At the funeral of his best friend, a struggling stand-up is confronted with giving a eulogy. Even worse, he has to confront the possibility of not being funny.
Monochrome
A young man gives his opinion on the state of modern cinema.
A drag queen recounts how they got to be here.
Ser Sin Ti
Two flatmates, artist Lohn Jennon and musician Steve McLelland have an argument about the future, and the impact that choices have on our futures.
T'es pas ma blonde, Sophie
Luca, a lonely young man, has lost touch with his surroundings and with who he once was. Amid drinks, music, and dancing, he will come face to face with Daniel, with whom he will feel an instant connection. Through their conversations, he will revisit his memories while battling his own mind.
Supreme Court Justice Oliver Wendell Holmes spills irreverent wit and hard-won wisdom looking back at his life on the battlefield and the bench on his 90th birthday in 1931.
Global politics in a fairytale nutshell: the eternal struggle between the ruling elite and the underclass, condemned to ignorance.
In the throes of a zombie apocalypse, a troubled woman from Las Vegas with a dark past, finds herself stranded in the desert with a lone and ravenous zombie on her tail.
Hanna secretly joins a group called The Onania Club. Its members, strong independent L.A. women, get aroused by the misery of others. Hanna meets more misery than she could ever hope for and in the process loses everything she cares for.
Pop singer Renato Zero is threatened by an anonimous letter while on tour and goes on a phycoanalitic quest to find the wannabe killer.
Daniel, a teenager from Stockholm, spends the summer in Malmö with his mother and her new husband. Daniel gets a job at McDonald's and falls in love with a girl.
A theatre producer and actor try in vain to have a quiet week in a country cottage. But their efforts turn into comic disaster as a variety of wives, girlfriends and scoutmasters arrive uninvited.
Real estate company employee Komachi and steelworks heir Kodama are both train aficionados. Their hobby proves useful for their burgeoning careers, but their romantic fortunes do not go as smoothly. Will the awkward Kodama and the indecisive Komachi find the loves of their lives?
This three-part ballad, which often uses music to stand in for dialogue, remains the most perfect embodiment of Nemec’s vision of a film world independent of reality. Mounting a defense of timid, inhibited, clumsy, and unsuccessful individuals, the three protagonists are a complete antithesis of the industrious heroes of socialist aesthetics. Martyrs of Love cemented Nemec’s reputation as the kind of unrestrained nonconformist the Communist establishment considered the most dangerous to their ideology.