Mid/Evil Times

This is a poetic short film I made with Chloe Hall for a 12 week final major project where we adapted the poem my Forough Farrokhzad. This short film is about the confinement of women in Iran and the yearning for liberation in a patriarchal society. A tapestry of visual metaphors and poetic narration intertwine, illustrating the silent yet fervent struggle or Iranian women.

'The Boys Night Out' follows a gang of mischievous highschool bullies whose plans to "eliminate" two nerds during the final weekend of summer takes a dark unexpected turn when the deeds turn deadly. One is brought to a secluded rock quarry where a chemical spill has poisoned the pond waters and the other is left for dead in a local "haunted forest" where ghostly whispers of evil have been rumoured for decades. Can these misguided teenage miscreants survive to see their junior year of high school begin on Monday? Or will they fall prey to the vengeful supernatural forces they've somehow awoken? It's anyone's guess in this coming of age tale of betrayal, murder, retribution and most of all horror- Straight out of the late '80s from "America's Dairyland". The lost SOV film from the Fox Valley gets it's most frightening revival, rescued from out of VHS obscurity.

An absurd man, feeling hopeless, decides to end his life. The night before, he dreams of a perfect world with no pain. In this dream, he sees how good people can be and how he can change. When he wakes up, he understands he must choose between giving up and finding hope. He realizes that even a silly dream can bring big changes.

Memories trip themselves on threading details, looped my embellishment and deterioration until their separate origins are fused together into a sense. Inaccurate by recollection, reestablished through the abstraction of their obsession- reaching a new understanding through the slipping of their grasp.

"Button Eyes" is a 2D animated short film set from the abstract perspective of a strange beast born without eyes who travels across the land hoping to find a way to regain his sight.

Cracking open the human-camera body.

For twenty years, Bruno and Malik have lived in a different world—the world of autistic children and teens. In charge of two separate nonprofit organizations (The Hatch & The Shelter), they train young people from underprivileged areas to be caregivers for extreme cases that have been refused by all other institutions. It’s an exceptional partnership, outside of traditional settings, for some quite extraordinary characters.

The fun and inspiring journey of a woman, from her 8 to 40 years of age, in search of herself and her own pursuit of happiness. When pressured by her family and society, Suzi becomes different from the sensitive girl she once was. Throughout the years, she interacts with different contemporary feminine archetypes: the married woman, the woman who has attitude, the intelligent woman, the successful woman, the depressed woman, the enlightened woman and the desperate woman. Until she meets with her aunt Suely, the free woman, who makes her revisit her story and connect with her past. Suzi stops living in a way to make others happy and goes back to being her own self. A delicate comedy about a woman, who gets tired of corresponding to others 'expectations and goes after fulfillment in her own terms.

During the Covid-19 pandemic, four anxious strangers take a record-breaking dose of LSD, catapulting them into a shared psychedelic dream where they must find solace and redemption before they can return to the real world.

Aetherrise (lt. Aukštynpakylėjimas) is a feature film — a experimental psychological surrealistic drama. Mija exists between silent conversations and inner stillness. Things take an unexpected change as her distant friendship with Ieva shifts. Reality slowly starts to connect with dreams, memories and what could be projections of her own mind. This is a visually sensitive and atmospheric story about inner worlds, human connections and how easily one can become lost between reality and illusion.

In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.

"Ideas are like fish. If you want the big ones, you have to go deep. You can't force them. You just wait... in stillness." - David Lynch

A collection of restored prints from the Lumière Brothers.

Richard Gantz has no chance of paying rent, keeping a job or finishing a movie project. Everything changes when he gets recruited by the aging zodiac killer to make him a film, while collecting "slaves for paradise."

The film is set in the quiet town of Sunset Valley, where secrets bubble beneath the surface of suburban charm. A secret witch named Shelley Van Dembewbs is murdered by her lover — Mayor Daniel Deekless — after she threatens to expose their affair to his wife, Valerie. Wanting to protect his reputation and political power, the mayor strangles Shelley and buries her in an unmarked grave outside the town cemetery. But Shelley's soul doesn’t rest. During the next blood moon — a total lunar eclipse — her spirit casts a revenge curse on the town. The spell seeps into the soil, awakening ancient vampires sealed in tombs under the graveyard.

More Mexican exploitation gold, it is a one hour and 40 minute schizophrenic experience. This is an experience that is surely to be enjoyed by everyone that's into weird and tripppy shit." Also from the review: "Exactly what kind of bad stuff is happening to Alberto? Well first of all, he starts to see bloody dead bodies in his bathroom, his employees turn into hungry zombies, and he's almost killed by Batman, Catwoman and Penguin (seriously)."

A group of teenagers get drunk and abuse a hapless refrigerator. The machine then goes on a killing rampage, eating the ones who beat him up.

A family finds that the refrigerator in their kitchen is a gateway to Hell, and they must battle a witch.

For Seven Easy Pieces Marina Abramovic reenacted five seminal performance works by her peers, dating from the 1960's and 70's, and two of her own, interpreting them as one would a musical score. The project confronted the fact that little documentation exists from this critical early period and one often has to rely upon testimony from witnesses or photographs that show only portions of any given performance. The seven works were performed for seven hours each, over the course of seven consecutive days, November 9 –15, 2005 at the Guggenheim Museum, in New York City. Seven Easy Pieces examines the possibilities of representing and preserving an art form that is, by nature, ephemeral.

Young women are being kidnapped by a rich sleazebag and his goons and are taken to a farm. At night they are forced to sleep on a barn floor. During the day, they are at the mercy of a sadistic dominatrix who dresses in leather outfits and forces them to behave like horses. This video uses footage from Pony Girl (1985) and Pony Girl Number Two (1985), with Traci Lords edited out of the proceedings despite the fact there's no X-rated material in the original tapes.