Ether

Four sisters work together to raise rent money after learning they have to move to another neighborhood in this coming-of-age drama based on the series.

Photographer Dong is planning a photo exhibition, but he has no photographs that he is proud of. His grandmother call him falsely claiming that she was ill and needed Dong to come home. It turned out that his mother had been released from prison that day. Dong spent his childhood in the mockery of his classmates and was full of resentment against his mother. After going through a struggle in dealing with his relationship with his mother, Dong experienced the missing maternal love for the first time and recorded the whole process with his camera.

Young princess Anna of Arendelle dreams about finding true love at her sister Elsa’s coronation. Fate takes her on a dangerous journey in an attempt to end the eternal winter that has fallen over the kingdom. She's accompanied by ice delivery man Kristoff, his reindeer Sven, and snowman Olaf. On an adventure where she will find out what friendship, courage, family, and true love really means.

A photographer named Arun befriends Rajashekhara, a wealthy but lonely man who has resorted to drinking to quell his pain. Soon, Arun agrees to help him reunite with his estranged family.

Les poupées persanes

Inés discovers that she has a half-sister, but, faced with the situation, decides to accept silence as a family truce.

Adopted from South Korea, raised on different continents & connected through social media, Samantha & Anaïs believe that they are twin sisters separated at birth.

WE BELIEVE remembers the story of Bill Hanlin, who in 1963, coached the St. Marys Football Team to an undefeated and unscored season. The film also tells a modern day story of Coach Jodi Mote, who has coached the St. Mary’s Blue Devil’s high school football team for over two decades. The film shares their life stories and boasts three important things: faith, family, and football.

Living in a trailer by the ocean, Carmen does everything to give her half-sister May a better childhood than the one she had.

Óga

No tan Clara

Her own family history from a female perspective, told as a fragmentary, personal stream of memories. Great-grandma, grandma and mother have to come to terms with the conditions of their time, the difficult prospects for a self-determined life in the working class. Some dreams are shattered, but love for each other catches them all. Collecting shells, summer in the garden, cuddling together. The big is in the small.

Quatro em Linha

CESTA BÁSICA

Host Scott Forrest presents a curated compilation of eight independent short films in this rapid-fire science-fiction feature. Genres collide, narratives twist, aesthetics clash, and even humor, both campy and dystopian, showcase the vast creative possibilities of each story's individual world, offering the viewer a brief glimpse into the lives of every character's attempt to survive the otherworldly chaos around them. Released in 2001, the selected shorts span original creation dates of 1997 to 2001; most of the featured filmmakers also appear as themselves in short video interviews to talk about their inspirations, creative process and motivations while working on their individual shorts.

Following the breakdown of his marriage, a self-involved man begins to embrace fatherhood.

Two Afro-German half-sisters that never met before, get closer through their father's death, search their roots and find themselves.

As one of them is grappling with the possibility of an unplanned pregnancy, two cousins have a heart-to-heart about their family, their lives, and their futures.

The Dashwood sisters, sensible Elinor and passionate Marianne, whose chances at marriage seem doomed by their family's sudden loss of fortune. When Henry Dashwood dies unexpectedly, his estate must pass on by law to his son from his first marriage, John and wife Fanny. But these circumstances leave Mr. Dashwood's current wife, and daughters Elinor, Marianne and Margaret, without a home and with barely enough money to live on. As Elinor and Marianne struggle to find romantic fulfillment in a society obsessed with financial and social status, they must learn to mix sense with sensibility in their dealings with both money and men.

Isa and Zoe are eleven years old, they are best friends. Through their video diaries, they tell their perspectives on the transition from childhood to adolescence, the changes they are undergoing and their concerns when they stop being girls to become women.