Yes, Schumer!

Five lonesome cowboys get all hot and bothered at home on the range after confronting Ramona Alvarez and her nurse.

The winner of the Miss World Virginity contest marries, escapes from her masochistic husband and ends up involved in a world of debauchery.

A surreal musical comedy set in a world where the avant-garde and the mainstream are reversed.

Meet Shavon O'Brien: Her family doesn't understand her, her church ignores her, even Jesus forgets about her. With only the spirit of Sinead O'Connor to guide her, Shavon battles institutional child abuse, narcissistic group think, a talking stomach and a singing poop bucket! Shavon goes from Catholic to Crusty Punk in this very, very, very, dark musical comedy!

The quasi-fictional story of transgender sex workers living in Rio de Janeiro's swampy red light district, who are joined by a group of hippies and a runaway stockbroker, "Mangue-Bangue" is the paradigmatic expression of the post-1968 spirit of desbunde, the Brazilian slang catchword for "sex, drugs, and rock 'n' roll".

Mockumentary experimental film, which shows one day in the life of a young man. The action takes place on the Day of Soviet Cosmonautics, April 12, one of the last years of the USSR. Outside the window, it is gradually getting warmer, the onset of spring is felt, promising hope for the possibility of changes in the country. The hero of the film is fond of space. The young man, who idolizes Gagarin, is engaged in reconstruction, making the uniform in which the cosmonaut walked in the prime of his glory. Our hero is also a film enthusiast. He makes films with stories of space flights and shows them to his friends. The film is stylized as amateur films of the 1980s and was shot on a 16-mm color film made by the company" Svema", made in the Soviet Union. The quality of this film allows the viewer to fully immerse themselves in the atmosphere of the time of the film, which is dedicated to Soviet cosmonautics and Edward D. Wood Jr.

After a catastrophic global war, a young filmmaker awakens in the carnage and seeks refuge in the only other survivor: an eccentric, ideologically opposed figure of the United States military. Together, they brave the toxic landscape in search of safety... and answers.

An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.

During the zombie apocalypse, survivors trapped in a sound stage make an amazing discovery about a potent strain of marijuana. But tensions rise, mistakes are made, and they start to wonder, who's more dangerous, the undead or each other?

Gay, alienated Los Angeles teens have a hard time as their parents kick them out of their homes, they don’t have money, their lovers cheat, and they are harassed by gay-bashers.

A young bride escapes her wedding ceremony with a stranger and together they set off on an epic journey though increasingly bizarre lands. They encounter talking animals and mournful exhibitionists, converse with a discoursing rock, journey through a surrealist's psychedelic hotel, instigate a prison riot, escape from naked cannibals living in a tree and battle a wind-up midget dictator!

What does the energy harnessed through orgasm have to do with the state of communist Yugoslavia circa 1971? Only counterculture filmmaker extraordinaire Dušan Makavejev has the answers (or the questions). His surreal documentary-fiction collision begins as an investigation into the life and work of controversial psychologist and philosopher Wilhelm Reich and then explodes into a free-form narrative of a beautiful young Slavic girl’s sexual liberation.

Dislocation in time, time signatures, time as a philosophical concept, and slavery to time are some of the themes touched upon in this 9-minute experimental film, which was written, directed, and produced by Jim Henson. Screened for the first time at the Museum of Modern Art in May of 1965, "Time Piece" enjoyed an eighteen-month run at one Manhattan movie theater and was nominated for an Academy Award for Outstanding Short Subject.

In his book "1984", George Orwell saw the television of the future as a control instrument in the hands of Big Brother. Right at the start of the much-anticipated Orwellian year, Paik and Co. were keen to demonstrate satellite TV's ability to serve positive ends-- Namely, the intercontinental exchange of culture, combining both highbrow and entertainment elements. A live broadcast shared between WNET TV in New York and the Centre Pompidou in Paris, linked up with broadcasters in Germany and South Korea, reached a worldwide audience of over 10 or even 25 million (including the later repeat transmissions).

Serap is a successful theater actress. Although she rejects the traditional roles assigned to women in her personal life, she agrees to play the role of a traditional housewife in a shampoo commercial. However, she is unaware that this commercial will turn into her worst nightmare.

A costume designer is sent to the Catskills for an interactive theatre piece set in the 1920s. When she arrives things seem dark, strange and off. She soon realizes she is part of a student film.

The tragicomedy of the absurd, is based on the works of Daniil Kharms (1905-1942). Trying to recreate reality 30s, who came to the flowering of creativity Harms, the director plays the style of filming, acting at that time and enters into the picture, "the aged" sound. Thus, it is possible to achieve maximum reliability of the author's text and sound to help the viewer to immerse themselves in the atmosphere in which he lived and worked classic absurdity. This is - a world of illusions, allusions and associations, reflecting a stream of consciousness of the creator living in an era of silence.

The film "Nights full moon" shows the tendency of moral decay in society. The main character is torn apart by internal contradictions, leading him to the path of Evil. Bans on self-identification - philosophical, existential, sexual, and then permissiveness spawn a monster that is not aware of its true nature and genuine desires. Throughout the film-trilogy, the protagonist goes through a series of temptations that ruin his soul and lead, after all, to a madhouse. In a general sense, the film allegorically shows the tragic path of the Russian lumpen intellectual, lost between the past and the present, not finding the strength to accept and comprehend the unexpected changes that happened in our country twenty years ago. In the global sense - the tragic circle of Russian history.

While their mother is dying in the modern Gimli, Manitoba hospital, two young children are told an important tale by their Icelandic grandmother about Einar the lonely, his friend Gunnar, and the angelic Snjofrieder in a Gimli of old.

Korea, the now: A young man makes a fateful encounter with a stranger he passionately falls in love with. When Unk rides his scooter through the night he fails to notice a drunk pedestrian, a man called Boaz, and hits him. The accident has unforeseen repercussions since shortly afterwards Unk and Boaz start an intense relationship that leads into a gradually worsening dependency.