A dying man in his forties recalls his childhood, his mother, the war and personal moments that tell of and juxtapose pivotal moments in Soviet history with daily life.
Thirty-year-old nurse Teresa spends her days caring for elderly, dying people. Janusz, a young man she met at an amusement park, enters the life of this bitter and disillusioned woman. Teresa doesn't have the courage to tell him how she feels, and he also has trouble expressing his emotions. They are helped by Julka, a girl from the neighborhood who likes Teresa. She finds a pile of love letters from the beginning of the century in the trash. By forging Teresa and Janusz's handwriting, she starts a love correspondence between them, rewriting fragments of other people's confessions.
After escaping from her homeland and now abandoned by the man she loves, Medea must find strength from within to fight against growing injustice - how far is she willing to go?
Gudrun has modeled her amateur German terrorist group after the 1970s Red Army Faction (Baader-Meinhof Gang). She attempts to imitate her heroes by kidnapping the son of a wealthy industrialist and hopes to negotiate leftist demands from the father. When Gudrun’s not spouting leftist verses (including during a hilariously brilliant fuck session), she’s trying to convince her all-male gang to abandon their heterosexuality, which she believes is the result of mass delusion.
A relationship between a man and a woman discloses during the course of the film.
A woman on the run from the mob is reluctantly accepted in a small Colorado community in exchange for labor, but when a search visits the town, she learns that their support has a price.
Dream of Jellyfish
Phantom Islands is an experimental film that exists at the boundary of documentary and fiction. It follows a couple adrift and disoriented in the stunning landscape of Ireland’s islands. Yet this deliberately melodramatic romance is constantly questioned by a provocative cinematic approach that ultimately results in a hypnotic and visceral inquiry into the very possibility of documentary objectivity.
The protagonist recalls her past while her daughter is going to leave her forever. Years ago, the protagonist came from a province to a big city to get rid of poverty. Marriage to a gangster didn’t make her happy. She fell in love with her husband’s accomplice and soon got pregnant. Murder seems the only solution to the lovers…
X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.
Born from steel and glass Kino Kopf is created by two inventors. They are assembled by their mother, a nurturing artist, and their Father a greedy entrepreneur. Kino Kopf is the first of its kind a sentient humanoid VHS camera. They are given a life by their mother but presented to the world by their father. Kino Kopf is the next big sensation and spurs a technological revolution. They are soon forgotten and alone as new models surpass them. Kino Kopf is left alone to contemplate if they ever had a soul, as visions of an electric cowboy dance through their dreams.
Speak To Me Of What I Know is a short experimental film shot on a Super8. The idea of lack of communication is expressed through an intimate relationship, more specifically the men of the film. The themes of miscommunication develop throughout the film in many ways, even the slightest details are there with the explicit goal of adding to the main message. Pay attention to as much as you can, and build your idea of what it's all about. It remains up to interpretation.
a girl who's struggling to grasp a sense of reality, strains to feel bonded to the people surrounding her, as she falls deeper into her own illusive world. will she ever break out of her chrysalis?
An experimental film about a group of teens who set up a Christmas party for a close friend. Suddenly things take a violent turn when one of the teens conspires against the group with the help of an ancient dark evil.
Matthew (Steve Verhulst) an older, self-absorbed, boring, travel worker meets Anna (Sofia Sparta) a young, wild, multifaceted artist that is looking to push the boundaries of society for the acceptance of her own work.
Art is often an expression of rigorous focus. This story revolves around the internal pressures of the protagonist, and his attempt to escape his own mind and let out his imagination. An artist lives in a world they create, but sometimes fear can break us down.
A film where anything can happen - the hero and the heroine changes their faces, age, look, names, and so on. The only same thing: The love between man and woman... in an archetypical love story cut from 500 classics from all around the world.
Adolf Hitler faces himself and must come to terms with his infamous career in an imaginary post-war subterranean bunker where he reviews historical films, dictates his memoirs and encounters Eva Braun, Josef Goebbels, Hermann Göring and Sigmund Freud.
A teenager leaves his classmates and heads home for the evening. Feeling frustrated and lonely, he sends a neutral text-message to a friend. From this point, this one-man DV experimental film presents a real-time exchange of incoming and outgoing messages, depicting a digital-era study of text-message relationships. Letter is the directorial debut of Japanese artist, filmmaker, and scholar Sasaki Yusuke when he was only 17. The film screened at the 2004 International Film Festival Rotterdam and won the Grand Prix at Image Forum Festival Tokyo in 2003. Sasaki holds a doctoral degree from the Tokyo University of the Arts and is currently a lecturer at Tottori University.
During an imaginary actors exam, in order to choose the best, the jury utilizes immoral ways of selection – spying, making conflicts, humiliating the applicants – in short, taking advantage of its power.