Ether

Photographer Dong is planning a photo exhibition, but he has no photographs that he is proud of. His grandmother call him falsely claiming that she was ill and needed Dong to come home. It turned out that his mother had been released from prison that day. Dong spent his childhood in the mockery of his classmates and was full of resentment against his mother. After going through a struggle in dealing with his relationship with his mother, Dong experienced the missing maternal love for the first time and recorded the whole process with his camera.

Óga

A photographer named Arun befriends Rajashekhara, a wealthy but lonely man who has resorted to drinking to quell his pain. Soon, Arun agrees to help him reunite with his estranged family.

Adopted from South Korea, raised on different continents & connected through social media, Samantha & Anaïs believe that they are twin sisters separated at birth.

Les poupées persanes

Young princess Anna of Arendelle dreams about finding true love at her sister Elsa’s coronation. Fate takes her on a dangerous journey in an attempt to end the eternal winter that has fallen over the kingdom. She's accompanied by ice delivery man Kristoff, his reindeer Sven, and snowman Olaf. On an adventure where she will find out what friendship, courage, family, and true love really means.

WE BELIEVE remembers the story of Bill Hanlin, who in 1963, coached the St. Marys Football Team to an undefeated and unscored season. The film also tells a modern day story of Coach Jodi Mote, who has coached the St. Mary’s Blue Devil’s high school football team for over two decades. The film shares their life stories and boasts three important things: faith, family, and football.

Four sisters work together to raise rent money after learning they have to move to another neighborhood in this coming-of-age drama based on the series.

Inés discovers that she has a half-sister, but, faced with the situation, decides to accept silence as a family truce.

Her own family history from a female perspective, told as a fragmentary, personal stream of memories. Great-grandma, grandma and mother have to come to terms with the conditions of their time, the difficult prospects for a self-determined life in the working class. Some dreams are shattered, but love for each other catches them all. Collecting shells, summer in the garden, cuddling together. The big is in the small.

Living in a trailer by the ocean, Carmen does everything to give her half-sister May a better childhood than the one she had.

No tan Clara

Quatro em Linha

CESTA BÁSICA

In a drought-struck region in India, suffering from climate change and a high suicide rate amongst farmers, a group of resilient women farmers, who recently lost their husbands, is coming together with a local psychologist to learn counselling and help others in grief.

After returning from a year-long Moon mission, Cassie, a NASA botanist, finds herself in a remote cabin in the woods, where her estranged twin sister, Stella, a former NASA architect, has found a new life with climate activist Bryan. Old wounds resurface as the sisters attempt to pick up the pieces of the rivalry that broke them apart.

Following the arrival of an unwanted guest, the tightly-knit bond between two sisters is put to the test when their idyllic playdate takes a dark turn. Supported by The Future of Film is Female, ALBION ROSE is a late bloomer's coming-of-age drama with hints of magical realism and dark fairytale elements that paint a delicate, yet emotionally charged portrait of sisterhood, loss, and the healing powers of fantasy.

Two sisters in their early thirties find themselves isolated in the Aegean summer cottage of their childhood, as they must deal with their uneasy sibling relationship and confront their devastating recent past past.

The Dashwood sisters, sensible Elinor and passionate Marianne, whose chances at marriage seem doomed by their family's sudden loss of fortune. When Henry Dashwood dies unexpectedly, his estate must pass on by law to his son from his first marriage, John and wife Fanny. But these circumstances leave Mr. Dashwood's current wife, and daughters Elinor, Marianne and Margaret, without a home and with barely enough money to live on. As Elinor and Marianne struggle to find romantic fulfillment in a society obsessed with financial and social status, they must learn to mix sense with sensibility in their dealings with both money and men.

In 1971, a young woman moves from the French countryside to Paris and begins a passionate love affair with a feminist leader.