth carefully plan and rehearse the robbery of a Missouri bank.

The Paper-Man

A roller-coaster ride through the history of American exploitation films, ranging from Roger Corman's sci-fi and horror monster movies, 1960s beach movies, H.G. Lewis' gore-fests, William Castle's schlocky theatrical gimmicks, to 1970s blaxploitation, pre-"Deep Throat" sex tease films, Russ Meyer's bosom-heavy masterpieces, etc, etc. Over 25 interviews of the greatest purveyors of weird films of all kind from 1940 to 1975. Illustrated with dozens of films clips, trailers, extra footage, etc. This documentary as a shorter companion piece focusing on exploitation king David F. Friedman.

“Volhikar” tells the story of a vampire who refuses to drink human blood, but is driven by terrible circumstances to cross a line he never thought he would.

A young woman experiences a string of bad luck after the untimely death of her father.

When a farmer's daughter is brutally killed by vampires, he enlists the help of expert hunter Derrick McGregor and his team to track and kill the blood-sucking brood.

A Turkish commando must infiltrate and capture a group of terrorists living in the mountains.

A 60-minute salute to American International Pictures. Entertainment lawyer Samuel Z. Arkoff founded AIP (then called American Releasing Corporation) on a $3000 loan in 1954 with his partner, James H. Nicholson, a former West Coast exhibitor and distributor. The company made its mark by targeting teenagers with quickly produced films that exploited subjects mainstream films were reluctant to tackle.

A young girl is possessed by a demon and her terrified mother enlists the help of the family doctor and a wise priest.

The second coming is upon us, and Jesus has returned to earth. But before he can get down to the serious business of judging the living and the dead, he has to contend with an army of vampires that can walk in the daylight.

Mary Henry ends up the sole survivor of a fatal car accident through mysterious circumstances. Trying to put the incident behind her, she moves to Utah and takes a job as a church organist. But her fresh start is interrupted by visions of a fiendish man. As the visions begin to occur more frequently, Mary finds herself drawn to the deserted carnival on the outskirts of town. The strangely alluring carnival may hold the secret to her tragic past.

Three bad girls - a down-and-out stripper, a drug-running killer, and a corporate powerbroker - arrive at a remote desert hideaway to extort and steal $200 million in diamonds from a ruthless underworld kingpin.

This titillating bit of pulp sensationalism was the last in a string of "B" films that Cleo Moore starred in at Columbia. Moore plays Lila Crane, an ambitious clip-joint floozie turned photographer with flexible morals and a penchant for fast money.

The pupils at a high school next to a nuclear power plant start acting and looking strange after buying contaminated drugs from a plant worker.