One Day at a Time

A shoemaker wrapped up in memories of his life and the demands of his job, experiences a crucial moment in his existence. We accompany him through an enormous day in his life which will determine his future.

There are thousands of people working as scrap workers in Agbogbloshie, Accra, Ghana, and Abdallah is one of them. Like the majority, Abdallah is from the northern part of the country and behind him, there is a big family awaits support. The air pollution caused by the open burning of electronic scraps has raised Muntaka’s concern, who is trying to stop them from burning…

The film is an evocative story of the tenuous relationship between a charcoal burner and forests. The film follows Lloyd on his journey from burning charcoal to setting up a micro-nursery selling trees to his neighbouring community – a brief window into his deep rooted connection to forests around Livingstone.

Charcoal animation, taken from from Point of View: An Anthology of the Moving Image (2003).

A short-animated film interpreting famous war photographer Don McCullin's contemplation on his professional experience and impact it had on his life. Frame-by-frame Charcoal animation.

An insight into the now antiquated craft of pine soot burning, charcoal burning and resin making.

An evocative and imaginative exploration of the racial tensions in Othello and how the themes in Shakespeare's play still resonate today.

Film describes the miserable existence of a charcoal-burner who is barely able to feed his family. His search for work in town ends in failure and he is forced to return to his village.

Arriving in Venice to fulfill his grandmother's last wish, a young Malaysian Muslim musician loses her ashes, turning the city into an intimate quest of signs.

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The last film in Vidokle's trilogy on Cosmism is a meditation on the museum as the site of resurrection-a central idea for many Cosmist thinkers, scientists and avant-garde artists. Filmed at the State Tretyakov Gallery, the Moscow Zoological Museum, The Lenin Library, and the Museum of Revolution, the film looks at museological and archival techniques of collection, restoration and conservation as a means of the material restoration of life, following an essay penned by Nikolai Federov on this subject in the 1880s. The film follows a cast comprised of present-day followers of Federov, several actors, artists and a Pharaoh Hound that playfully enact a resurrection of a mummy, a close examination of Malevich's Black Square, Rodchenko's spatial constructions, taxidermied animals, artifacts of the Russian Revolution, skeletons, and mannequins in tableau vivant-like scenes, in order to create a contemporary visualization of the poetry implicit in Federov's writings.

The last words of the gangster Dutch Schultz form the starting point for this animated documentary. The FBI noted these words down on Schultz’ deathbed, in the hope he would betray his colleagues. Here, spoken in the english version by Rutger Hauer, they accompany the sober, pencil drawn animation based on traced (film) images from Schultz’ time: the late 1920s, early 1930s.

Slik Willy combines abstract animation, sound and spoken narration to tell a narrative story. The film uses hand-drawn animation and textures from 35mm transparencies. Final compositing was done using an optical printer.

The 94 minute documentary film “From the 50 Yard Line” presents the football field not only as a sports venue but also as a stage for the marching band. The viewer goes on an exciting adventure through band camp, auditions, the marching season, and the regional and national competitions in 2006. You see the great rewards of disciplined practice, the overlooked technical artistry of the group endeavor, and the important life changing effects of instrumental music education. Another layer delves into the misconceptions about marching band, showing "band nerds" in a whole new light.

When a sushi chef sees Jerry scurrying around his restaurant, he tells Tom to earn his keep by catching that sushi-stealing mouse.

An interview with actor Dan Zukovic about Hanging Heart (1989)

Aristocratic Italian roots, a close family connection to James Bond novelist Ian Fleming, wartime experiences in the British and Finnish military, post-war Nazi-hunting adventures and a side career as a heavy metal rock singer. And one of the most iconic actors of all time.

A young pair from Stuttgart fly to Shanghai to hop aboard the textile business of his father while she prepares for the birth of their son. A story about the ever more common movement of Germans into the East for professional gain.

Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.