Paulo Emílio S. Gomes - Ganga Bruta

Figli del Set

Sean Penn is almost a living legend. His filmography paints a picture of an 'other America': the lower class, the oppressed and the outsiders. Whether as an actor or director, he turns all the great myths upside down.

Documentary by Leon Hirszman about the economic conditions of film production in Brazil, produced in 1975 with sponsorship from Embrafilme and kept unreleased since then.

Divas

The 1960s opened with La Dolce Vita by Federico Fellini and its unforgettable lead: Marcello Mastroianni. The actor seemed to glide effortlessly through his roles — and through life — as if to say that life is not all that serious, or perhaps that it is far too serious not to be laughed at. But what kind of man was hiding behind the actor with the handsome, boyish looks, who appeared so gentle and nonchalant?

Sardou, autoportrait

Emancipação e Primeiras Eleições - Historiando em Novo Barreiro

At his cinema in Rome, the Nuovo Sacher, Nanni Moretti anxiously oversees preparations for the premiere of the film Close-up, by Iranian director Abbas Kiarostami. Meanwhile Disney's The Lion King is taking Italy by storm.

Erich Maria Remarque und Marlene Dietrich - Flucht in die Liebe

One hundred years of the cinematic memory of a small country told through motion graphics. A brief tour of previously unseen images and forgotten fragments of Costa Rican cinema, which, amid state efforts and industrial ambitions, prevailed throughout the 20th century.

Hossain Sabzian and some of his associates discuss his character, his life-long obsession with cinema and his attitude towards the film he starred in, "Close-Up" (1990).

Singer, dancer, and actress, Liza, daughter of Vincente Minnelli and Judy Garland, with whom she had a close relationship, made a name for herself on Broadway and in Hollywood with her unique voice and flamboyant style. A sensitive portrait of the unforgettable Sally Bowles from Cabaret.

Impassivity and silence are Mads Mikkelsen's trademarks, and roles without reply his specialty. His sculptural allure is such that his mere presence takes on a dramatic dimension. For him, everything starts with the body. It's his main working tool, which he shapes and engages for each film. For the majority of world audiences, the Danish actor remains associated with his "villain" characters in Hollywood blockbusters - Casino Royale, Doctor Strange, Hannibal, Fantastic Beasts... Yet he finds with uncommon ease a balance between major American film franchises and more modest, confidential independent films. If the actor manages to move from one universe to another without being stereotyped, it's because he has a very physical - thanks to his former career as a gymnast - and pragmatic approach to his art.

Bourvil : le rire et la tendresse

The short documentary traces the fading light of Belém’s silver screens through the eyes of a young filmmaker and aspiring historian. With camera in hand, he sets out to preserve the stories of the three movie theaters that once defined the city’s cultural pulse

Desenvolvimento da Vila Barreiro - Historiando em Novo Barreiro

The Vatican media documentary about the roots of Robert Francis Prevost in his native United States. It follows an itinerary that begins with his childhood in Dolton, through the memories of his brothers Louis and John, and continues among schools and universities, communities and parishes, featuring the voices of confreres, teachers, classmates, and longtime friends. A production of the Vatican Dicastery for Communication, in collaboration with the Archdiocese of Chicago and the Apostolate El Sembrador Nueva Evangelización (ESNE), broadcast on the official channels of Vatican Radio – Vatican News.

A documentary celebrating over one hundred years of The Riverside Theatre & Cinema in Woodbridge.

A documentary film that capture the moment of an old man in the dilapidated oldest cinema in Yangon reflecting his old day working in this cinema and missing the time with his beloved wife who has passed away.

An audiovisual essay constructed from Super 8 footage filmed during camera tests for the short film ‘La Trampa’. Through gestures, light, and silences, it reflects on what the image reveals and what it leaves unsaid.