Killhouse

Five young Ukrainians discuss life following the Maidan Revolution of 2014. Not all fought in the Russian-Ukrainian war, but it, regardless, shattered their life plans. Representing 'Generation Maidan', they face the question of how to cope with experiences of violence, how to go on. A local theatre director produces Hamlet, wherein they can use Shakespeare’s tragic character as a mirror and face their traumas onstage. For them, 'to be or not to be' is not simply text but an existential dilemma with no clear answer.

Made refugees by the war in Ukraine, Olga and her granddaughter Milana travel to a summer camp in the Austrian Alps to test the limits of their own bravery, and to strengthen their growing bond.

A woman struggles with the isolation of being confined as a prisoner in a war-torn country.

Thi is the story of a Kyiv boy who lives his life believing that the problems of his country do not interest him. However, everything changes when he meets in a dream a Ukrainian warrior who comes to Nazar from the last century. Or maybe it was not a dream?

Two mirror situations: telephone conversation of a Russian soldier with his mother, and a soldier of the Armed Forces of Ukraine, who also communicates with his own, during the Russian military aggression. Why is there such a huge gulf between our people and their people? Perhaps the answer to this question lies in the difference in relationship with mothers.

The story of the first months of the Russian invasion of Ukraine through the eyes of a volunteer from Kamianets-Podilskyi and a female volunteer who ended up in occupied Mariupol.

The story of war, love and death that was documented by the immediate participants of events. Off screen and later on it are the two - a boy and a girl. He volunteered for the front; she went to the place just after the battle. He got into Ilovaysk cauldron, lost his closest brother-soldiers. She, while travelling along the ruined towns, strives to understand the essence of war and love. Both tell openly one another about their feelings during the war, escaping the cauldron, a try to live together after, and a common trip to the frontline.

Since the uprising of a pro Russian insurgency in eastern Ukraine in 2014, hundreds of women joined the army. Only a few made it to the front line. Filmmaker Masha embeds herself in the war zone to follow the daily life of three of them. By sharing the intimacy of these fighters, Masha soon becomes a victim of this brotherhood conflict jeopardizing this film and her life.

Sofia, a promising young LA-based musician, returns to her home-town of Kyiv for the first time in four years. Her brother is getting married, the tables are heaving with food, everyone is there, including her ex-boyfriend. And then, suddenly, the sirens start wailing, and with the hangover comes the fight for survival.

A young Ukrainian street photographer reflects on his feelings of longing and connection to his father as he explores the streets of New York City.

Based on a true story. Two fighters of 'Donbas' Volunteer Battalion get locked inside city of Ilovaysk after regular Russian army enters Ukraine and shells the surrounded divisions of Ukrainian Army in the infamous would-be 'green corridor'. The fighters survive thanks to the help of the locals and manage to break out through the front line to reach the freed territory. Taras Kostanchuk who is playing himself as 'Beshoot' is that same Donbas commander who is the prototype of the story. Half of the actors and extras are real 'Donbas' volunteers who survived the battle.

Pulitzer Prize-winning conflict photojournalist Lynsey Addario reflects on a career working in some of the world's most dangerous war zones, including the Russian invasion of Ukraine.

This documentary follows two long-lost Ukrainian friends, Arsalan and Nastya, as they reconnect in Germany after russia's full-scale invasion against Ukraine. Arsalan, an actor now in Frankfurt after time in a refugee camp, and Nastya, journalist and producer who stayed in Kyiv, reflect on the divergent paths their lives have taken due to the war. Through their conversations and therapy sessions, the film explores themes of displacement, identity, and the emotional impact of war on youth.

The life of Ukrainian-Soviet avant-garde composer Alexander Mosolov inspires three stories about creation and individualism in the face of state power, set against the Great Purge of the 1930s and the ongoing Russian invasion of Ukraine.

As the Russian invasion begins, a team of Ukrainian journalists trapped in the besieged city of Mariupol struggle to continue their work documenting the war's atrocities.

Abel Ferrara explores human conflict and the search for peace and balance through the music and words of Patti Smith and the experiences of people at war in Ukraine.

For five teenagers living in the conflict-ridden Donbas region of Ukraine, a Himalayan expedition provides a brief escape from reality. A portrait of a generation that, in spite of everything, is able to recognise and celebrate the fragile beauty of life.

Personal videos from the phones, camcorders, cameras and GoPros of Ukrainian soldiers are woven into a surreal journey to the frontline of the war with Russia. The film shows a bizarre world whose laws are quite different from what we are used to. The behaviour is different, the relationships unfold differently and the humour takes on different notes. The heroes wake up and fall asleep, rejoice and cry, always feeling that the recording may end at any moment.

The story of trust and its absence against the background of events unfolding in Eastern Ukraine in early 2014. The main topic is revealed through the prism of the Luhansk border base, whose fighters the separatists and Russian special services tried unsuccessfully force to betray their country.

Lugansk region, May 2014. The Novozhilov family, by chance, finds itself in the thick of events in Lugansk. Vlad Novozhilov is a former participant in the war in Afghanistan. He knows firsthand what war is. Having seen enough of the horrors of war in his time, in principle he does not even want to touch a weapon. In a situation, he sees only one way out - to leave the country. But you can't run away from the war, the border is already closed. To save his family, he will have to make difficult moral choices.