Motxila 21: Historia de una banda de rock

SETLIST: Iowa 742617000027 (sic) Eyeless Wait And Bleed Get This Before I Forget Sulfur The Blister Exists Dead Memories Left Behind Disasterpiece Vermilion Everything Ends Psychosocial Duality People=Shit Surfacing Spit It Out

Documentary on the shock rock group "The Mentors".

Experience Eric Church’s groundbreaking Evangeline vs. The Machine exclusively in IMAX. Filmed over two electrifying, sold-out nights at The Pinnacle in Nashville, TN. this one-of-a-kind concert event captures the CMA Entertainer of the Year performing his eighth studio album front-to-back before reimagining fan favorites like “Desperate Man,” “Give Me Back My Hometown,” “Sinners Like Me,” “Mistress Named Music,” and “Springsteen.” Backed by a 6-piece band, 4-piece horn section, 4-piece string section, 8-piece choir, and powerhouse vocalist Joanna Cotten, Church transforms the stage into a thrilling fusion of country, rock, blues, and soul.

Documentary portrait of José Domínguez Muñoz, better known as "El Cabrero" (French for "the goatherd"), Spanish libertarian flamenco singer born in Aznalcóllar, province of Seville, in 1944 and filmed over two weeks in 1988 in Seville, Aznalcóllar, La Carbonería de Sevilla and Marinaleda, and in concert at a recital in Bayonne. Politically committed, El Cabrero defines himself as a libertarian. Since the 1970s, he has been close to the anarchist movement. For many years, he was a member of the anarcho-syndicalist Confédération Nationale du Travail.

Pull back the curtain on the remarkable history of six decades of James Bond music, from Sean Connery’s Dr No through to Daniel Craig’s final outing in No Time to Die.

In a live performance of international standards, musicians, voices, dancers, hot choreographies, impressive visuals, live cinematography and masterful video-statements, worked down to the last detail, compose a multi-layered setting of unique aesthetics. With impressive scenography and absolute stage energy, the Water Square caught fire in front of 16,168 spectators of all ages, in an absolute POP experience. Explosive and lyrical, with a clear identity and point of view, the multi-platinum hitmaker and performer Marina Satti, will rock with her sweeping hits such as LALALALA, MANTISSA, BLOUZAKI, SPIRTO KAI VENZINI, LOLA, TUCUTUM, AUTOKINHTO, AH THALASSA and of course ZARI.

Marillion - Holidays In Eden

Feature length documentary about the story behind the pioneering and influential British heavy metal band as they enter the studio to record their new album.

Shut Up and Sing is a documentary about the country band from Texas called the Dixie Chicks and how one tiny comment against President Bush dropped their number one hit off the charts and caused fans to hate them, destroy their CD’s, and protest at their concerts. A film about freedom of speech gone out of control and the three girls lives that were forever changed by a small anti-Bush comment

A cultural portrait of the American dream at a critical time in the nation’s history. Set against the 2016 American election, The King takes a musical road trip across the country in Elvis Presley's 1963 Rolls Royce.

An ethnographic documentary which looks at the relationship between music and work in predominantly rural cultures. It depicts the lives of fisherman, shepherds and farmers and their relationship with music. The film also describes Basque ancestral instruments, with special emphasis on the origin and history of ‘bertsolarism’ (Basque verse singing) as a form of oral communication.

An alternative documentary following the trail of blood and carnage of Philadelphia’s own Deathmatch Rock n’ Roll pioneers, Eat the Turnbuckle, from beer-soaked bars to the largest stage in the world of metal.

Best known for their megahit ’80s anthem "Don't You (Forget About Me)”—made famous in John Hughes’ The Breakfast Club—Simple Minds is one of the most iconic and influential Scottish bands in history. From working-class kids growing up in post-industrial Glasgow to rock stars playing Live Aid, this is the unlikely story of an extraordinary band that continues touring to this day.

To the Least of My Brothers and Sisters is a new documentary on the life of Jerome Lejeune, the Father of Modern Genetics that was made to celebrate the 20th anniversary of his death. Filmed on two continents, it contains numerous interviews with former colleagues, families, current medical researchers, and others, all who express the importance of Jerome Lejeune in both the history of medicine and the defense of the dignity of human life.

Documenting the recording process for Paul's 1997 album Flaming Pie, In The World Tonight is a fascinating insight into how a studio album is constructed, following Paul around his home studio and Abbey Road as he creates what would go on to be his first studio album in four years. In many ways there are two Paul McCartneys, the legend and the man. In The World Tonight reveals the man behind the public face, intimately capturing him at work, at ease and as candid as ever.

A documentary about the Synthwave scene, nostalgia and the universe of creating sounds. A love letter to human fascination and the collective memories of a universe, that never existed.

Dither: The D.I.Y. Sound is not your conventional punk rock documentary. In this documentary we explore the ideologies created by cornerstones of the early punk community such as Ian Mackaye of Minor Threat, Fugazi and Dischord Records. But beyond that, we explore the communities and people that have adopted these ideologies and created their own version of what it means to be D.I.Y. This is not a documentary about just music, it's a documentary about the communities that surround the music and embrace it as a way of identification and brotherhood. But this documentary doesn't just ask questions about the culture, it asks questions about how it's possible to maintain a culture that is, at it's core, so opposite of the modern economic and social system.

A look at the work, life and eventual death of singer-songwriter Chris Whitley, whose many albums (on both major and indy labels) received universally good reviews, earning him a fan base among top tier musicians and journalists; though never bringing sustained mainstream success.

Dance Alone

The Molotovs kick things off in style with “Rebel Rebel,” followed by magical covers of “Heroes” (The Horrors), ‘Fascination’ (La Roux), “Let's Dance” (Jeanne Added), “Rock'n'Roll Suicide” (The Libertines), “Sound and Vision” (Anna Calvi), “Starman” (The Divine Comedy), and “The Man Who Sold the World” (Yasmine Hamdan): eight intense reinterpretations of David Bowie's work, delivered during an arty and decidedly London-esque stroll, which, from stage to studio, recreates the fragile intensity of a live performance.