The Gerogerigegege e a desordem musical

Documentary of THE RAMPAGE from EXILE TRIBE's 2017~2018 live tour.

Tour final (2024) included in the Endless Happy Ending bonus editions.

Concert film featuring KOKIA's 15th anniversary concert "COLOR OF LIFE" performed at Orchard Hall in spring 2013.

Concert film featuring ayaka's 10th Anniversary SUPER BEST TOUR where she performed her biggest hit songs over a decade.

Kuribayashi Minami's live performance from her dream link concert tour held at Nakano Sun Plaza on October 8, 2008.

When St. Vincent sets out to make a documentary about her music, the goal is to both reveal and revel in the unadorned truth behind her on-stage persona. But when she hires a close friend to direct, notions of reality, identity, and authenticity grow increasingly distorted and bizarre.

Features the final day of the tour "Make The New World Tour 2018" by Mary's Blood held on June 24 at BLITZ.

Tour final at Tokyo Dome for THE RAMPAGE's 2021 tour.

ONE OK ROCK with Orchestra Japan Tour 2018 features the final performance of the special concert held at Osaka-jo Hall in October 2018, where the band performed with a 53-member orchestra, alongside footage from the Saitama Super Arena show. The release also includes a 100-page booklet packed with newly shot member photos, commentary, live reports, and interviews with the production team, offering a deeply engaging read.

Attracting 140,000 fans over two days (April 27–28, 2024), “Shinzou” was a legendary performance that established Ado the first solo female artist to perform at the iconic Japan National Stadium. The setlist featured 26 songs including her on-stage duet of “Sakura Biyori and Time Machine (with Hatsune Miku),” the highly acclaimed “DIGNITY” featuring guest guitarist Tak Matsumoto (from B’z), and “Show,” a collaboration song with Universal Studios Japan. The theatrical release promises a fresh and immersive experience for fans who missed the live event or want to relive the moment.

During the two-day period of May 4-5, 2024, ZUTOMAYO (ずっと真夜中でいいのに。) held their "Authentic Chinese Teahouse · Pegasus of Love ~Robu's Spicy Dragon~" themed performances at Yokohama's K Arena, presenting special concerts that mobilized their largest-ever audience of 20,000 people.

A music video for the song Girl Electric by The Breakaways.

As they play carefree music, their musicianship is met with surprise, wonder, and sometimes even laughter. Captivating all who watch, Otoasobi Project’s rich variety of expression reshapes the concept of improvised music. Formed in 2005 in Kobe, Japan, Otoasobi Project has some 50 members, including people with intellectual disabilities, musicians, and music therapists, who pursue music and well-being through improvised performances. After many years of numerous workshops, concerts, and other activities, they even held their first tour in the UK in September 2013. The movie “Whereabouts of Sound” depicts the appeal of the improvised music Otoasobi creates, and the beauty of its natural, honest expression.

BUCK-TICK's "CLIMAX TOGETHER" which was done on the same date, the same place in 1992, 2004, 2016 and 12 years cycle. It is a track of "BUCK - TICK" evolution that will continue to operate in major scenes from the dawn of Japanese rock industry. Death of familiar people, global terrorism, threat of nature. A deep bond and affection with fans who keep closing together no matter how many years passed. By sharing sorrows that never can resist and the joy that anyone can not take, a message was born and a song was born. The work now approaches the core of "CLIMAX TOGETHER" and "BUCK - TICK", by interviewing the members, and re - editing the images released as works until now as unpublished scenes, for 32 years since the formation It became a work that can recognize the growth and ties of the members who have been walking.

"Wonderland" is a collection of music videos from her 1992 album, "Dream." These music videos are exclusive to this release (which was available on LaserDisc). Most of the videos consist of our star walking, posing, and singing in various costal settings on location in the Philippines.

Saitama Super Arena solo performance "ZUTOMAYO FACTORY 'Even if the falcon is hungry, don't forget to dance'". Held for 2 days in a row, not only is it the largest live performance held on two consecutive days, but it is also a solid band with a total of 18 people, such as familiar special instruments such as reel-to-reel, CRT TV, and fan, and pianist "Kei-chan" making a special appearance only on day 2. It was a conceptual performance like no other, with an analog stage set that made it clear that the two days had passed 100 years, and some changes to the music.

Masa hires rental actress and aspiring dancer, Kanako, to pose as his fiancée to impress his estranged, terminally-ill father. But as his father's death delays, Masa is forced to confront the spiraling web of lies and to learn to follow his heart.

μ's Final LoveLive! μ'sic Forever♪♪♪♪♪♪♪♪♪ was the farewell concert of the fictional idol group μ's from Love Live! School Idol Project, celebrating their career with emotional performances and marking the end of their activities.

"Babymetal: Live At The Forum" is the eighth live video release by BABYMETAL. Featuring concert footage of BABYMETAL's first US arena headline show, METAL GALAXY WORLD TOUR LIVE AT THE FORUM. Performed in Los Angeles, CA on 2019.10.11.

The film generally regarded as Japan’s first true musical was also the first film made entirely in-house by the pioneering studio P.C.L., a company founded specifically to take advantage of emergent sound technology. P.C.L. worked in collaboration with a brewer’s firm, Dai Nihon Biru, who met the production costs of the film in full, and whose products are featured in the film in an example of the sophisticated and modern merchandising typical of the studio’s early work. The film is partially set in a beer hall, and its story concerns a beer seller at a train station and her relationship with a music student trying to create a hit song. Director Sotoji Kimura was to become a company stalwart, making such films as Ino and Mon, while actress Sachiko Chiba would emerge the studio’s first real star, appearing in such films as Wife Be Like a Rose.