From Oran to Almeria

In april of 1975, a moroccan fisherman disappears after being summoned to a Marseille police station. The next day, a young algerian thief is taken away by officers upon his release from prison. They share a lawyer, a young corsican communist who alerts a journalist. They throw themselves into an investigation and discover the existence of a warehouse on the docks where the police have been detaining immigrants before deporting them for over ten years. The discovery became a national scandal, before being suppressed and eventually forgotten.

NANTERRE, une mémoire en miroire

Fleeing their war-torn homeland, forty thousand Algerians come to Montreal, Quebec in the 1990’s. Many are refused refugee status and are not allowed to study or work normally. Years go by, children are born and Canada becomes home. Then comes 911. Deportations begin.

A construction worker on a construction site in the Paris suburbs, Mehdi takes the bus to return home after work. Wishing to get off while the vehicle is stationary in a traffic jam, the driver refuses: while restarting, the bus hits the car in front of it. The bus driver attacks Mehdi whom he holds responsible for the incident, claiming that it is forbidden to “talk to the stagehand”. Mehdi is implicated in court and his lawyer tries to draw attention to the living conditions of immigrant workers.

Ali in Wonderland unveils the condition of immigrant workers in Paris in the 1970s. It is a cry of anger against exploitation and racism, uncompromisingly raising the role of the French state, the media, capitalism, and colonization in this system of domination that crushes those who suffer it. In this experimental essay on the condition of Algerian migrants in Giscard's France in the mid-1970s, every aesthetic choice has a precise and legible political motivation and gives body and voice to a figure completely absent from the experimental cinema of the time: that of the immigrant worker. Abouda is one of the children of immigrants seen in the film, and not a simple activist serving a cause, which is why the emotion of her experimental gesture, which she throws in the viewer's face, springs from a ferocity inscribed in her body, from an insatiable anger that inhabits her gaze.

This film deals with the aftermath of the Algerian war of liberation. Georges Montero, an Algerian-born Frenchman, manages an olive canning factory in Oran. He travels to Paris for a cataract operation. Marinette, his sister, and Belka, his friend and a recent immigrant, want him to return to France permanently. Friction develops between the two friends as Georges is pressured to sell his factory. Friendship developed between Georges and his surgeon, who as a French Arab has severed ties with his culture and country of origin.

An unemployed Algerian worker leaves Paris by hitchhiking. He soon found himself in Brittany and, seduced by the beauty of wild gorse, eventually established himself as a gorse merchant. But for problems with parking his little cart, he had a rough explanation with a law enforcement officer. The happy intervention of factory workers, the eager kindness they showed him, saved him from despair. This film is part of a trilogy "Them And Us" with the films "Les 3 Cousins" and "Techniquement Si Simple".

Rachid Taha, rockeur sans frontières

In a working-class immigrant neighborhood slated for demolition, Jo, the son of Ali, known as the Rescuer from the Algerian war, lives idle and delinquent, committing small assaults to pay for his drugs. One day, while attacking Slim's bar, he is arrested by Ben, a young beur cop torn between his roots and the imperatives of his mission to maintain public order. Giving in to the respect and friendship he feels for Ali, Ben agrees to release his son. But alas, far from calming down, Jo drifts deeper into violence, until the inevitable drama.

"For more than ten years, Algeria has been living a slow war, a war without a front line but having caused more than 100,000 deaths. It is this desert that Zina and Kamel – two young Algerians sometimes hallucinated and joyful, sometimes dejected and serene – will want to travel one last time before leaving it for elsewhere. Road Movie on the territories of a city, Algiers whose construction sites are in decline. Roma wa la n'touma will show that fleeing abroad is not is not a refusal of combat, but an obscure struggle against assignment. Tariq Teguia

The day after a drunken evening in an appartment, Anna, one of the roommates is missing. The other roommates will start to investigate.

After the adoption of a very unusual pet by this girls mom, she will have to come to terms with living with a seagull named Espanhola.

One winter day in 1934, Pr. Vangengheim was arrested for sabotage and sent to the Gulag on the Solovki Islands. He decided to hide the truth from his wife and daughter Eleonora, until his execution.

A dream that occurs after breaking up with a boyfriend.

Speed Racer The Next Generation: Comet Run marks the third film for The Next Generation which builds on the legendary adventures of the original iconic series. It’s a challenge too cool to pass up! Whoever beats trillionaire Dickie Radford’s extraordinary Eco-Car in a pulse- pounding 3-day race, will win his entire company! He claims his car is so efficient it needs only one tank of gas for the whole race. Speed, Conor and Lucy are convinced their incredible Mach 6 can beat anyone and they’re ready to take him on. So is billionaire Zile Zazic who puts his new gas-guzzling SUV to the test just to prove he can take Radford down. But this is no ordinary heart-pumping, virtual race. Radford’s road is full of dirty tricks and he quickly steers the Mach 6 into a terrifying avalanche, knocking it out of the running just when it had taken the lead. It’s up to Speed and his team to outrun and outsmart the most evil competitor they’ve ever raced!

A stop-motion animated fairy tale about good and evil using wooden folk toys.

The puppet monkey saves the baby from the pernicious influence of cigarettes.

Dog racing is used as a metaphor for the futility of human existence.

Leave a trail of bread crumbs. Part of Brain Dead’s Mutant Sequencer Vol. 1