From Oran to Almeria

In april of 1975, a moroccan fisherman disappears after being summoned to a Marseille police station. The next day, a young algerian thief is taken away by officers upon his release from prison. They share a lawyer, a young corsican communist who alerts a journalist. They throw themselves into an investigation and discover the existence of a warehouse on the docks where the police have been detaining immigrants before deporting them for over ten years. The discovery became a national scandal, before being suppressed and eventually forgotten.

Fleeing their war-torn homeland, forty thousand Algerians come to Montreal, Quebec in the 1990’s. Many are refused refugee status and are not allowed to study or work normally. Years go by, children are born and Canada becomes home. Then comes 911. Deportations begin.

Ali in Wonderland unveils the condition of immigrant workers in Paris in the 1970s. It is a cry of anger against exploitation and racism, uncompromisingly raising the role of the French state, the media, capitalism, and colonization in this system of domination that crushes those who suffer it. In this experimental essay on the condition of Algerian migrants in Giscard's France in the mid-1970s, every aesthetic choice has a precise and legible political motivation and gives body and voice to a figure completely absent from the experimental cinema of the time: that of the immigrant worker. Abouda is one of the children of immigrants seen in the film, and not a simple activist serving a cause, which is why the emotion of her experimental gesture, which she throws in the viewer's face, springs from a ferocity inscribed in her body, from an insatiable anger that inhabits her gaze.

In a working-class immigrant neighborhood slated for demolition, Jo, the son of Ali, known as the Rescuer from the Algerian war, lives idle and delinquent, committing small assaults to pay for his drugs. One day, while attacking Slim's bar, he is arrested by Ben, a young beur cop torn between his roots and the imperatives of his mission to maintain public order. Giving in to the respect and friendship he feels for Ali, Ben agrees to release his son. But alas, far from calming down, Jo drifts deeper into violence, until the inevitable drama.

NANTERRE, une mémoire en miroire

This film deals with the aftermath of the Algerian war of liberation. Georges Montero, an Algerian-born Frenchman, manages an olive canning factory in Oran. He travels to Paris for a cataract operation. Marinette, his sister, and Belka, his friend and a recent immigrant, want him to return to France permanently. Friction develops between the two friends as Georges is pressured to sell his factory. Friendship developed between Georges and his surgeon, who as a French Arab has severed ties with his culture and country of origin.

A construction worker on a construction site in the Paris suburbs, Mehdi takes the bus to return home after work. Wishing to get off while the vehicle is stationary in a traffic jam, the driver refuses: while restarting, the bus hits the car in front of it. The bus driver attacks Mehdi whom he holds responsible for the incident, claiming that it is forbidden to “talk to the stagehand”. Mehdi is implicated in court and his lawyer tries to draw attention to the living conditions of immigrant workers.

"For more than ten years, Algeria has been living a slow war, a war without a front line but having caused more than 100,000 deaths. It is this desert that Zina and Kamel – two young Algerians sometimes hallucinated and joyful, sometimes dejected and serene – will want to travel one last time before leaving it for elsewhere. Road Movie on the territories of a city, Algiers whose construction sites are in decline. Roma wa la n'touma will show that fleeing abroad is not is not a refusal of combat, but an obscure struggle against assignment. Tariq Teguia

Rachid Taha, rockeur sans frontières

An unemployed Algerian worker leaves Paris by hitchhiking. He soon found himself in Brittany and, seduced by the beauty of wild gorse, eventually established himself as a gorse merchant. But for problems with parking his little cart, he had a rough explanation with a law enforcement officer. The happy intervention of factory workers, the eager kindness they showed him, saved him from despair. This film is part of a trilogy "Them And Us" with the films "Les 3 Cousins" and "Techniquement Si Simple".

In his thirties and still living with his mother, a man decides to break free from his inner demons.

Ten years after the Fourth Holy Grail War, a devastating clash between Masters and Servants, another war erupts. Shirou Emiya, whose father fought in the first battle, was leading a peaceful life with the warmhearted Sakura Matou. But when hidden forces begin to stir, Shirou resolves to fulfill his father’s dying wish, protect Sakura, and fight for the Holy Grail.

Young Jinoo finds himself in a world where the toys are real living beings. However, not everything is peaceful here either. A dark force threatens the world of toys! Will Jinoo, together with Princess Sherbert, be able to face the powerful opponent?

Phineas and Ferb team up with the Avengers to save the world from Dr. Doofenshmirtz and a group of dangerous supervillains.

Books are everywhere in Meena's house - in cupboards, drawers, and even piled up the stairs! Her parents love to read, but Meena never even opens a book! When her cat Max accidentally knocks down a huge stack of books, heroes, heroines, and animals with attitude come to life and pandemonium reigns. Meena finds a unique solution to get the characters back in the books, and nothing, as they say, is the same after that. Based on the story by Manjusha Pawagi. The Girl Who Hated Books is part of the NFB's Talespinners 2 collection.

A prodigious animated short film created using sketches scribbled on sheets of paper scattered around a room, which the author folds and unfolds as the story unfolds.

The children of Gaza write their names on their hands so that in case of the worst happening, rescuers can identify them.

A judgmental toy jumps from owner to owner, seeking a Christian boy who can provide him a home.

This animated short illustrates how at one time horses provided man with unprecedented mobility and how the arrival of the iron horse brought this era to an end.