A short film starring Vanessa Gisselle (Mayans MC) filmed in 2009. A minor slasher shot around Des Moines, Iowa.
After losing touch and not seeing each other for a year, sisters Isa and Celeste meet again. Isa has built herself a far better life, and urges her sister to do the same. Isa gives Celeste an old vinyl self-help record from the 1970s. You play it while you sleep, and it's supposed to get rid of all the negative energy in your life.
Set during the Vietnam war, Firebase follows American soldier Hines through an ever-deepening web of science fiction madness.
Made exclusively for the Hail to the King Tribute Show at Finder Creepers in Des Moines, Iowa. A surreal and non linear adaptation of the short story "Jerusalem's Lot". It was shown for exactly one month from January 22nd, 2011 to February 22nd, 2011.
A woman calls a man and asks him to keep her company. Manifestations of their worst fears come through the walls to attack them.
Juno, a twenty-year-old girl becomes obsessed with Pan. Her obsession turns her into an animal.
A traveling couple end up in an abandoned Nebraska town inhabited by a cult of murderous children who worship a demon that lives in the local cornfields.
Two female soldiers in a divided United Kingdom settle a score.
Based on the short story by Stephen King, follow the morning delivery routine of the neighborhood's favorite milkman.
SIX GUYS is an exploration of horror, grief and the mind and is inspired by works from Junji Ito as well as Charlie Kaufman's "I'm Thinking of Ending Things".
A young girl its poseed by a demon
After being rescued from the ruins of Virtual Space Industries, Jobe is rebuilt and reconnected to virtual reality by corporate mogul Jonathan Walker. Years later, teenage hacker Peter Parkette helps Jobe locate Benjamin Trace, the original creator of virtual reality, only to uncover Jobe’s plan to launch a new world order using Walker’s tech. Now, Peter, Trace, Cori, and a band of runaways must stop Jobe and Walker before they enslave humanity through cyberspace.
Three student filmmakers run into trouble in the woods as they set out to make a documentary about the Blair Witch. This is a short parody of "The Blair Witch Project".
Humanity makes a deal with a new client. Based on the comic "Good Business" by Simon Roy
A queer female artist struggles with her first major painting and its impending deadline. Concealing herself in her cluttered bedsit, she begins to experience hallucinations which she ultimately decides to use to her advantage.
Frieda Liappa in this short film casts an alternative gaze on the notion of historicity. Loukia is a teenager currently staying at her cousin’s house in Athens. Unlike her cousin she is timid and quite stressed for the school exam. She studies history. Between the lines of her book the historical events sprung up in a multidimensional way. Liappa transverses the dimensions of the real the imaginary and the symbolic. She invites the viewer to consider the construction of the filmic as well as the historical text. She succeeds in making a film with an open end and to leave room for our own contingent constructions.
Oz, an irresponsible man baby, nearly misses his girlfriend’s Graduation because he’s too busy playing with toys. Before he can make amends, a mysterious package arrives containing a mangy old hand puppet. Despite the pressing need to be there for his girlfriend, Oz can’t resist trying on the puppet first and instantly has his soul imprisoned in its soft foam body. Oz is left to contemplate the sorry state of his life choices while his human body dies before his eyes. If he’s to have any hope of saving his relationship, and surviving, he’ll have to do the one thing he’s always avoided: grow up.
Trapped in an endless time loop, a woman relives the same day over and over again, with a mysterious corpse appearing and disappearing in her apartment.
A year has passed since the death of my mother and two of my sisters.
A monarchy to sustain itself needs to use conservative forces to maintain power. While in palaces around the world some fight for power, in cis and heteronormative households, couples explore their own games of power and seduction, which escape the power dynamics behind the curtain, despite apparent stability.