The Making of Annihilation

After years of outrunning ruthless bounty hunters, escaped convict Riddick suddenly finds himself caught between opposing forces in a fight for the future of the human race. Now, waging incredible battles on fantastic and deadly worlds, this lone, reluctant hero will emerge as humanity's champion - and the last hope for a universe on the edge of annihilation.

A group of young mice is in the ruins of a church, practicing singing for an upcoming service. After singing an adulterated version of "Hark! The Herald Angels Sing," the mice wonder about the last line, "Good will to men." One of them asks the choirmaster, an old mouse, "What are men?" The old mouse explains that they all killed each other off by building bigger and more destructive weapons, first guns, then missiles, then bombs.

A mother and son find themselves faced with a brutal alien invasion where survival will depend on discovering the unthinkable truth about the enemy.

Emperor Philippa Georgiou joins a secret division of Starfleet tasked with protecting the United Federation of Planets and faces the sins of her past.

After a breakup, Wes ends up at a remote rest stop. He finds himself locked inside the bathroom with a mysterious figure speaking from an adjacent stall. Soon Wes realizes he is involved in a situation more terrible than he could imagine.

In 1985, a daring worker of the Bureau of Indian Affairs in Brazil denounced a massacre in the lawless region of Corumbiara. The investigations turned to a series of indigenous genocides in the area. Spanning 20 years, the film shows the search for proof and the version of the survivors, when they were finally found, hiding in the forest, terrified of white men.

One Direction host a seven hour special to promote their third album, Midnight Memories. Each hour is hosted by different members.

A filmed version of Aaron Copland's most famous ballet, with its original star, who also choreographed.

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

This is the cinematographic diary of an extended trip across the Pampas, on the trail of Guillermo Enrique Hudson, aka William Henry Hudson. Hudson is an enigmatic figure, full of paradoxes: he was an Argentine gaucho who became an English writer. He fought in the army against the “savages” but also defended them. He wrote obsessively about his native land, but never returned. In the twists and turns of the road, emerges a mix of documentary speculation, personal memory… and dreams.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

The film is submerging in the world of YouTube and internet amateur-made-films posting through the eyes of Bahoi, one of Romania's most viewed filmmakers. The first part of the movie deeply analysis his films by going to his hometown village in Romania, Peninsula, and meeting Bahoi's most famous characters. Also through Bahoi's own words we are trying to find out why is he filming so much brilliant material, why is he posting it on the internet and how he took this passion with him to the West. In the second part we are traveling along with Bahoi throughout Europe to discover more talented people and make some sense of this huge boom in filmmaking.

Works with sound recordings of Dion McGregor, who became famous for talking in his sleep.

Russian Lessons sees its two filmmaker-protagonists, Olga Konskaya and Andrei Nekrasov, report from different posts on the frontline of the 2008 Russian-Georgian war.

Documentary about Mighty Mouse: The New Adventures.

This film reveals the roots of ballet in Australia and the story of the overseas dancers who brought their art to Australia. This encouraged the rise of local dancers who proved themselves adept in the classic ballets of Russia, France and Great Britain. It traces the birth of Australian choreography, decor and mounting with Australian dancers shown performing an Australian musical composition with Australian themes. Influential figures such as Edouard Borovansky, Tchinarova and Margot Stevenson are featured as well as the Borovansky Ballet, the Ballet Guild and the Bodenwieser Modern Expressive Ballet.

Desahuciados

The adventurous life of Natacha Rambova (1897-1966), an American artist, born Winifred Kimball Shaughnessy, who reincarnated herself countless times: false Russian dancer, silent film actress, scenographer and costume designer, writer, spiritist, Egyptologist, indefatigable traveler, mysterious and curious; an amazing 20th century woman who created the myth of Rudolph Valentino.