Ainda escuto o céu embaixo d'água

When actress Nikki Grace gets the lead role in a cursed film, her world becomes more and more surreal, blending realities and ideas of infidelity, reincarnation, and supernatural forces.

When a fishing boat, the Rose of Nevada, lost with all hands 30 years ago, mysteriously reappears in the old harbour of a forgotten Cornish village, for those who remember, it’s surely a sign. The boat must go out to sea again and maybe then the luck of the devastated village will turn. Young father Nick and enigmatic newcomer Liam join captain Murgey, and they head to sea. But when they return, satisfied with their haul, something is amiss – they’ve slipped back in time, and the villagers greet them as if they are the original crew.

You go to hell, and it's Jacksonville.

A photographer looks at pictures of the last day of a boy's life.

A train moves through winter as a superimposed image of the same route in spring gradually emerges. Both moments coexist within a single frame, revealing two seasons happening at once.

In early 2020, MUTA - International Festival of Audiovisual Appropriation and Cine Íntimo rescued and digitised a Peruvian archive of orphaned 8mm and Super 8 home movies. With the aim of restoring these lost memories, we sent the images around the world. This omnibus film is the result of the intervention of this material, by 14 experimental filmmakers. Fourteen perspectives and ways of experiencing appropriation. Fourteen variations on the intimate.

In 1999, 11-year-old Nisha Platzer lost her older brother, Josh, to suicide. Twenty years later, her search for a specialized medical treatment leads her to the door of someone who was once exceptionally close to Josh. And so it is that she finally has the chance to truly know her brother through his chosen family. Captured over five years in which synchronicities continually manifested, Platzer’s documentation of these encounters gently asserts that both grieving and healing are meant to be communal experiences.

An experimental odyssey through altered realities and reconstructed archives, where wandering voices of the past, present, and future unravel the elusive nature of time and memory.

A sort of non-narrative itinerary between Lyon, Vienne and Valence-Ville that goes exploring the relationships between the interactions and the light it exposes, a reflection of identity and beauty that the shadows goes preserving the perceptions of new space.

Vladimir Propp- Profumo di lupo

Outtakes, commentary from Zefier's third film: Jo; or The Act of Riding a Bike.

After so many generational repetitions and beneath so many layers is a territory to be negotiated beyond each person’s skin, inside: the cavity that echoes the intimate and singular identity of everyone. The voice that populate this film bring us to various spaces in Matera, from tourist agglomerations to the town’s internal spaces (grottes, caves, cisterns, lanes, rooms) and the body’s own unassailable space: pleasure and desire for other bodies that no one can cancel.

SWARAM is an experimental cinematic documentary film that explores the transformative power of music and sound. Through vivid field recordings and intricate depictions of sacred rituals, it immerses viewers in the profound connection between sound and the human experience. At its core, SWARAM looks into Kerala’s ritualistic art forms—Thottam Pattu, Pulluvan Pattu, and Kalamezhuthu Pattu—examining how rhythm and sound evoke trance states and facilitate spiritual transformation. It also blends ancient traditions with contemporary sonic explorations. Structured as a visual research publication, the film adopts the format of an academic paper, with distinct sections such as Backdrop, Abstract, Introduction, Case Studies, Conclusion, and Expert References. This unique approach seamlessly blends research with cinematic storytelling, offering viewers both an academic exploration and an immersive cinematic experience.

"Lysreisen" is an experimental art film, a visual ode to tunnel lights. Its ethereal beauty and abstract visuals create a poetic journey, exploring the transformative dance of light with a captivating and artistic touch.

To produce speech, a set of mechanisms must be brought together. What is the normal articulation for speech? How to produce the sounds that make it up in the correct way? A physiological analysis of the aspects of speech shows us how: the jaw must move in a certain way; the air must be expelled from the lungs in another. Based on the concepts stated in the film "Normal Speech Articulation" (1965), produced by the University of Iowa (USA), we intend to reflect on the way women have been represented, and consequently educated, over the years, both in film and in the media. Largely composed of archival footage, this film intends to make evident, through a montage inspired by Structuralist movements, the violence of this education.

A Landscape documentary about the silent voids the living inhabit after everyone they love has gone.

Based upon a habitual fidget of the filmmaker involving the tags in his clothing, Reilly Mitchell explores the feelings of his past by removing something that has always stayed so close to him and turning it into something new.

December Rumbles

Lou is a young man in trouble who becomes paranoid because of the pressure of two mysterious judges.

In a city gripped by fear and crime, a blind person becomes an unexpected and mysterious avenger, leaving behind a trail of deception and death, forcing the police to unravel the truth that lies beyond the darkness.