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In a spoof on the contemporary sacred cons, two yuppy couples get entangled with warring smugglers of dope that include fake priests and nuns as well as Japanese and Chinese agents.

Ambassador Rico DeMarco is in Washington trying to raise a five-million dollar loan for his country, Lower Salamia. Filbert Filmore and his domineering wife are about to sign on the dotted line for the loan when DeMarco's vivacious daughter, Estelita, upsets the deal by accidentally knocking hot coffee over the papers---and Mrs. Fillmore, who leaves the house in a huff. When word of the difficulties filters back home it's Viva la Revolution. But Estelita, disguised as a fortune teller tries to convince astrology believer Fillmore that the stars are propitious for his making the loan.

Music manager Janey Edwards poses as a co-ed to get the rights to a song from one of the professors.

Amor a todo gas

Phillip Schuman's women-in-prison film is an account of a group of female prisoners who decide to organize a variety show.

Naruse Uta is a "unique" 13 year old child. She possessed the talent to read sheet music even before she could speak, but has now come to the point where she hates playing the piano. Her father was also a piano virtuoso, but mysteriously disappeared from her life at a young age. Because of her father's disappearance Uta's mother had to move out of their posh home and into a far modest working class neighborhood. In this working class neighborhood there is a local grocer. The grocer's son Kikuna Oto happens to be a budding musician, but lacks the drive to truly succeed. That is until Uta Naruse comes into his life...

The college president, the head cheerleader and a gambling gangster try to keep a flunking football star in the game

The wintry mountainscapes of Bavaria provide the backdrop for this airy German comedy. The story is set in motion when young clerk Boenecke (Richard Romanowsky) accidentally delivers a check to the wrong bank. Boenecke's boss Schumann (Walter Steinbeck) suspects the clerk of embezzlement -- especially since our hero has taken off on an extended Alpine vacation with his sweetheart Hilde (Magda Schneider). Before this comic chain reaction can be straightened out, hero and heroine have become entangled with a gang of female pickpockets. Essentially a "moonlight and strudel" confection, Winterachtstraum was perfect escapist entertainment for Magda Schneider's legions of fans.

For the first time in more than 3 decades, this reclusive artist lets a camera into his life in this amazin opportunity to meet the mysterious man behind the guitar. Ina series of candid interviews, Cale describes his childhood and his wild years in psychedelic California. Cale also shares his insights about his influences, songwriting, success, life on the stage and on the road - all interlaced with outstanding live performances, archival footage, interviews with band members and friends, and awe-inspiring images of American landscapes. Eric Clapton appears in some performance footage. While credited with such hits as "After Midnight," "Same Old Blues," and "Cocaine," Tulsa-pioneer J.J. Cale has never been one to accept the limelight. Hiding from the press, Cale emerges here for the first time in three decades for an extensive documentary filled with music and revealing interview material.

Set between Paris and Rome’s Cinecitta’s Studios in the 1970s, a struggling writer seeks inspiration for his second novel, and falls in love with a famous movie star.

The film is slightly autobiographical, Raphael is trying to find fame and fortune as a popular singer in Spain until he teams up with an up and coming Spanish composer which helps him become a popular singer in Spain.

Raphael plays a singer who searches for his classical pianist brother in Buenos Aires, with the brother eventually revealed playing in the squalid bar.

Cleo Borden grew up in a saloon, loves the men—and the men love her—but her aspirations lead her to enter into a contract to marry a wealthy man. When he dies and leaves her all of his fortune, she soon learns that although she has money, she is not yet a lady, so she embarks on a journey to become one. She has no desire to change herself, but the man she sets her sights on does—so she obliges.

A cinematic version of the life of famous Indian saint-poet, Annamayya (born May 1408), follows the spiritual awakening of the mystic composer Annamayya, who's first motivated to write a song of praise after visiting a temple. His devotion is put to the test when he vows to fast until he comes face to face with God, an act of faith for which he's rewarded with a blessed meal of prasad. As his fame as a singer spreads, Annamayya eventually becomes a real personification of the holy Nandaka Sword.

A young man eagerly prepares for triumph as a boxer in a neighborhood gym with the firm intention of escaping poverty to marry his girlfriend, who sings in a nightclub.

An Australian opera singer hires a husband so she can work in the U.S. Moore sings "Minnie the Moocher" in one scene.

Maria is a young orphan who lives with her wealthy aunt. Maria sings in a cocktail bar with his friends, who form a rock band, and enjoy the night with them. One of his friends, Ernesto, is in love with her, though she does not seem to feel the same about him. In fact, multiple existential doubts and feel a strange emptiness in his life suddenly drive to enter a convent as a novice, breaking Ernestos' heart. However, with her cheerlul character, open and rebellious, not appear to conform to life in the cloister, and especially have problems with the novices director , who often punished for trying to take the right path. In the convent, which also functions as children's hospital, she meets a doctor with which it takes quite right for the contrast between his two characters, but his way with love and mutual respect.

Scooby and the gang have their first musical mystery in “Scooby Doo: Music of the Vampire.” It begins when they take a sing-a-long road trip into bayou country to attend the “Vampire-Palooza Festival” – an outdoor fair dedicated to all things Draculian. At first it looks as if they’re in for some fun and lots of Southern snacks, but events soon turn scary when a real live vampire comes to life, bursts from his coffin and threatens all the townsfolk. On top of that, this baritone blood sucker seems intent on taking Daphne as his vampire bride! Could the vampire be a descendant of a famous vampire hunter who is trying to sell his book? Or perhaps he’s the local politician, who has been trying to make his name in the press by attacking the vampires as downright unwholesome. The answers are to be found in a final song-filled showdown in the swamp in which our heroes unmask one of their most macabre monsters yet.

Blonde goddess Marika Rökk plays Julia Koster, a ravishing red-headed musical revue star and her opening number, "At Night It Isn't Right To Be Alone", playing to a packed theater, is both an eye-popper and a jaw-dropper.

In 1940's Madrid. Juan plays piano for Pepita and her on-stage partner Mario. Although Mario really wants to steal Juan for himself, Juan is not interested and Mario resorts to a string of lovers as consolation. When he loves (and leaves) a young nobleman, the young man wants revenge.