Tom Waits - Live On The Tube

This film traces the road of the Blues and takes us on a journey to mythical places: From the banks of the Niger to New Orleans, going up the Mississippi through Memphis to the skyscrapers of Chicago. It tells the story of this culture which faced the worst barriers and shows that Humanity can overcome barbarity.

Dive into the retro world of the classic toyline in this experimental film accompanying a dungeonsynth, 80s, cheap-fantasy-VHS, vaporwave-adjacent album from musician/artist Dreamcastle™.

Tensions rise when the trailblazing Mother of the Blues and her band gather at a Chicago recording studio in 1927. Adapted from August Wilson's play.

"I swear, I wanted to make a “visual album” but this is literally the way the wind blew me this time."

The story of The Blues traces the four main traditions of blues music: Form Blues, Blues, Urban Blues and Blues Electric. The blues has evolved and diversified, and filtered into a surprising variety of styles in contemporary music. In the blues the history of music was released. A look at the roots, origins and the subsequent influence of style the film explores the blues significant contribution to the development of jazz, rock and country and western music. Big Bill Broonzy, Robert Johnson, Lonnie Johnson, Blind Lemon Jefferson, Alexander Texas, and many more artists are featured through the film.

Taken from the European tours organised for American blues musicians between 1962 and 1969, this release features performances by several popular blues artists, including: Big Mama Thornton, Roosevelt Sykes, Buddy Guy, Dr. Isaiah Ross, Big Joe Turner, Skip James, Bukka White, Son House, Hound Dog Taylor and Little Walter, Koko Taylor and Little Walter, Sonny Terry and Brownie McGhee, Helen Humes, Earl Hooker, and Muddy Waters.

Live concert recording of B.B. King playing with many guests, including Eric Clapton, Stevie Ray Vaughan, Albert King, Etta James, Dr. John, Paul Butterfield, Billy Ocean & Phil Collins.

The star-studded special celebrates the trailblazing music series' 40th anniversary. With guest hosts Jeff Bridges, Matthew McConaughey and Sheryl Crow, the two-hour broadcast features memorable moments from the show's remarkable run, anchored by some of the brightest stars in the show's history returning to the AUSTIN CITY LIMITS stage for incredible performances. Highlights include legends Willie Nelson, Bonnie Raitt, Foo Fighters, Emmylou Harris, Kris Kristofferson, Gary Clark Jr., Lyle Lovett, Alabama Shakes, Buddy Guy and more performing in celebration of AUSTIN CITY LIMITS' legacy as an American music institution over the last four decades.

The film chronicles Nina Simone's journey from child piano prodigy to iconic musician and passionate activist, told in her own words.

A film about the first benefit rock concert when major musicians performed to raise relief funds for the poor of Bangladesh. The Concert for Bangladesh was a pair of benefit concerts organised by former Beatles guitarist George Harrison and Indian sitar player Ravi Shankar. The shows were held at 2:30 and 8:00 pm on Sunday, 1 August 1971, at Madison Square Garden in New York City, to raise international awareness of, and fund relief for refugees from East Pakistan, following the Bangladesh Liberation War-related genocide.

Over a series of 5 nights in November 2007, Jeff Beck performed, along with special guests, at Ronnie Scott's Club in Soho, London. The small venue was filled with a packed audience every night. Guest appearances include Joss Stone, Imogen Heap, Eric Clapton and the Big Town Playboys. Bonus features include interviews with Jeff Beck and the band members, as well as a rockabilly set with the Big Town Playboys.

An important audio-visual record of a landmark series of four concerts staged in London in 2022 when more than 30 musicians joined improviser, percussionist and animateur Eddie Prévost to mark his 80th birthday. The film takes a close look at improvisers who create music in the moment, free from the authority of a composer, score or conductor. Ranging from profound delicacy to subversive atonality, the “awkward wealth” of this music raises vital questions about artistic freedom, individual responsibility and what it means for people to make music together in the 21st Century. Featuring performances by John Butcher, Sue Lynch, Ute Kanngiesser, Marjolaine Charbin, Nathan Moore, Seymour Wright, Veryan Weston, Alan Wilkinson, John Tilbury and Eddie Prévost amongst others. Plus readings by musician and author David Toop. The film includes the last ever concert by AMM, the pioneering improvising group co-founded by Eddie Prévost in the mid-1960s.

Chronicles the rise and fall of legendary blues singer Billie Holiday, beginning with her traumatic youth. The story depicts her early attempts at a singing career and her eventual rise to stardom, as well as her difficult relationship with Louis McKay, her boyfriend and manager. Casting a shadow over even Holiday's brightest moments is the vocalist's severe drug addiction, which threatens to end both her career and her life.

An unflinching and deeply personal journey into the life and work of guitarist Eric Clapton told through his own words and songs.

After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.

Live, intimate, and raw, Sessions For Robert J is the essential audio/video companion to Eric Clapton's 2004 gold, Top 10 Me And Mr. Johnson, tribute to blues legend Robert Johnson. Filmed during tour rehearsals in London and Dallas plus a Los Angeles hotel room and the Dallas warehouse where Johnson made some of his final recordings, Sessions for Robert J finds Clapton performing all Robert Johnson songs with his touring band, acoustically with Doyle Bramhall II and solo-as well as discussing Johnson and his influence. A performance/documentary DVD with 14 tracks (from which the 11 CD selections are taken), Sessions for Robert J is blues heaven.

Drawing on rare performances, interviews, animations, and experimental film, this documentary surveys the formative years of electronic music from 1948 to 1980. Featuring pioneering composers and inventors—including Milton Babbitt and Leon Theremin—the film explores the experimental technologies, academic laboratories, and creative struggles that shaped the early evolution of electronic sound.

Begun as the official chronicle of a Rock and Roll Hall of Fame bus tour through New Orleans and southwestern Louisiana, it turns into a more informal, out-of-the-way journey to blues and zydeco clubs, gospel churches and radio stations, and musical family gatherings in backwater bayous.

The story of Sonny Bell, an aging Chicago Blues musician, who refuses to retire and defiantly hits the road with his band for one last long-shot to keep doing the only thing that makes them all feel truly alive--play Blues. The story is inspired by Stone's experiences touring and playing harmonica with many of blues music's most revered artists.

In the visually arresting music video for Lunavox’s “What’s Locked Behind That Door?”, a series of metaphorical doors open onto the full spectrum of human emotion, drawing viewers into a surreal journey through fear, desire, and obsession. These portals also frame the chilling descent of a scientist whose relentless experiments lead him into darkness. Guided by the song’s pulsing rhythm, the two narratives intertwine as human vulnerability and scientific ambition collapse into a single vision of corruption and revelation.