Match in a Haystack

It’s the last dictatorship of Europe, caught in a Soviet time-warp, where the secret police is still called the KGB and the president rules by fear. Disappearances, political assassinations, waves of repression and mass arrests are all regular occurances. But while half of Belarus moves closer to Russia, the other half is trying to resist…

Three juxtaposing stories taking place in Portugal, Austria and Cuba create an intimate and poetic portrait of the daily lives and struggles of the elderly in an unstable world, seen through the eyes of their grandchildren.

The documentary mixes reenactments with true accounts from four characters/actors who tell the stories of six black gay men, their experiences and their romantic relationships crossed by racism and homophobia.

In a series of letters to her young son, a mother, soldier and filmmaker documents her thoughts from the Ukrainian frontline.

As the war wages on, Ukrainians under everyday threat find ways to live. A soldier returns home, a chaplain grapples with the weight of responsibility, and a mother grieves the loss of her family. These stories, amidst others, are a testament of Ukraine’s history, perseverance and plea to be remembered.

These are the first images shot in the ALN maquis, camera in hand, at the end of 1956 and in 1957. These war images taken in the Aurès-Nementchas are intended to be the basis of a dialogue between French and Algerians for peace in Algeria, by demonstrating the existence of an armed organization close to the people. Three versions of Algeria in Flames are produced: French, German and Arabic. From the end of the editing, the film circulates without any cuts throughout the world, except in France where the first screening takes place in the occupied Sorbonne in 1968. Certain images of the film have circulated and are found in films, in particular Algerian films. Because of the excitement caused by this film, he was forced to go into hiding for 25 months. After the declaration of independence, he founded the first Algerian Audiovisual Center.

This Ukrainian-Jewish teenager immigrated to San Francisco as a young child. Now on the brink of adulthood, she interviews her grandparents about their new lives yearning to see her American world through their eyes. Yelena understands that life in the US has changed her profoundly.

This Ukrainian-Jewish teenager immigrated to San Francisco as a young child. Now on the brink of adulthood, she interviews her grandparents about their new lives yearning to see her American world through their eyes. Yelena understands that life in the US has changed her profoundly.

Askania-Nova is the largest steppe wildlife sanctuary in Europe. It is located in south part of Ukraine, not far from Crimea peninsula. In order to underline this unique beauty we created a documentary musical film about life of animals and people in wildlife sanctuary of Askania-Nova. The movie reveals stories of a three protagonists, whose destinies were entangled because of wildlife sanctuary.

Tells the story of the tragic events in Ukraine in 1932-33, the genocidal Great Famine or the Holodomor, and one Welshman's attempts to tell the world what was happening.

In his own way, Anatoli Ljutuk is a legend of Tallinn's Old Town - a man from Western Ukraine who has built a unique world on Laboratory Street, the main core of which is the Ukrainian Cultural Center and Church. There, he engages in calligraphy, makes paper in a medieval way, carves traditional wooden toys in his workshop and makes books in the spirit of old monasteries. According to the oath taken a quarter of a century ago, he has promised to create something good every day. His daily commitment is challenged by the war that broke out in Ukraine, which Anatoly cannot passively ignore.

On February 24th, 2022, Russia launched a full-scale invasion of Ukraine. The war has since killed thousands, displaced millions and destroyed entire cities. Despite international appeals for Volodymyr Zelensky, and his family, to be evacuated to a safe location during the opening days of the invasion, the 44-year-old president stayed in Kyiv with his defence forces. It's hard to imagine how this bright, comedic, family man, has ended up in one of the most dangerous positions in the world, with a giant target on his back. 10 months on, and still fighting from the ground, Zelensky has been named TIME Person of the Year 2022. With comparisons to Winston Churchill, as a war time leader, his impact is undeniable. Utilising his acting skills he is embodying everything it means to have the spirit of Ukraine.

The film’s story is based on the fate of the Floriculture Pavilion of the former Exhibition of Achievements of the People’s Economy, and its elderly employee Valentyna Voronina, who maintains this space, investing her own life into it, until suddenly changes come to her. After forty-five years of work, she is asked to retire. But Voronina does not agree with that, because she thinks that all the plants will die without her. Meanwhile, a group of mysterious radioesthesists find a channel of positive energy right in front of the entrance to the pavilion.

Dmytro Komarov's documentary project The Year. Kharkiv Region. Dmytro Komarov will show Kharkiv in the first months of the full-scale invasion of Ukraine by Russian troops. Viewers will hear the stories of people who found themselves in the epicentre of the brutal attacks: at the air defence base destroyed by a Russian missile, in the residential area of the city - Northern Saltivka - which was ravaged by shelling. The journalist will talk to those who played a key role in the liberation of the Kharkiv region. One of these people is Roman Hryshchuk, the commander of the 127th separate territorial defence brigade of Ukraine. He told us how the military practice of the past - using decoys in the form of dummies - helped to identify and destroy the occupiers. How did the full-scale war begin for Kharkiv? What plans did the enemy have for Kharkiv? What united people and gave them hope in the most difficult times? Find out in the documentary project "Year. Kharkiv Region".

Quando i tedeschi non sapevano nuotare

A look inside the Russian assault on Ukraine's second-largest city, Kharkiv, told by displaced families, civilians caught in the fight and first responders.

A key overview of twentieth-century American fascism and antifascism produced in 1991 by the John Brown Anti-Klan Committee.

Since the uprising of a pro Russian insurgency in eastern Ukraine in 2014, hundreds of women joined the army. Only a few made it to the front line. Filmmaker Masha embeds herself in the war zone to follow the daily life of three of them. By sharing the intimacy of these fighters, Masha soon becomes a victim of this brotherhood conflict jeopardizing this film and her life.

The story of war, love and death that was documented by the immediate participants of events. Off screen and later on it are the two - a boy and a girl. He volunteered for the front; she went to the place just after the battle. He got into Ilovaysk cauldron, lost his closest brother-soldiers. She, while travelling along the ruined towns, strives to understand the essence of war and love. Both tell openly one another about their feelings during the war, escaping the cauldron, a try to live together after, and a common trip to the frontline.

"Letters from Europe" brings to light the words of men and women who gave their lives resisting the Nazi and fascist conquest from 1939 to '45 across the European continent. The moving goodbyes penned by a few of those sentenced to death are sometimes true spiritual testaments that explore the meaning of civic responsibility, human existence, fraternity, and life and death. Their words, which the film mingles with footage of the present day, can perhaps restore meaning to a humanist ideal and to the ever-changing idea of a united Europe.