Jolly Joe

the story of an audition and the story of a girl who meets a guy in said audition.

At the Factory, laughter is produced, canned and shipped into the world in precisely measured, temperate doses. It lacks something, though: freedom and authenticity. One woman is unable to laugh according to the norms. She accidentally releases a reckless laughter breaking all the Factory rules. Soon realizes she is leading a revolution for freedom and joy, against pomposity.

Discover Les Ballets Trockadero de Monte Carlo (The Trocks), an all-male company that for 45 years has offered audiences their passion for ballet classics mixed with exuberant comedy. With every step they poke fun at their strictly gendered art form.

The Merry Widow, a beguiling, romantic ballet starring Patricia McBride and Peter Martins.

After an accidental drug overdose, a talented teenage DJ goes to live with his estranged father in a small Army town, where he gets to the bottom of his own pain and learns empathy for others.

Noetic, Faun and Boléro: Three elements, three visions, three journeys through dance. Choreographer Sidi Larbi Cherkaoui's show offers a profound reflection on our intimate connection with the world around us. From putting mathematics in movement to Ravel's Boléro as a dance of death, Cherkaoui transcends the boundaries of the stage to offer us a unique philosophical perception of the world.

Palace Music Hall

A documentary on the surviving syncretic pagan midwinter customs of the British Isles, focusing on nine ritual celebrations ranging from the Moray Firth in the north, the Somerset Levels in the south, Humberside in the east, and County Kerry in the west. Featuring music by the Albion Band and narration by John Tams.

A group of near-naked women dance and leap about on a beach.

Inada plays Betty Yoshida, a singer and dancer from America who arrives in Japan to go on tour, only to be swindled by scheming managers. Penniless and cast to the streets, Betty is taken in by Oki (Nakagawa), a talented tap dancer who introduces her to a group of struggling musicians living and working together.

About the sensuality in Swedish folk dance and folk music. A film that blends dance, fiction and documentary material into a heated, rough and skin-like expression.

A journey into the mind and music of GLÜME as she struggles with the pain and pleasure of controlling her life whilst confronting her deep past

Oseyi, an eight-year-old boy, lives in the village of Colihaut, in Dominica, which is the home of a particular masquerade/carnival art-form/African Retention known as the Bann Mové.

On a trip to Paris Sally meets Pablo, a tango dancer. He starts teaching her to dance then she returns to London to work on some "projects". She visits Buenos Aires and learns more from Pablo's friends. Sally and Pablo meet again but this time their relationship changes, she realises they want different things from each other. On a trip to Buenos Aires they cement their friendship.

In County Durham, England, 1984, a talented young dancer, Billy Elliot, stumbles out of the boxing ring and onto the ballet floor. He faces many trials and triumphs as he strives to conquer his family’s set ways, inner conflict, and standing on his toes in a musical that questions masculinity, gender norms and conformity.

A bonus DVD included with the "Spice Girls: Greatest Hits" audio CD.

Film about the town of Penge featuring local personalities, housing, shopping, traffic and the Penge formation dancers.

A man is obsessed with John Travolta's disco dancing character from "Saturday Night Fever".

At the age of 11, Li was plucked from a poor Chinese village by Madame Mao's cultural delegates and taken to Beijing to study ballet. In 1979, during a cultural exchange to Texas, he falls in love with an American woman. Two years later, he managed to defect and went on to perform as a principal dancer for the Houston Ballet and as a principal artist with the Australian Ballet.

A unique hybrid of documentary, silent film, drama and dance, 'Breaking Plates' puts revolutionary women of the past on the screen with present day filmmakers. Contemporary women talk to characters from 100 years ago, reanimate their antics and emulate their mayhem moves. As early 21st century performers step into the clothes of their early 20th century counterparts, battling their haywire machines, exploding gags, and eruptive bodies, they learn to wield humour as a weapon against the structures that contain them today.