Luís Ferreira Alves: Um Olhar Construído

In 1952, TV Tupi, Brazil's first television channel, invited psychiatrist Júlio Gouveia and his wife, Russian writer Tatiana Belinky, to develop the network’s children's programming. The couple then asked the sons and daughters of their friends to join the cast of the newly created shows, the most prominent of which was Sítio do Picapau Amarelo. And so, Antonio Silvio, Lia, Lídia, Sérgio, and David José embarked on an unexpected journey that would come to shape the future of Brazilian television. Memories of the Sítio is a trip through the personal recollections of these actors and the story of the first television adaptation of Monteiro Lobato’s work.

Phantom Heritage

A microcosm of everything Brazil stands for: the good, the bad and the ugly. This immersive and intimate portrait of the largest residential building in Latin America and its inhabitants shines a light on a country being torn apart by corruption, populism, polarized politics and a collapsing democracy.

Tangos e Tragédias Para Sempre

Body-Buildings

The sacred and the profane are explored through the dialectic between sacred images and the world of BDSM when we meet Guilherme and his fetishist persona Luke.

Ceifeira

Follow reporter Francesco Croquete Margharette on his comical journey through the world of photography.

êxodo rural

Silêncio das Asas

Gilberto leaves his home on the last day of his father's life, travelling around the city in search of the places that were meaningful to him: his old house, the museum where he worked, and the streets of a very lively city. This escape becomes a reconstruction of the father, a journey through memory and a farewell.

La técnica Dubois

Nos banzeiros da Memória: A sociologia na Amazônia Paraense

Las formas del amor

The last movie

In 2015, a black, female professor at a prominent Christian college wore a hijab and said that Christians and Muslims worship the Same God. The firestorm that followed exposed the rifts among evangelicals over race, Islam, religious freedom...and Donald Trump.

At the '87 Tokyo International Video Biennale, held at Spiral Hall, performance artist Laurie Anderson gave the unforgettable lecture-demonstration, "Talk Normal". In "Talk Normal", Anderson discusses the many elements that distinguish her work, from the unique violins that serve as her alter egos, to her video clone, to her experiments with electronics and her personal homage to Oscar Schlemmer's Bauhaus dances. Through excerpts from the film Home of the Brave, the television program What You Mean We?, and the music videos for her songs O Superman and Sharkey's Day, Anderson draws you into an eclectic world where sight and sound are united. In "Talk Normal", New York's best known performance artist talks about herself.

A magnificent rhapsodic ode to the filmmaker’s mother, the legendary transgendered tap-dancing cult diva Sandie “The Goddess Bunny” Crisp, that will send your heart straight into orbit.

A delightful insight into the filming of Antony Hickling's "Frig" with interviews and behind the scenes footage.

Marina Abramovic collaborated with videomaker Charles Atlas on this striking work of autobiographical performance. Abramovic delivers a monologue that traces a concise personal chronology. This brief narrative history, which references her past in the former Yugoslavia, her performance work, and her collaboration with and separation from Ulay, is intercut with images of Abramovic engaged in symbolic gestures and ritual acts—scrubbing her feet, staring like Medusa as snakes writhe on her head. Closing her litany with the phrase "time past, time present," Abramovic invokes the personal and the mythological in a poignant affirmation of self.