Mid/Evil Times

On the rooftop of a house in Lima Norte, Francia and Amelia come together for a conversation that goes beyond the everyday, sharing profound reflections amid the cracks of the Carabayllo district. Though they appear confident, they conceal a shared pain and a lingering sense of lost identity. As the sun sets, the shadows reveal their emotional scars, shaped by the struggle to find their place in an excluding society. In this encounter, they confront their most intimate truths, shedding social masks and revealing the complexity of their being in a constant search for connection and belonging in a world that harasses them.

An acting and directing exercise gone wrong.

The story of two teenage extraterrestrial refugees from the planet Pluto, who escape to Earth after their planet is destroyed by the US government, as it was deemed “insignificant.” For many years prior, tensions between the Plutonians and the Earthlings had seen a steady incline, as Pluto held camps where Earthlings were experimented on and tortured. The two aliens make their crash landing, undertake human form and undergo the aliases “Hugh Jainus” and “E. Rection”. In an effort to wage revenge on the nation, with their brainwashed sidekick Potator under their wing, the trio hijack television stations worldwide and broadcast mind-numbingly stupid and ridiculous, yet insane and often violent programs to dumb down and distract the nation’s citizens from their devious plans. The tube tells the story...

Family and workers on a farm are being stalked by a Sasquatch-like creature known as "The Black River Monster".

A gang of thugs devise a cruel hoax that goes horribly wrong as Melvin, a nerdy emaciated janitor at the local health club, is cast through a third story window into a vat of hazardous toxic waste.

Angela Wood, a tabloid reporter, with her own tortured past, is assigned to do a story of the Twilight Slashings.

A cursed river. An ancient gold boulder. A cocaine cartel. Hawks Landing is hardly your average small town in Maine. The stories unfold as Seth Kane, the son of a rich and powerful man, escapes from a mental institution. Jerad Prescott begins his quest for the gold boulder of the Matahawoc river. Mark Jones and Kristin Lawson flee the mob, only to find life more dangerous in Hawks Landing.

tempo de morangos

After being forced to resign from his previous job, Juan attempts to apply for a new one with absurd qualifications.

ACIdRAPTURE ZEBRA

As people overrun tourist attractions, the inherent beauty crumbles to dust.

In Preparação I (Preparation I) Letícia Parente prepares herself to go out. In front of a bathroom mirror, she places bandages over her mouth and eyes, draws eyes and a mouth over the bandages, fixes her hair, takes her bag and leaves the room. This masquerade becomes a political commentary about the female gaze, voice, modes of interaction, sociality and corporeality in Brazilian society during the 1970s.

Three stories. Three ages. Three men. Grandfather, father, son. One is an orderly, one is a leading sportsman, and one is a master taxidermist. One desires love, the other success, and the third immortality.

Made entirely as stopmotion, this experimental short compiled over 900 images of pure strangeness, with frightening visuals and disturbing sounds.

The everyday life of a Monkey is interrupted by a randomly seen advertisement on TV, in which someone named Mister Success invites the audience to become successful and cool by trying to win a talisman toy from the UFO catcher. On the way to success, the Monkey will have to face the guy from the advertisement, and only a dance battle will show which of the two of them is truly successful

A guy opens up to his significant other while an unseen cameraman directs how his emotions should look.

Made with virtually no budget during COVID-19 quarantine in 2020, IRANIAN LIVES MATTER abstractly recounts the true story of what occurred in Iran during the November 2019 protests, sparked by a surprise hike in gasoline prices, which quickly spread across the entire nation and was subsequently crushed by the dictator's iron fist, resulting in the death of approximately 1500 protesters, as reported by Reuters. IRANIAN LIVES MATTER is an experimental documentary, an audio-visual endurance test that audibly takes its audience through the chaos in the streets of Iran as the brutal regime cracks down on Iranian protesters, while visually showing the hands of the dictatorship as it crosses out 1500 lives one by one to further emphasize the scale of the massacre and show to a world desensitized to news of mass killings in the Middle East what the term "1500 dead" truly means.

Within a dense and mysterious forest two figures emerge, ADAM, urgently searching for something, and ELLE, desperately pursuing him. He will not answer her urgent questions and rushes ahead leaving her alone and isolated. The power of forest forces these individuals to confront their fears and find some kind of unity through coming together with a childish game.

Johnny is a lookalike of Johnny Hallyday. One day, he is summoned to a mansion for a strange performance...

A film-performance that features all film footage shot by the author during 2024-2025 and is played at variable frame rates, from standard to minimal frames per second. One to three 8mm projectors and one 16mm projector can be used for the demonstration, so the runtime is variable. Trees and leaves, clouds and curtains, snow in the yard and water, hands and eyes, shadows and glare of light, days spent alone and meetings with friends. Light and darkness are the two poles between which this diary is flows, pulsates and shimmers. Raw diary of visual impressions captured with filmmaker's camera.