Raja Rammohan Roy

After killing one person and wounding two others in a two-day shooting spree in July 2010, 37-year-old Raoul Moat went on the run. This is the story of the investigation—and how Moat escaped police officers’ clutches for a week.

This black-and-white archival film outlines the importance of Canada's forests in the national war effort during the Second World War.

Informational short about the aftermath and avoidance of nuclear fallout.

Toronto is regarded as the third largest jazz centre in North America. This film features a cross-section of jazz bands of that city: the Lenny Breau Trio, the Don Thompson Quintet and the Alf Jones Quartet. Their styles show creative self-expression, hard work, and improvisation.

Told in her own words, this candid documentary charts the unstoppable rise, sudden fall and hard-won comeback of lifestyle icon Martha Stewart.

A behind-the-scenes look at the production of Baby Assassins: Nice Days.

Arrebato (1980) is the great cult movie of today's Spanish cinema and Iván Zulueta, its director, an accursed filmmaker. Arrebato was the film that forecast the end of the movida, a dark and harrowing reel whose history and intra-history are intimately linked. Arrebato acts as a premonition of the director’s own life. Just like his actors, Zulueta will end up being brought down by drugs and the cinema and, like them, will also disappear.

This documentary draws on new evidence to reveal that a fire was raging in Titanic's boiler rooms before she left port, that it was kept secret and, it's now believed, that it led to the tragedy

A powerful account of the Kolbari covert goods traden between the Kurdish cities and towns of Iran and borders of Iraq. The film follows Hamid and Yasser over six years as they contend with the life threatening conditions they and their families have to face to survive. A rare insight into the plight of the Kurdish people, this is an elegant portrait of a marginalised people, where the palpable sense of risk and danger is contrasted with the gentle rhythms of family life under harsh conditions.

Let's face it, rats are not the most beloved creatures on earth. However, maybe this little tale about the history of human and rat interaction will change the world's tune. At least that is the hope of Remy, the star of Ratatouille, and his reluctant brother Emile as they guide us through world history from a rat's perspective. Why can't we all just get along?

Jerry Wald has to write about radio, visiting Sid Gary gives him the tip it might be more easy for him to write this article at the radio station than at his newspaper office. At the studio they listen to the Boswell Sister's rehearsal, which is interupted by some not so friendly remarks by orchestra leader Abe Lyman, they listen at the door, where a Colonel Stoopnagel broadcast is prepared, as well as to the rehearsal of a new song for an broadcast by Kate Smith.

In a nightclub setting, Jimmy Dorsey and His Orchestra, with two of his vocalists, perform four of the group's best known songs. For the complete list of songs, check the soundtrack listing.

A collection of bloopers and outtakes from an enormous selection of Hollywood classic productions spanning from the 1930s through the 1980s.

A silent succession of black-and-white photographs of the city of Montreal.

On the Puerto Rican diaspora, which includes renowned artists who have converted New York, Florida, Chicago, Hawaii, Santa Cruz and Dominican Republic into their second home, but with Puerto Rico in their hearts.

Documentary about the making of Juzo Itami's film "Tampopo" (1985).

The Voice of Hollywood hosted by Pat O'Brien. Features Joan Blondell, Robert Montgomery, Elissa Landi, Warner Baxter, and the coronation of Mary Pickford as "Queen of the Arts." It is not currently clear which number in the series this is because it isn't on IMDB or any listing).

Ces chansons de nos vacances

An account of the journey that King Alfonso XIII of Spain made to the impoverished shire of Las Hurdes, in the province of Cáceres, in the region of Extremadura, in 1922.

In 1996 I took the conservatory exam. I missed it. A year ago I was asked to do a masterclass on acting in cinema. I went there. I met a lively, joyful and passionate youth. Among my students there was Clémence. The following year, she asked me to film their last show. I felt her urgency and the fear she had of leaving this mythical place. So I accepted.  By filming this youth, I revisited mine.