No Masks

As a virus spreads throughout Brazil, a young filmmaker goes back to his village and tries to rekindle his relationship with his father. But as they become closer, stranger events start to happen, making their connection more difficult.

In February 2020, a luxury cruise ship carrying a cluster infection of the novel coronavirus docks in Yokohama. Disaster Medical Assistance Teams work tirelessly to save lives while battling anxiety and fear surrounding the unknown virus.

Gabriel is a depressed young man living a reclusive and lonely life, shaken by memories of a very turbulent past. Amid the corona-virus pandemic that is ravaging the world, Gabriel finds refuge in his passion for video games and decides to start a modest career in live broadcasts on the internet. With his shy personality, he creates a community of online fans who connect with his inspiring messages of perseverance and authenticity. As Gabriel shares his personal journey and encourages his viewers to face their fears, he becomes a source of hope for many, especially one young follower who, inspired by her words, finds the strength to report her attacker. As his stream views increase and positive comments flood his channel, Gabriel finds a sense of purpose, fulfillment, and courage he never imagined.

Just another normal day, like any other in the last few years.

Juan, a seventy-year-old man with senile dementia, shares a room with Manuel, a young sparrow.

Nina, a young actress who finds herself in an emotional turmoil during her opening night, struggles with a rehearsal that challenges her limits.

Covid-19 Sapiens Love

"Despite the multitude of characters and situations, the plot is simple: the eternal flow of life. It is based on Les contes fantastiques d’Hoffmann, a play by Jules Barbier and Michel Carré, who were inspired by some of the stories of the German E.T.A. Hoffmann. On a drunken night in the city, Hoffmann tells how he courted and lost three girls, his impossible loves: Olympia, a mechanical doll that only he believes to be truly human; Giulietta, the courtesan who steals his reflection in a mirror; and Antonia, a young woman who sings until she literally dies." Venue & Opera Company: Teatro Regio di Parma Recorded: 1988 Singers: Alredo Kraus, Ruth Welting, Jonathan Omilian, Barbara Hendricks, Elena Zilio, Nicola Gjiuselev, Bruno Buulgarelli, Francis Egerton, Aldo Bottion Orchestra: Orchestra Sinfonica dell'Emilia-Romagna "Arturo Toscanini" Chorus: Coro del Teatro Regio di Parma Chorus Master: Adolfo Tanhzi Stage Director: Beppe de Tomasi

After going through an emotional breakdown, a woman tries to realign herself before deciding if she can take on another job.

Strangers June and Charlie wind up double-booked in the same upstate New York Airbnb during the start of COVID-19. Exasperating the situation, the lockdown forces them both to stay and confront the unexpected feelings that develop between them.

A Theater student named Laras witnesses her friends rehearsing for a performance. At the same time, Laras is in the middle of conflict with someone from her house hold

A person shaken by the catastrophes of the world cannot let go of their chaotic thoughts until they find a bond that was once lost.

In the early hours of the morning on the campus of an American college, Martha, much to her husband George’s displeasure, has invited the new professor and his wife to their home for some after-party drinks. As the alcohol flows and dawn approaches, the young couple are drawn into George and Martha’s toxic games until the evening reaches its climax in a moment of devastating truth-telling.

Story of a friendship between Carl and the school's janitor, Richard. Then Carl's mother felt that her son is best suited to another school, after a 6-week COVID-19 lockdown, in which Carl and Richard had the entire school to themselves.

Inspired by the work of Bertolt Brecht and filmed in Porto's former industrial slaughterhouse, A Santa Joana dos Matadouros is a meta-cinematic essay about the labor market in times of economic crisis in Europe. The film explores the possibilities of cinema in its relationship with theater and brings together a cast of professional actors, amateurs, renowned artists from various disciplines, and a group of unemployed residents of Vale de Campanhã.

Opera in three acts, a prologue and an epilogue, by Jacques Offenbach (1819-1880), with a libretto in French by Jules Barbier (1825-1901), based on a work that Barbier himself and Michel Carré (1821-1872) had written based on stories by E.T.A. Hoffmann (1776-1822). Approximate duration: 2 h 45 min Recommended for those over 15 years old. The young poet Hoffmann, accompanied by Nicklausse, his alter ego and confidant, is in a tavern next to the theatre where Mozart's Don Giovanni is being performed. During the opera's intermission, some diners arrive at the bar who, upon seeing the poet, encourage him to sing and tell them the story of his famous love affairs. Hoffmann finally gives in and shares with them the stories of Olympia, Antonia and Giulietta. They, absorbed in the poet's stories, remain in the tavern, forgetting about the opera performance.

Brothers Max and Gelu are determined to survive the COVID-19 pandemic currently sweeping Italy. The two return to their native Romanian village, where they think they will be safe. Regardless of costs or means, Max and Gelu will gain immunity to the virus...

A young actress lives with her alcoholic father. One night, she goes to the theatre for a rehearsal of a melodrama play.

One day during the Covid pandemic, when classes are being held online, the teacher who is concerned about the students who have not attended the online classes decides to visit them. Also the mother of a four-year old, she buckles her daughter into the car and takes off for the students’ houses.

This film tells five independent and intertwined stories, presenting the anti-epidemic life with laughter and tears from the point of view of doctors, patients, volunteers in Hubei, grassroots staff and ordinary people. They pay tribute to the "ordinary heroes" in the epidemic and pass on the endless force of "spring".