Avelino Chillarón was 12 or 13 years old when he realized that his surnames and those of his cousins didn't match, so he decided to ask his uncle. This is how he learned that, although his father and aunt were siblings, they didn't have the same father, so he and his cousins didn't share the same grandfather. In this way, Avelino realized that there was a part of his family he didn't know. The protagonist of this story feels partially mutilated from a part of his family history, a part that was taken away from him by a regime that established, over the years, a long period of widespread social amnesia about a series of corpses and missing persons throughout the spanish geography.
Guy Debord's analysis of a consumer society.
The ideal of youth is at the centre of this eloquent film, mixing documentary and fiction, art and experimentation. Demonstrating both formal and narrative freedom, Bélanger weaves a deliberately loose weave in which the initiatory journey of two young people, wandering through Montreal in search of a job, unfolds. But not just any job. The two idealists want a job that will satisfy their desire for freedom, peace and respect. Of course, even though the breath of renewal from Expo 67 still floats here and there, the world they encounter does not correspond - by far - to their aspirations. Strangers in this country that tells them nothing, they come across brutally, materialism, violence, and egocentrism.
Montreal — one of the few remaining affordable cities in North America — is now in the midst of an unprecedented housing crisis. An intimate portrait of socio-political resistance, this multilayered film explores the human impact of real estate speculation on the cities of tomorrow.
Pussy Riot make a comeback after a long absence to stand with Ukraine. Their story and their struggle are told through archival footage and interviews with the group’s members.
Les Champs de la colère
A documentary featuring interviews with teachers and officials on the profession of teaching and what it means to them.
The free, almost naive view from the perspective of a child puts the "68ers" in a new, illuminating light in the anniversary year 2008. The film is a provocative reckoning with the ideological upbringing that seemed so progressive and yet was suffocated by the children's desire to finally grow up. With an ironic eye and a feuilletonistic style, author Richard David Precht and Cologne documentary film director André Schäfer trace a childhood in the West German provinces - and place the major events of those years in completely different, smaller and very private contexts.
As Puerto Rico falls deeper and deeper into an unprecedented crisis this is Vietnam’s story, a community or barrio located on the coast of Guaynabo fighting an illegal expropriation at the hands of a career politician. Their experience echoes the island’s current struggle with; an unparalleled migration, a notion of progress fueled by corruption, crippling economic debt, displaced poor and middle class families whose land is being purchased by millionaires, and the slow to non-existent reconstruction of infrastructure after Hurricane Maria.
In Pakistan, veils hide one of the country's most terrible secrets. Driven by revenge, jealousy or sexual non-co-operation some men subject their wives to horrific attacks with acid that is freely available in the street. Completely disfigured, the victims are often ostracized by their families and become prisoners in their own home. This chilling documentary is a terrifying insight into the shattered lives of these women.
PSIA PROPAGANDA
This movie is about an Iranian filmmaker called Davood Roostayi, whose all movies ( more than 100 movies ) have been banned both before and after the Islamic revolution of Iran and none of his movies have been screened.
Through the eyes of grandmother Rumidjah, a poor old Christian woman living in the slums of Jakarta, we see the economical changing society of Indonesia and the influence of globalization reflected in the life of her juvenile granddaughter Tari and her sons Bakti and Dwi.
A college student searches for justice after she discovers deepfake pornography of herself circulating online.
One of sport’s first and most influential megastars, beloved baseball icon and 5-time World Series champion Reggie Jackson contemplates his legacy as a trailblazing Black athlete fighting for dignity, respect, and a seat at the table in this intimate and revealing documentary exploring his life and barrier-busting career.
Hundreds of thousands − perhaps even millions − of protestors have taken to the streets of Hong Kong since early June. Sparked initially by the government's plans for a controversial extradition bill, the movement has now transformed into a broader push for greater freedoms and democracy, with anger over police brutality fuelling a cycle of violence. The protests are Hong Kong's biggest challenge to Beijing since its return to China in 1997. If We Burn looks at the movement through the eyes of Hong Kongers whose fates, like their city's future, now hang in the balance.
A documentary film exposing the truth about psychics and fortune-tellers. All the ins and outs of magical TV shows and services of the most famous psychics with evidence, names and prices.
Women from Turkey and Mecklenburg are working together side-by-side at a fish-processing factory in Lübeck. As they work, they share stories about their lives, including their sorrows, griefs, hopes, and dreams, while expressing their longing for home and feelings of being lost in a foreign place.
A view of the religious tensions between Muslims and Buddhist through the portrait of the Buddhist monk Ashin Wirathu, leader of anti-Muslim movement in Myanmar.
Stone Street documents the life and experiences of a Trinidadian diaspora family and their enduring connection to the long standing family home in Port of Spain. Through the intersecting journeys of this extended and extensive family, the filmmaker explores themes of home, belonging and identity in a life defined by the fragmentary nature of a migratory Caribbean culture. This experimental documentary combines a lyrical first person voice with a family archive of home made audio visual artifacts, interviews and events. As the documentary explores the fragmentary nature of Caribbean identity, it simultaneously celebrates the fragments of domestic memorializing found in home movies, videos and photographs. Stone Street uses these various forms to evoke the experience of a complex and diverse Caribbean and Caribbean diaspora identity.