A man talks about heroin abuse and withdrawal.
MANERA
A young woman takes off with a charming stranger in Australia, then begins to think he's a killer.
With a little help from their friends, two young trans women navigate an uncertain future after a break-up.
Best Of The Videos' was released in October 2004 to accompany the album 'Best Of Def Leppard' which was released on the same day. The third long form DVD release from the band. It contains 32 videos in all, including the three hidden bonus clips. These are available at the start of videos 8, 22 and 23 if the DVD is played from the start. A Def Leppard pyrite font "D" appears in the top right of the screen as these videos begin. By pressing ENTER you start the bonus version. A mistake meant the bonus for "Slang" plays as track 8, the normal version is the hidden one. The cover was the same as the album artwork. The inner booklet and CD also had a similar design. The sound on the 1984 'BOTH' video is from 1981.
Several friends travel to Sweden to study as anthropologists a summer festival that is held every ninety years in the remote hometown of one of them. What begins as a dream vacation in a place where the sun never sets, gradually turns into a dark nightmare as the mysterious inhabitants invite them to participate in their disturbing festive activities.
2 DVD Set KISS THE VIDEOS 1974-2002, which documents Kiss career in the most complete, detailed way through the years with this chronologic video collection since their very first to the last video to date, including the most rare Kiss videos, from the Revenge era.
A star football player and a girl struggling at home find ways to cope with the pressures in their life.
Following the sinking of a transport vessel, Florence is set adrift on the open ocean. With only a caged canary beside her, she must find the courage to defy the standards of the 19th century and survive the hostile Australian wilderness.
Rage celebrates turning 30 with this special look at its history and influence on Australian music and culture.
After four college girls rob a restaurant to fund their spring break in Florida, they get entangled with a weird dude with his own criminal agenda.
Two Australian sugarcane cutters spend their annual five-month vacations in Sydney with their mistresses.
Sweet suburban teen Amanda is introduced by her new friends to prescription drug-sharing, but the recreational fun soon leads her to a life-altering heroin addiction.
When his daughter's criminal boyfriend becomes an increasing threat to the family, a father must take action to protect them.
At 17, Jérémie dreams of a better place, far from the family sawmill and his native village in Bas-Saint-Laurent. The situation despairs his father Régis, who blames a small-time drug dealer for this disinterest. When the older brother leaves, the lives of Jérémie and Régis are turned upside down.
Group of prostitutes who rely on each other to revolt against their sinister pimps. Their bid for freedom turns much more dangerous than they ever imagined.
A teenager is resurrected as a plant-headed zombie, searching to find his past happiness and humanity. How long will it all last though, knowing that life may change again when the sun goes away?
In the 1980's, Pilar, an ordinary woman, married, about forty years, discovers that one of their three children are addicted to heroin. After an initial period of uncertainty, Pilar contact with other parents in similar situations who come to a precarious Civic Center helps the addict, but soon realizes that many things have to change in and out of home so your child can be saved. Thus was born the desire to do more than complain and starts along with other parents, but especially mothers, an arduous journey of withdrawal of drug trafficking in Galicia.
Visual companion to the album Oh My God by Kevin Morby. Described by Morby as "half documentary and half dreamscape."
In 1966, Helen Reddy landed in New York with her three year old daughter, a suitcase, and $230 in her pocket. Within weeks, she was broke. Within months, she was in love. Within five years, she was one of the biggest superstars of her time and an icon of the 1970s feminist movement who wrote a song which galvanized a generation of women to fight for change.