Eaten Horizons

A girl with a bunny head tries to scape from her hunted reality when she discovers a group of colorful and hungry girls to be a part of...but things are not as sweet as it seems

A young sailor finds himself trapped in the labyrinthine mansion of his occultist uncle, along with a number of eccentric and mysterious relatives who all seem to be harboring a dark secret.

Milton is a hardened felon who has broken out of Hell, intent on finding the vicious cult who brutally murdered his daughter and kidnapped her baby. He joins forces with a sexy, tough-as-nails waitress, who's also seeking redemption of her own. Caught in a deadly race against time, Milton has three days to avoid capture, avenge his daughter's death, and save her baby before she's mercilessly sacrificed by the cult.

When aspiring model Jesse moves to Los Angeles, her youth and vitality are devoured by a group of beauty-obsessed women who will take any means necessary to get what she has.

"Glory Holes" are mostly found in the basements of sex shops, sex clubs, or what are commonly referred to as whore bars. The pleasure is blind, anonymous. He delights in this blindness. "She" is the engine of his fantasies, his fears, his uneasiness and her naive and vain generosity. "He" will be waiting for her every Wednesday. This short film is the first fiction film directed by Guillaume Foirest as part of his graduation thesis at ESRA Nice in 2005. The film was distributed by DVD Pocket and has made many festivals around the world .

"Too Many Cooks" is a humorous parody of US sitcoms of the 1970s and the 1980s, meanwhile what seems like an interminable opening theme, a mysterious killer makes his way and kills (preparing a lunch with their limbs) various members of the Cook Family.

A boy walks down the street and as he goes along his strides increase. Eventually he leaps over towns, forests, and oceans, seeing many things and surprising many people along the way.

In the future, a health nut and his tag-along girlfriend become trapped in a drive-in theater that has become a concentration camp for outcast youths.

An anthology film consisting of four segments based on literary works by Edogawa Ranpo.

Cao Fei recorded her experiences within the online social platform Second Life. The result is a wistful, surreal vision of an alternative reality sprung from the pop culture fantasies and hyper-consumerism of contemporary urban China, while also trying to transcend its real-life limitations. It can be seen as an answer to the challenge posed by River Elegy: how to envision a new Chinese destiny founded on principles of individuality, creativity, discovery, and freedom. The film also reflects the contemporary condition of the virtual supplanting our experience of the real.

Lucy, a young Victorian woman in the Old West, is being tormented by nightly visits from an incubus. Her friend Madeleine tries to console her, but is unable to help. A fallen woman, Lucy gets a job singing at the local saloon. However, the Incubus has followed her there; and things take an unexpected turn as Lucy and the Incubus, amidst the rowdy cowboys and saucy can-can girls, have their final showdown.

A lonely woman with an overwhelming obsession of masturbation must extricate herself from what consumes her every moment.

On a cold winter night, Laura reads her brother David the story of a strange creature that attacks children. Suddenly, a shiver runs Laura's body, feeling a strange presence in the house. It's him.

A wandering warrior finds an unlikely friend in the form of a young dragon. The two develop a close bond, until one day the dragon is snatched away. She then sets out on a relentless quest to reclaim her friend, finding in the end that her quest exacts a far greater price than she had ever imagined.

"A dream play" - This made-for-television film constituted Bergman’s first production of Strindberg’s A Dream Play – a play he would revisit three times more. Gunnar Ollén’s Malmö crew was behind this, for its time, prestigious and costly theatre production, involving more than 40 actors and no less than 75 extras.

A disgraced children's puppeteer returns to his childhood home and is forced to confront his wicked stepfather and the secrets that have tortured him his entire life.

The shadowing forth of Our Lord Lucifer, as the Power of Darkness gather at a midnight mass. The dance of the Magus widdershins around the Swirling Spiral Force, the solar swastika, until the Bringer of Light—Lucifer—breaks through.

Three strangers are selected, at random, to suffer a horrible death. Jeff, Robert, and Angie are thrown together in a dungeon and forced to wait their turn to die. No one can help because they are now the disappeared.

The seven short films making up GENIUS PARTY couldn’t be more diverse, linked only by a high standard of quality and inspiration. Atsuko Fukushima’s intro piece is a fantastic abstraction to soak up with the eyes. Masaaki Yuasa, of MIND GAME and CAT SOUP fame, brings his distinctive and deceptively simple graphic style and dream-state logic to the table with “Happy Machine,” his spin on a child’s earliest year. Shinji Kimura’s spookier “Deathtic 4,” meanwhile, seems to tap into the creepier corners of a child’s imagination and open up a toybox full of dark delights. Hideki Futamura’s “Limit Cycle” conjures up a vision of virtual reality, while Yuji Fukuyama’s "Doorbell" and "Baby Blue" by Shinichiro Watanabe use understated realism for very surreal purposes. And Shoji Kawamori, with “Shanghai Dragon,” takes the tropes and conventions of traditional anime out for very fun joyride.

A figure known as "The Assassin" descends from the heavens into a nightmarish pit full of monsters, titans, and cruelty.