Mother, No Mother

"Vlada Goes to London" is a short student film exploring the strong-willed Vlada on her night shift as a pizza delivery girl in her desperate attempt to book tickets to London and fulfill her dream of being a DJ. The end of the night brings more challenges than she expects.

A young man follows a pretty girl into her office, which turns out to be a musical dentist office. Cute chorus girls attend to the many male customers, and the girl the young man was following is revealed to be the dentist. She gives the young man anesthetic gas and he dreams the dentist and her troupe of nurses are dancing on the ceiling.

Jonathan Pride is a mild-mannered dance instructor in 1820 Boston. En route to visit relatives, Jonathan is shanghaied by a band of zany pirates and forced to work as a galley boy. When the pirate vessel arrives at the port of Las Palomas, Jonathan, clad in buccaneer's garb, makes his escape. Everyone in Las Palomas, including Governor Alcalde (Frank Morgan) and fetching senorita Serafina (Steffi Duna), assumes that Jonathan is the pirate chieftain, leading to a series of typical comic-opera complications.

“Draw or Die” is the divine imperative received by the painter, Hannah, who is being nurtured by her Grandmother, but controlled by her pragmatic mother. When her Granny spirit shouts this command to Hannah, she closes a celebration of personal visions in a dance piece that is close to visionary in itself.

Jonathan Reeves is tasked with infusing more contemporary styles and modernism into the American Ballet Academy, and enlists his top choreographers Charlie, Cooper and Tommy to recruit dancers to compete at a camp where the winners will be selected to join the Academy. Bella Parker, who has always lived in the shadow of her hugely successful sister Kate, finally gets her chance to step into the limelight as one of the dancers recruited for the camp.

The daughter of a preacher becomes the centerpiece for a conservative political campaign but finds herself falling in love with a woman.

Suzuki Shizuka is an office lady at a conglomerate who is hypnotized at a local amusement park and left under the spell. Now she is compelled to sing and dance whenever she hears any melody whatsoever. She heads back to the hypnotist for relief, but he is nowhere to be found. So Shizuka sets off on a journey around Japan to find him and break the spell.

A contemporary musical version of the classic Cinderella story in which the servant step daughter hope to compete in a musical competition for a famous pop star.

A fictionalized portrait of the British dancer and choreographer Michael Clark, depicting a day in his life as he and his company prepare for a performance.

"II: AN UNSPOKEN NARRATIVE" tells the story about one guy going through life alone while learning the concept of balance in an unconventional way expressed by the form of movement and storytelling. We hope to take you on a journey within a story of life experiences revolving around balance where two different concepts make you realize your worst moment to make your great moments greater. Every part of this film is up for interpretation upon your lives.

In the far-off future of 2001, a young boy from outer space lands on earth inside a flying peach. The boy (named Apple) is adopted by a Catholic priest, but soon disappears. Three schoolgirls decide to search for him, and soon find evidence that he is being held captive in a trendy dance club. What is the club owner doing with him, and will his adopted father ever see him again?

In 2024, during an artistic residency at Periférne Centrá (Dúbravica, Slovakia), Cristian Estrella filmed the folkumentary „Medzi dolinami, medzi vŕški, po stopách budúceho zvuku Slovenska“ while producing the album "The Future Sound of Slovakia Vol.1" by Mira Tus Manos. But every film leaves scenes out. What doesn't fit due to time, rhythm, or because the main story needs to go elsewhere. "Medzi scénami, medzi hlasmi" is exactly those outtakes: already edited material that no one had seen, divided into two parts —SIDE A and SIDE B— where artists from Argentina, England, France, Catalonia, Amsterdam, New Zealand, and Slovakia speak not only about the project but also about their own artistic practices, personal stories, and internal maps.

A pair of star-crossed dancers in New York find themselves at the center of a bitter rivalry between their brothers' underground dance clubs.

For DJs, life revolves around records. Around sounds. Every life is a story, every DJ is a narrator. Every stack of records is an endless collection of stories, myths, and memories. Can we know someone’s life through their records? For some, we can even know their impact.

The first of a series of six two-reel "Musical Parade" shorts produced in Technicolor for the Paramount 1943-44 production season. The series would continue into 1948, and then were reissued in the early 50's. Songs included "All the Way" and "At the Mardi Gras."

Ballroom dancers Veloz and Yolanda perform the various dance fads of the first half of the twentieth century.

Vikalpa follows a successful corporate CEO whose life spirals out of control as immense pressure triggers terrifying hallucinations and deep childhood traumas. Trapped in his own psychological breakdowns, he struggles desperately to separate dark illusions from reality.

"MacMillan's vision has been vital in shaping The Royal Ballet's style and repertory, and what better way to appreciate his art than with this rare chance to experience three contrasting works in a single performance. Abstract, dramatic, humorous - this programme gives a wonderfully varied introduction not just to MacMillan's work but to the beauty and dramatic power of ballet itself. Concerto, to Shostakovich's Second Piano Concerto, contrasts moments of exuberance and elegiac reflection. The Judas Tree places a single woman among 13 men to enact a harrowing event that is recognizably contemporary but with biblical overtones. Elite Syncopations completes the programme with a sparkling evocation of a dance hall that brings ragtime rhythms to the dance, and a ragtime band to the stage.

The Gay Parisian is an American short film produced in 1941 by Warner Bros. featuring the Ballet Russe de Monte-Carlo and directed by Jean Negulesco. The film is a screen adaptation, in Technicolor, of the 1938 ballet Gaîté Parisienne, choreographed by Léonide Massine to music by Jacques Offenbach. It was nominated for an Academy Award at the 14th Academy Awards for Best Short Subject (Two-Reel).

Shot on 16mm celluloid across parts of New Zealand and Samoa, interdisciplinary artist Sam Hamilton’s ten-part experimental magnum opus makes thought-provoking connections between life on Earth and the cosmos, and, ultimately, art and science. Structured around the ten most significant celestial bodies of the Milky Way, Apple Pie’s inquiry begins with the furthest point in our solar system, Pluto, as a lens back towards our home planet and the ‘mechanisms by which certain aspects of scientific knowledge are digested, appropriated and subsequently manifest within the general human complex’. Christopher Francis Schiel’s dry, functional narration brings a network of ideas about our existence into focus, while Hamilton’s visual tableaux, as an extension of his multifaceted practice, veer imaginatively between psychedelic imagery and performance art.