Electric Graffiti

Young sweethearts Billy and Kate move to the Big Apple, land jobs in a high-tech office park and soon reunite with the friendly and lovable Gizmo. But a series of accidents creates a whole new generation of Gremlins. The situation worsens when the devilish green creatures invade a top-secret laboratory and develop genetically altered powers, making them even harder to destroy!

With unprecedented access to the nuclear industry in France, Russia, and the United States, Nuclear Now explores the possibility for the global community to overcome the challenges of climate change and energy poverty to reach a brighter future through the power of nuclear energy. Beneath our feet, Uranium atoms in the Earth’s crust hold incredibly concentrated energy. Science unlocked this energy in the mid-20th century, first for bombs and then to power submarines. The United States led the effort to generate electricity from this new source. Yet in the mid-20th century as societies began the transition to nuclear power and away from fossil fuels, a long-term PR campaign to scare the public began, funded in part by coal and oil interests.

Taking stock of the extraordinary adventure of "Pif Gadget", a French publishing phenomenon of the 1970s-80s and even of the whole history of children's press. For the comic-strip magazine with the iconic dog, created in 1969 by the French Communist Party, often reached a million copies. With editions available for all of Europe (including Germany, under the title Yps), and on both sides of the Iron Curtain.

This anti-smoking public information film has the kind of stylistic sheen often associated with 1980s British advertising, with its sci-fi setting, filtered smoke and gloomy aesthetics clearly inspired by the works of Ridley Scott (although it’s directed by his contemporary, Barry Myers). It imagines a genetically advanced future humanoid who’s evolved to be a ‘natural born smoker’ – complete with enlarged nostrils and tapping finger - before reminding us that no such creature yet exists. While we expect smoking adverts to be disturbing, the titular character is disquieting in a refreshingly unusual sense.

The sequel to Smoker of the Future, in which he has a child who will take after his father.

Zippy public information animation on how to keep up with the Joneses - by getting a rebate on rates.

Hard-hitting depiction of the danger to children of burns and scalds.

This educational film from the 1940s teaches the fundamental definitions of, and the physical concepts involved in, volt, ampere, ohm and watt.

Power cuts, housing shortages and exorbitant rents – Aberdeen man goes head to head with his greedy landlady.

Tyne and Wear Fire and Rescue Service public information film, which features a man, made completely of molten rock and fire talk to the audience against a smoky black background.

Featuring the voiceover of Sir Anthony Hopkins, this public information film from the Whale and Dolphin Conservation Society starts out rather innocently with beautiful hand-painted animation. It describes how once a year a large group of pilot whales swim to a small group of islands known as the Faroe Islands.

Sid James learns of the joys of owning a budgerigar.

John Hurt narrates this highly charged and doom-laden public information film from the 1987 AIDS awareness campaign. A cliff-face explodes in slow motion; an industrial drill bores into a huge block of rock; the word 'AIDS' is chiselled into the polished surface of a granite headstone and a "Don't Die of Ignorance" leaflet drops onto the surface along with an elegiac bouquet of white lilies. The solemnity of the accompanying voice-over quells any vestiges of ambiguity.

With its simple and iconic imagery this was public information film at its most sensational: expensive special effects and high-concept production design brought public information filmmaking into the realm of state-of-the-art corporate advertising. The film was the result of a £5 million cinema and television campaign aimed at combating the growing spread of HIV and AIDS. With restrictions around the overt promotion of condom use on television and a growing chorus of moral campaigners promulgating their own agenda, the straightforward and doom-laded approach was probably the only viable option for campaign mastermind Sammy Harari. But the result was a hard-hitting and memorable campaign which undoubtedly fulfilled its brief of pervading public consciousness. There are two versions; the one shown in cinemas did not feature John Hurt's famous voiceover.

This driver’s education film from the early 1970s, "Alcohol and Red Flares", warns viewers of the dangers of drunk driving. It recounts the story of a man named “Mike” who drinks heavily at a party, and insists on driving home. The consequences are steep and along the way, viewers learn about Blood Alcohol Level (also known as BAC or Blood Alcohol Content), techniques police use to verify a driver’s inebriation such as the breathalyzer, and the reasons why driving drunk is so dangerous. This film was produced by legendary social guidance filmmaker Sid Davis in cooperation with the Monterey Park Police Department.

Coast Guard film about the importance of life jackets. Stresses safety in boating and shows how boating accidents can happen.

“The Mystery Crash” discusses the dangers of drinking and driving especially as it pertains to the seemingly harmless “social drinker.” This film was produced by Jack Lieb Productions Inc, Chicago and sponsored by the National Safety Council. It is part of a series of films, with each episode describing a different element of driving and road safety.

The film features a meeting led by Dave Taylor, the shelter manager, discussing the protocols and responsibilities for staff members involved in managing a public shelter. Key participants, including operations deputy Harvey Johnson and health leader Mrs. Carter, outline their roles in ensuring a smooth entry for occupants during an emergency. The meeting emphasizes the importance of organization, communication, and the distribution of supplies. Staff members are encouraged to familiarize themselves with each other's duties and prepare for potential scenarios, including managing newcomers and ensuring safety and sanitation within the shelter.

A training film for public shelter managers explaining when people should be allowed to leave the shelter after a disaster.

Created in 1963 at the height of the Cold War, this Civil Defense training film uses a dramatic premise to show how emergency staff should manage and organize a large public fallout shelter during a crisis. A Shelter Manager is shown immediately taking control of the situation in the shelter, speaking calmly to those who have made it into the facility, closing the door promptly once the shelter is full, and sticking to the "shelter plan" as the situation unfolds. Some of the areas discussed in this nuclear war drama are the safety plan, regular inspections, supervised public entry into shelters, ventilation, first aid, sanitation, fire prevention, decontamination of personnel, and more. "Shelter living is different," the Manager states, "But we have a trained staff that will make your stay in this shelter livable for us all."