Pedro Osmar, Prá Liberdade Que Se Conquista
I followed the everyday lives of Ali, Kais, Ertan and Alban with my camera for over two years. The time was characterized by disappointments, conflicts and also great successes. It all began with a visit to the "Klingelpütz" youth center in the middle of Cologne. Young migrants have been meeting here for many years.
Podium
Profile of famed dance director Busby Berkeley's career, in particular "The Gang's All Here"
The film presents thirteen rhythms of flamenco, each with song, guitar, and dance: the up-tempo bularías, a brooding farruca, an anguished martinete, and a satiric fandango de huelva. There are tangos, a taranta, alegrías, siguiriyas, soleás, a guajira of patrician women, a petenera about a sentence to death, villancicos, and a final rumba.
An hour-long documentary that follows Brit rockers Reuben on tour and in the studio. This collection features their sold out Mean Fiddler gig in its entirety, plus video diaries of the band creating their third studio album. Tracklisting: (Disc 1) WHAT HAPPENS IN ALDERSHOT STAYS IN ALDERSHOT, 'Michael Jackson', 'Bad Dancing', 'Rod Stewart', 'She Loves Her', 'Jim Sings The Blues', 'Studio Diaries';
A celebration of extraordinary choreographed moments in a countdown of TOP 25 of the most memorable dances in cinema history.
RHYTHM IS IT! records the first big educational project of the Berlin Philharmonic Orchestra under Sir Simon Rattle. The orchestra ventured out of the ivory tower of high culture into boroughs of low life for the sake of 250 youngsters. They had been strangers to classical music, but after arduous but thrilling preparation they danced to Stravinsky's 'Le Sacre du Printemps' ('The Rite of Spring'). Recorded with a breathtaking fidelity of sound, this film from Thomas Grube and Enrique Sánchez Lansch documents the stages of the Sacre project and offers deep insights into the rehearsals of the Berlin Philharmonic Orchestra.
Coffee Masters is a documentary by Miguel Kohan, produced by Lita Stantic, Gustavo Santaolalla and Walter Salles. It tells the story of great tango of the old guard who, summoned by a rock musician, proposing a record to demonstrate its validity. This adventure, full of memories, humor and poignant moments, culminating with a presentation of the Masters at the Teatro Colon.
Pop king Michael Jackson solidifies his title with this release of fifteen past number one hits. Songs include "Don't Stop 'Til You Get Enough," "Thriller," "Black or White," and "Blood on the Dancefloor."
An English-speaking film produced on behalf of the Israeli Center of the International Theater Institute, providing international audience with an overview of modern Israeli theater, including scenes of renowned Israeli theater productions from the theater season of 1967. The film opens with excerpts from “The Dybbuk” at Habima Theater, and includes scenes from the successful musicals of the Cameri Theater “Utz Li Gutz Li” (Rumpelstiltskin) and “King Solomon and Shalmai The Shoemaker”. Other excerpts include scenes from the plays “The American Princess” by Nissim Aloni at the Seasons Theater, “He Walked Through the Fields” by Moshe Shamir at the Haifa Theater, Ibsen’s “Hedda Gabler”, “Who’s Afraid of Virginia Wolf”, and more.
Transformer was universally praised for its well-constructed anatomy of a touchstone album. Now expanded to interweave the original broadcast version with the bonus features on the original disc, the story appropriately begins with Reed remembering his days with the Velvet Underground and the importance of Andy Warhol in making them a New York-based phenomenon. These discussions provide more than the historical context for Transformer. Live at Montreux 2000 is a concert, released in 2005 by Eagle Vision. Reed performed eight songs from the Album Ecstasy plus a few older ones. From his days in the sixties as the main singer and songwriter of the Velvet Underground and through his mercurial solo career he has kept his audience and the critics on their toes with dramatic changes of musical direction from album to album. Underpinning everything however has been his unquestionable ability as a songwriter and performer of the highest class.
Biographical portrait of one of Broadway's most brilliant songwriters. Told through the use of archival material and interviews with the rich and famous that knew him, this portrait concentrates on his career and his public life events.
Abxang
A behind-the-scenes look at Céline Dion's opening night in Las Vegas.
A rather incoherent post-breakup Sex Pistols "documentary", told from the point of view of Pistols manager Malcolm McLaren, whose (arguable) position is that the Sex Pistols in particular and punk rock in general were an elaborate scam perpetrated by him in order to make "a million pounds."
Black and white footage of performances, interviews, and conversations at the Newport Folk Festival, from 1963 to 1966. The headliners are Peter, Paul and Mary, Joan Baez, Pete Seeger, and Bob Dylan, who's acoustic and electric. Son House and Mike Bloomfield talk about the blues; John Hurt, Howlin' Wolf, and Sonny Terry and Brownie McGhee show its range. The Osborne Brothers perform bluegrass. Donovan, Johnny Cash, Judy Collins, Mimi and Dick Farina, and others less well known also perform. Several talk musical philosophy, and there's a running commentary about the nature and appeal of folk music. The crowd looks clean cut.
A series of musical performances showcasing the diverse facets of fado, a musical genre from Lisbon.
In 1990, one sixth of the population of Bhutan was exiled because they demanded greater democratic rights from the ruler. The film follows the story of Sarita, a 13-year-old girl born in Khudunabari, a refugee camp in Nepal where over 100,000 Bhutanese exiles live. Now they will be "relocated": thousands of families will be forced to emigrate and their Lotshampa identity will disappear forever. Sarita and her friends will not tell us their odyssey: they will dance and sing it.
From the rains of Japan, through threats of arrest for 'public indecency' in Canada, and a birthday tribute to her father in Detroit, this documentary follows Madonna on her 1990 'Blond Ambition' concert tour. Filmed in black and white, with the concert pieces in glittering MTV color, it is an intimate look at the work of the icon, from a prayer circle before each performance to bed games with the dance troupe afterwards.