Luís Ferreira Alves: Um Olhar Construído

In 1952, TV Tupi, Brazil's first television channel, invited psychiatrist Júlio Gouveia and his wife, Russian writer Tatiana Belinky, to develop the network’s children's programming. The couple then asked the sons and daughters of their friends to join the cast of the newly created shows, the most prominent of which was Sítio do Picapau Amarelo. And so, Antonio Silvio, Lia, Lídia, Sérgio, and David José embarked on an unexpected journey that would come to shape the future of Brazilian television. Memories of the Sítio is a trip through the personal recollections of these actors and the story of the first television adaptation of Monteiro Lobato’s work.

Body-Buildings

êxodo rural

Carlos Carreto, photographer, and María Fernández, painter, join forces to bring forth the exhibition “Océano Negro”. A brief journey not only through their work, but also within themselves. An excuse to talk about water in all its forms and provocations. Rain, clouds, reflections, distortion... everything is water to be shaped with the gaze.

Silêncio das Asas

Follow reporter Francesco Croquete Margharette on his comical journey through the world of photography.

DO CONCRETO A ZABUMBA

Ceifeira

A microcosm of everything Brazil stands for: the good, the bad and the ugly. This immersive and intimate portrait of the largest residential building in Latin America and its inhabitants shines a light on a country being torn apart by corruption, populism, polarized politics and a collapsing democracy.

Tangos e Tragédias Para Sempre

The sacred and the profane are explored through the dialectic between sacred images and the world of BDSM when we meet Guilherme and his fetishist persona Luke.

Phantom Heritage

Gilberto leaves his home on the last day of his father's life, travelling around the city in search of the places that were meaningful to him: his old house, the museum where he worked, and the streets of a very lively city. This escape becomes a reconstruction of the father, a journey through memory and a farewell.

La técnica Dubois

Las formas del amor

Nos banzeiros da Memória: A sociologia na Amazônia Paraense

The last movie

When the innocence of youth culture collides with the skepticism and sensationalism of mass media. Celebrates the life of punk and the true motivators of the original scene, now seen on camera with their legendary stories of how it all began. The teenage youth of the 80’s, whose bigger goal was racial harmony and speaking up against the oppressive establishment. Fighting for a life that’s worth having, as there were no jobs, and utilized music as a way of life and the uniforms set them apart. However, this uniform also made them a target for the media.

Andreas Gabalier – 10 Jahre Volks-Rock'n'Roller: Das Portrait

Worldy renowned for his masterpiece The Housemaid (1960), Kim Ki-young debuts with his first short film I Am a Truck (1953), which was sponsored by UN and made a year after the armistice of the Korean War. This film is a fascinating glimpse into the mind of a soon-to-be powerful auteur and influential filmmaker in the post-war Korean cinema, if not the whole history of Korean cinema.