I hate the lies that brought me here, the illusions I once trusted. I tried to change what was never real, and now I carry the burden of my own delusion.
The tale of the Grateful Dead is inspiring, complicated, and downright messy. A tribe of contrarians, they made art out of open-ended chaos and inadvertently achieved success on their own terms. Never-before-seen footage and interviews offer this unprecedented and unvarnished look at the life of the Dead.
Roger Corman & William Shatner are talking about the making of 'The Intruder'.
Surrounded by his children, his wife Ethel, and Sammy Davis, Jr., RFK visits schoolchildren around the city, and is every bit the good patriarch and dutiful public servant. But it’s the films’ fleeting, in-between, moments where Pennebaker most precisely hits the mark, offering reflection on the possibilities that Robert Kennedy’s all too brief life foreclosed. Set against the pageantry of a long ago Christmas, the film speaks to tragic contingencies of history lying far beyond the ken of politics that continue to circumscribe the tortured destiny of our country.
Eu Maior (Higher Self) is a Brazilian feature-length documentary presenting a fresh look at self-knowledge and the pursuit of happiness. The filmmakers interviewed thirty individuals with distinct backgrounds, including spiritual leaders, intellectuals, artists and professional athletes. Their touching personal stories, combined with the film's beautiful images and music, are certain to appeal to any audience's intelligence and artistic sensibility. - Anonymous
A 30 minute documentary that explores the sub culture of fan art and artists that pay homage to the NBC comedy Community. Follow PixelDrip Gallery as they organize the first ever Community themed art show and get to know the artists and fans who's love for the show goes beyond just watching it.
La Statue de la Liberté, naissance d'un symbole
Lee Duffy was one of the most feared men in the North East of England until his reign of terror came to a brutal end. Lee's motto in life was to "live by the sword and die by the sword", something that inevitably came true on August 25th 1991, at 3.55am. The name Lee Duffy is firmly embedded in Teesside gangland folklore and to this day, his name still carries the impact that it did all those years ago when he was walking the streets. This new documentary brings you into the world of Lee Duffy and is told by the people who knew him most including associates, friends, enemies, the police, a double life prisoner and a true crime author.
In the late 1980s and early 1990s, in an attempt to stop the spread of AIDS, the Chinese government sought a “purer” blood supply from its rural population. Burdened by agricultural taxes and rising costs of education and health care, many peasants sold blood to state and private blood-collectors. Due to lack of sanitary control, a large number of blood-sellers were infected with HIV. Starting from the mid-1990s, AIDS villages multiplied.
Rodrigo Díaz de Vivar, whom History knows as El Cid Campeador, is an essential figure to understand the Middle Ages. His legend has endured throughout the centuries to become a myth. In this documentary we will discover his character as a military leader, a mercenary or a undefeated hero in hundred battles, but also as the man, with his virtues but also with his defects.
A man in his early 70s recalls the time when his young lover got caught in a firestorm and her hallucinations grew stronger and stronger. The loss of his girlfriend, the trauma of a forbidden and impossible love, the feelings of guilt and the attempt to use language, literature and theatre to find a way out.
In 1959, a group of intellectual “Rightists” from colleges and universities in Shenyang, and criminals from prisons, arrived in the desolate area of western Liaoning Province. They wanted to build a railway here for a mine. Taking the fate of Yin Shaoyao, a lecturer at Liaoning University, as its focus, this film records this group’s experience of being labelled as rightists, of “Reform through Labour”, of being starved, and killed. Their personal files reveal the details of their transformation: their personalities encouraged them to betray each other, incriminating materials were put in their files, and their political lives were destroyed. Ideological reformation killed their spirit, while physical labour and hunger destroyed their bodies. The film also records how people who resisted were suppressed and what happened to people’s humanity in this most cruel of environments.
A documentary about Sam Peckinpah's "Cross of Iron," shot in Yugoslavia in 1976.
Robert Preston hosts this documentary that shows what people of the 1930s were watching as they were battling the Depression as well as eventually getting ready for another World War.
Incomplete work-in-progress cut of a documentary chronicling the production of Dame Dash's With Child movie as well as Kanye West's Donda album. The title as seen in the video is The Cody Project, however it's also commonly referred to as "YZY TV" due to the watermarks present. This was uploaded briefly to Vimeo before being removed after its discovery on January 23rd, 2021.
Big-cat expert Boone Smith tracks pumas in Patagonia, but the tables are turned when a big cat starts to stalk him.
Bruce Brown's The Endless Summer is one of the first and most influential surf movies of all time. The film documents American surfers Mike Hynson and Robert August as they travel the world during California’s winter (which, back in 1965 was off-season for surfing) in search of the perfect wave and ultimately, an endless summer.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
Megacities is a documentary about the slums of five different metropolitan cities.
Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.