Tom Waits - Live On The Tube

Blue for a Moment is a documentary portrait of Swedish-born, Berlin-based musician Sven-Åke Johansson, a key figure in European improvised and experimental music. Active as a jazz drummer, composer, poet and visual artist, Johansson has spent decades challenging artistic conventions and genre boundaries. Born in 1943, he moved to Berlin in the late 1960s and became involved in the city’s experimental scene, including the Zodiak Free Arts Lab. During the 1970s and 1980s he played an important role in the West Berlin free jazz movement around the FMP/SÅJ label, collaborating with musicians such as Alexander von Schlippenbach and Rüdiger Carl. Influenced by Fluxus and modernist traditions, Johansson developed a distinctive approach based on noise, reduction and the use of everyday materials, anticipating the Echtzeitmusik scene that emerged in Berlin after 1990. The film explores his creative process, artistic philosophy and lasting impact on contemporary experimental music.

The story of Sonny Bell, an aging Chicago Blues musician, who refuses to retire and defiantly hits the road with his band for one last long-shot to keep doing the only thing that makes them all feel truly alive--play Blues. The story is inspired by Stone's experiences touring and playing harmonica with many of blues music's most revered artists.

An important audio-visual record of a landmark series of four concerts staged in London in 2022 when more than 30 musicians joined improviser, percussionist and animateur Eddie Prévost to mark his 80th birthday. The film takes a close look at improvisers who create music in the moment, free from the authority of a composer, score or conductor. Ranging from profound delicacy to subversive atonality, the “awkward wealth” of this music raises vital questions about artistic freedom, individual responsibility and what it means for people to make music together in the 21st Century. Featuring performances by John Butcher, Sue Lynch, Ute Kanngiesser, Marjolaine Charbin, Nathan Moore, Seymour Wright, Veryan Weston, Alan Wilkinson, John Tilbury and Eddie Prévost amongst others. Plus readings by musician and author David Toop. The film includes the last ever concert by AMM, the pioneering improvising group co-founded by Eddie Prévost in the mid-1960s.

Recaptures the lives and times of Ma Rainey, Bessie Smith, Ida Cox, Alberta Hunter, Ethel Waters, and the other legendary women who made blues music a vital part of American culture. The film brings together for the first time dozens of rare, classic renditions of the early blues.

Larion Dyakov is a painter, but he doesn't use paint; instead, he "paints pictures through music." He plays the viola and connects it to a chain of various effects devices to loop his phrases and alter the original sound of his classical instrument. The result is a mixture of classical and modern ambient music that can transport you to another world and paint a new picture in your mind's eye, if you let it.

Originally recorded for the Canadian TV show "A Beautiful Noise", this program includes additional interview and musical footage. Healey, playing trumpet and guitar, leads his excellent band The Jazz Wizards forward into musical history. As always, he delivers jazz from the past with humor, respect for the tradition, and a contemporary attitude. Healey gained worldwide fame as a stunningly original rock/blues guitarist. His passion, however, was the infectious and joyful music from the classic jazz era - the days when Jelly Roll Morton, King Oliver, Louis Armstrong and Bix Beiderbecke ruled the music world.

Drawing on rare performances, interviews, animations, and experimental film, this documentary surveys the formative years of electronic music from 1948 to 1980. Featuring pioneering composers and inventors—including Milton Babbitt and Leon Theremin—the film explores the experimental technologies, academic laboratories, and creative struggles that shaped the early evolution of electronic sound.

Chronicles the rise and fall of legendary blues singer Billie Holiday, beginning with her traumatic youth. The story depicts her early attempts at a singing career and her eventual rise to stardom, as well as her difficult relationship with Louis McKay, her boyfriend and manager. Casting a shadow over even Holiday's brightest moments is the vocalist's severe drug addiction, which threatens to end both her career and her life.

After concluding the now-legendary public access TV series, The Pain Factory, Michael Nine embarked on a new and more subversive public access endeavor: a collaboration with Scott Arford called Fuck TV. Whereas The Pain Factory predominantly revolved around experimental music performances, Fuck TV was a comprehensive and experiential audio-visual presentation. Aired to a passive and unsuspecting audience on San Francisco’s public access channel from 1997 to 1998, each episode of Fuck TV was dedicated to a specific topic, combining video collage and cut-up techniques set to a harsh electronic soundtrack. The resultant overload of processed imagery and visceral sound was unlike anything presented on television before or since. EPISODES: Yule Bible, Cults, Riots, Animals, Executions, Static, Media, Haterella (edited version), Self Annihilation Live, Electricity.

Taken from the European tours organised for American blues musicians between 1962 and 1969, this release features performances by several popular blues artists, including: Big Mama Thornton, Roosevelt Sykes, Buddy Guy, Dr. Isaiah Ross, Big Joe Turner, Skip James, Bukka White, Son House, Hound Dog Taylor and Little Walter, Koko Taylor and Little Walter, Sonny Terry and Brownie McGhee, Helen Humes, Earl Hooker, and Muddy Waters.

In 1962, a group of legendary American blues musicians embarked on a series of tours to the United Kingdom. Footage from these classic concerts, which feature the likes of Muddy Waters, Lightnin' Hopkins, Junior Wells and more, are collected here. Blues fans will relish appearances by Howlin' Wolf, Sonny Boy Williamson, Lonnie Johnson, Big Joe Williams, Big Joe Turner, Otis Rush ...

A subtle and atmospheric designed-nature film, following a beetle traversing through its newly found home, intertwined with and supplemental to the free electro-acoustic jazz album of the same name, by Cristiano Calcagnile. Complex and accessible from and in many directions, it in-cludes its elements and their displacement along the elusive boundaries of a penetrating dance, that you soon give up wanting to define, and entrusts its appeal to complexity and countless perspectives.

A document showing the creation of ST( )MA from a musical standpoint, depicting Cristiano Calcagnile's ingenuity in sound design through the misuse of (self-made) instruments.

This live recording was culled from seven September 1992 concerts given in Vienna, Berlin, and Frankfurt by the Ensemble Modern, a Frankfurt-based chamber orchestra that performs only contemporary music. Composed and conducted by Frank Zappa.

Robert Plant formed his current band The Sensational Space Shifters in 2012 and has been recording and touring with them ever since. Robert Plant has always introduced music from many cultures into his work and the Sensational Space Shifters blend of African rhythms and melodies, rock music, and folk roots is his latest incarnation. In October 2016 they took part in David Lynch's inaugural Festival of Disruption at the Ace Hotel Theater in Los Angeles, an event that raised funds for The David Lynch Foundation. The set featured tracks from the band's 2014 album Lullaby and...The Ceaseless Roar alongside fascinating Space Shifters re-workings of Led Zeppelin classics.

Think of early electronic music and you’ll likely see men pushing buttons, knobs, and boundaries. While electronic music is often perceived as a boys' club, the truth is that from the very beginning women have been integral in inventing the devices, techniques and tropes that would define the shape of sound for years to come.

Four days prior to being diagnosed with a malignant lung tumor, Luther Allison played a blistering show in Montreal; it was filmed for later airplay on Canadian television, and most of the show is captured on this DVD. The bitter irony is obvious here -- Allison is at the peak of his powers, and yet at the same time, it could be said that he's playing like a man with only weeks to live. Performers include: Luther Allison: lead guitar, vocals; James Solberg: rhythm & lead guitar; Mike Vlahakis: keyboards; Ken Faltinson: bass; Robb Stupka: drums; and Memphis Horns (Wayne Jackson, Andrew Love).

Live, intimate, and raw, Sessions For Robert J is the essential audio/video companion to Eric Clapton's 2004 gold, Top 10 Me And Mr. Johnson, tribute to blues legend Robert Johnson. Filmed during tour rehearsals in London and Dallas plus a Los Angeles hotel room and the Dallas warehouse where Johnson made some of his final recordings, Sessions for Robert J finds Clapton performing all Robert Johnson songs with his touring band, acoustically with Doyle Bramhall II and solo-as well as discussing Johnson and his influence. A performance/documentary DVD with 14 tracks (from which the 11 CD selections are taken), Sessions for Robert J is blues heaven.

The star-studded special celebrates the trailblazing music series' 40th anniversary. With guest hosts Jeff Bridges, Matthew McConaughey and Sheryl Crow, the two-hour broadcast features memorable moments from the show's remarkable run, anchored by some of the brightest stars in the show's history returning to the AUSTIN CITY LIMITS stage for incredible performances. Highlights include legends Willie Nelson, Bonnie Raitt, Foo Fighters, Emmylou Harris, Kris Kristofferson, Gary Clark Jr., Lyle Lovett, Alabama Shakes, Buddy Guy and more performing in celebration of AUSTIN CITY LIMITS' legacy as an American music institution over the last four decades.

Albert Collins (October 1, 1932 - 24 November 1993) was a blues guitarist, singer and African-American musician. He had many nicknames, such as "The Ice Man", "The Master of the Telecaster" and "The Razor Blade". The film features Albert Collins on a Quebec Radio production for Canadian TV in 1983.