A Good Death

This short documentary is the portrait of an 88-year-old woman who lives alone in a log cabin without running water or electricity in the Williams Lake area of British Columbia. The daughter of a Shuswap chief, Augusta lost her Indian status as the result of a marriage to a white man. She recalls past times, but lives very much in the present. Self-sufficient, dedicated to her people, she spreads warmth wherever she moves, with her songs and her harmonica.

Sawa, a home helper for a middle class family with an elderly infirm grandfather, is forced to stretch her morals to keep her job. As a result, she finds herself broke and out on the street. She survives her first night by striking up an ambiguous friendship with a kindly old man, gaining access to a portion of the immense wealth held by Japan's aging population. She continues with similar encounters, and while these begin as scams or revenge on rampant sexism, they ultimately become vulnerable intergenerational exchanges.

A patient camera glides over the everyday objects: still lives on the wall, flowers in the vase, a swaying drop light. The sun enters the cosy home where Noëlla sits smoking at her laptop, playing Solitaire. The situation is hopeless. She’s going to lose against the computer once again. All the while her son-in-law, Pierre, is organising everything she needs, pragmatic and friendly: breakfast, the (last) doctor’s visit – and then the transfer.

This feature-length documentary chronicles the Sundance ceremony brought to Eastern Canada by William Nevin of the Elsipogtog First Nation of the Mi'kmaq. Nevin learned from Elder Keith Chiefmoon of the Blackfoot Confederacy in Alberta. Under the July sky, participants in the Sundance ceremony go four days without food or water. Then they will pierce the flesh of their chests in an offering to the Creator. This event marks a transmission of culture and a link to the warrior traditions of the past.

Huiju learned of her biopsy test results, but lied to her mum about them. Feeling guilty about the lie, she embarks on her journey to find cancer patients who have the same diagnosis as hers and learns about their experiences. After hearing their stories, she finds the courage to tell the truth to her mum.

Feisty, fiercely independent and firmly rooted in place, 90 year-old Mabel Robinson broke barriers back in the 40s when she became the first woman in Hubbards, Nova Scotia, to launch her own business—a hairdressing salon where she still provides shampoo-n-sets over 70 years later. Weaving animation and archival imagery with intimate and laugh out loud moments in the salon, the film celebrates the power of friendship, doing what you love and staying active. With no desire to retire anytime soon, Mabel gives voice to a generation who are not front and center of cinema or the pop hairstyles of the day, and subtly shifts the lens on our perception of beauty and the elderly.

A documentary about faith through an essay on aging and the fear of death. A story about a group of elders in a ghost town and their lifetime struggle for the respect of their culture and their different ways of understanding faith, where the need of water is the main element that supports their demands and ancient culture is presented as an heritage for new generations to come, that if their home town survives after they are gone. A film that portrays youthfulness as hope, while the main characters reminds us all that nothing is more powerful than our own will and that there is no such thing as a lost cause.

Three juxtaposing stories taking place in Portugal, Austria and Cuba create an intimate and poetic portrait of the daily lives and struggles of the elderly in an unstable world, seen through the eyes of their grandchildren.

A group of elders spends their weekdays in a retirement home in Sandim, in the north of Portugal, where they talk, do arts and crafts, practice yoga and pray. We follow them between October 2012 and March 2013, when an economic crisis overshadowed Portuguese society and unemployment rates reached record levels. Meanwhile, arrangements are made for the Carnival ball. Will they bring the first place home this time?

A boy and his ageing grandfather are connected by the music his grandfather plays. When the grandfather suddenly can’t remember how to play and his very own light goes out, the boy must find a way to bring his grandfather and the light back.

Hojas de Sauco

When a young Korean woman desperate to get to an important networking opportunity finds a senior with the beginnings of dementia abandoned in her car, she must grapple with an unsupportive system and her own priorities.

Asilo (Prototipo)

Tierra de nuestras madres

A story with almost 100 years told by the 95 years old woman Floripes.

In a seaside sanatorium, an old man sees his life turned upside by the arrival of a seagull that he gently tames. When the gull is injured, the old man takes care of it and for a moment finds his childhood soul.

A poetic and metaphysical view on a daily life routine in a distant nursing home, on a top of the mountain in Uzice, Serbia – the closest place to heaven. This is the last station on earth for old people that called “clients”. While they’re waiting for the end of their lives, prisoned in a desolate nursing home and their old-dying body, they are fighting for the freedom of their soul, the only place they can feel young and alive. A fight between light and darkness, suffering and acceptance, life and death.

In the middle of Australia’s divisive marriage equality vote, Melbourne hosted a gala event to honour and celebrate its LGBTIQ elders. These are their stories.

Led by the words of an old man, we will witness the extraordinary event that changed the life of a village forgotten amid the fog.

After being sentenced to community service, Sara begins working with Artur, a lonely septuagenarian in a wheelchair.