An evocative and imaginative exploration of the racial tensions in Othello and how the themes in Shakespeare's play still resonate today.
Shakespeare’s Othello is revisited exactly as it was written, brought into the present through the power of dialect alone. Iago, Othello, and Desdemona are regrettably still among us, in contemporary events told through a great classic. Set in the early 2000s, it is a timeless story where good and evil intertwine in a maelstrom of deceit, betrayal and mad jealousy.
Noble Moroccan Othello finds his life with beautiful, fiercely loyal Desdemona thrown tragically out of balance when secretly jealous, scheming confidante Iago begins an insidious campaign of lies and treachery.
King Lear is a proud man who solicits praise from his three daughters in return for inheritance of the kingdom. Daughters Goneril and Regan profess their affection vehemently. Cordelia, who does not respect the process her father has chosen, does not humor him. Lear's perceived rejection from Cordelia leads to her banishment, thus splitting the kingdom between the other two. This hasty decision becomes his fatal error.
General Othello's marriage is destroyed when vengeful Ensign Iago convinces him that his new wife has been unfaithful.
The evil Iago pretends to be friend of Othello in order to manipulate him to serve his own end in the film version of this Shakespeare classic.
When a secret marriage is planned between Othello, a Moorish general, and Desdemona, the daughter of Senator Brabantio, her old suitor Roderigo takes it hard. He allies himself with Iago, who has his own grudge against Othello, and the two conspire to bring Othello down. When their first plan, to have him accused of witchcraft, fails, they plant evidence intended to make him believe Desdemona is unfaithful.
Even without the benefit of sound, the 1922 German adaptation of Othello seems more operatic than Shakespearean. This may be due to the casting of Emil Jannings, to whom restraint and subtlety were strangers. Werner Krauss, of Cabinet of Dr. Caligari fame, is on hand as the duplicitous Iago. Appearing as the unfortunate Desdemona is Lea Von Lenkeffy, better known as Lya de Putti. Produced on an elaborate scale, Othello may not be true to the letter of Shakespeare, but is undeniably a smorgasbord of visual delights.
Two rival acting students are forced to reconcile their differences and play lovers Romeo and Juliet in their final school play, vying for a life-changing prize.
With freshly rechristened characters and brand-new dialogue, this British TV production of Othello is a "rethinking" of Shakespeare's play, albeit still retaining the original's power and potency. The story is set in the London of the near future, a crime-ridden metropolis virtually torn apart by racial hostilities. By order of the Prime Minister, black police officer John Othello (Eamonn Walker) is promoted to Commissioner, a post dearly coveted by Othello's friend, mentor and fellow officer Ben Jago (Christopher Eccleston). Seething with jealousy, Jago contrives to discredit Othello in the eyes of the public, and to destroy John's interracial marriage to the lily-white Dessie (Keeley Hawes). Among those used as unwitting dupes to gain Jago's ends are Othello's trusted lieutenant, Michael Cass (Richard Coyle), scrupulously honest police constable Alan Roderick (Del Synnott), and Jago's own wife, Lulu (Rachael Stirling).
The earliest British televised production in existence of the play Othello, with black American actor, Gordon Heath, in the title role. This was the first televised version of the play to feature a black actor in the title role. Gordon Heath, an American, came to Britain in 1947 and was cast by Kenneth Tynan to play Othello in his 1950 Arts Council production. The play takes place in Venice and Cyprus and the original production was part-live, with recorded Venice sequences
Filmed version of the 2019 Stratford Festival production.
After uniting the entire Brodenthood under his rule, valiant Emperodent Julius Cheezer sets out to prove his worth by stealing a forbidden block of cheese from the dreaded Realm of Giants - defying the pleas of his squeakheart Cleoratra. His curdsade takes an unexpected turn when he encounters Romeo Montague, a desolate human coming off a certain life tragedy. Together, they explore the meaning of love, legacy, and life itself.
Olivier Award-winner Hiran Abeysekera (Life of Pi) is Hamlet in this fearless, contemporary take on Shakespeare’s famous tragedy. Trapped between duty and doubt, surrounded by power and privilege, young Prince Hamlet dares to ask the ultimate question–you know the one. National Theatre Deputy Artistic Director, Robert Hastie (Standing at the Sky’s Edge, Operation Mincemeat) directs this sharp, stylish and darkly funny reimagining.
The Moorish general Othello is manipulated into thinking that his new wife Desdemona has been carrying on an affair with his lieutenant Michael Cassio when in reality it is all part of the scheme of a bitter ensign named Iago.
King Lear, old and weary, divides his kingdom among his daughters, placing great weight on their declarations of love for him. However, when Cordelia, the youngest and most honest, refuses to flatter the old man in exchange for his favour, he banishes her and seeks support from his remaining daughters. Goneril and Regan, however, harbour no love for him and instead conspire to seize all his power. In a parallel, Lear’s loyal courtier Gloucester favours his illegitimate son Edmund after being deceived by lies about his faithful son Edgar. Tragically, both ill-fated fathers are consumed by madness and experience immense suffering.
Frantic Assembly takes Shakespeare’s muscular and beautiful text, combines its own bruising physicality, and presents an Othello firmly rooted in a volatile 21st century. This is a world of broken glass and broken promises, of poisonous manipulation and explosive violence.
Spurred by the devious Iago and believing that his beloved Desdemona has betrayed him, Othello destroys his own happy world. Accomplished film, television, and stage actor Patrick Stewart plays Othello joined by a Black cast, including Franchelle Stewart Dorn as Emilia. This bold, new look at the play highlights one of its major themes of “otherness.”
Hamlet, Prince of Denmark, finds out that his uncle Claudius killed his father to obtain the throne, and plans revenge.
WillShake is a boy with a trunk of theatrical tricks who likes to tell stories. He embarks on his first journey to share the story of Henry V.