Fabric of a Man is about a boutique owner who dreams of being a designer, but her insecure man doesnt believe in her abilities so puts her down every chance he gets. she meets a young drycleaner named joshua who also wants to be designer and falls for him, now she struggles to choose between security with her man or take a chance and go for what she really wants.
As he prepares to embark on an overseas tour, star actor Garry Essendine’s colourful life is in danger of spiralling out of control. Engulfed by an escalating identity crisis as his many and various relationships compete for his attention, Garry’s few remaining days at home are a chaotic whirlwind of love, sex, panic and soul-searching.
Two families, related by friendship and love, face up to the consequences of greed and avarice in the post-war years. Love and death play equal roles in determining the outcome of events.
<BS松竹東急×浅草九劇>スペシャルドラマ「君しか見えないよ」
A ghostly visitor with a shocking secret, a daughter devastated by loss, a deadly duel – and the most famous question in all of drama. Just some of the reasons why Shakespeare’s iconic tragedy will hold you spellbound.
Having seen the Seisho, Siegfeld, and Seiran Play Exchange Program's "The Wartime of Farewells" through to success, Stella and the others have taken a big step forward as Stage Girls. Then, another exchange program begins. The name of their partner school is Romana Drama School. It is a newly established school that was founded five years ago. With the rumors of them snatching up excellent students from exchange programs, they possess a shady history. The play Romana has chosen is Oscar Wilde's "Salome", which was once banned due to its content being deemed radical and degenerate. To play Salome, one must steal others' brilliance and be a pure egoist with infinite desires. Appearing before the bewildered Stella is none other than Mikoto Aragami, her old rival from her time in Munich, Germany... "Stella Takachiho. I will steal everything from you, and play Salome."
In this Australian premiere production, Dan Spielman and Izabella Yena embody Hannah Moscovitch’s whipsmart #MeToo-era take on the archetypal student–teacher romance.
After losing at YouTube Warriors, Cyprien and Squeezie (the two biggest French YouTubers) must publicly act the famous tragedy.
Duda and Bia, two long-term friends, haven't seen each other in 12 years. They both have a disturbing memory of Duda's 15th birthday party. The party ended in heartbreak and alcohol abuse. Now, in their 30s, the two meet again, in the same house where the party took place, to review their lives, facing all the twists and surprises from all the transformations they went through during the years they were apart.
National Theatre Live’s 2010 broadcast of Alan Bennett’s acclaimed play The Habit of Art, with Richard Griffiths, Alex Jennings, and Frances de la Tour, returns to cinemas as part of the National Theatre's 50th anniversary celebrations. Benjamin Britten, sailing uncomfortably close to the wind with his new opera, Death in Venice, seeks advice from his former collaborator and friend, W H Auden. During this imagined meeting, their first for 25 years, they are observed and interrupted by, amongst others, their future biographer and a young man from the local bus station. Alan Bennett’s play is as much about the theatre as it is about poetry or music. It looks at the unsettling desires of two difficult men, and at the ethics of biography. It reflects on growing old, on creativity and inspiration, and on persisting when all passion’s spent: ultimately, on the habit of art. One of the first five episodes also released on terrestrial TV on a 2009 BBC TV series titled "National Theatre Live".
When an old adversary threatens Rome, the city calls once more on her hero and defender: Coriolanus. But he has enemies at home too. Famine threatens the city, the citizens’ hunger swells to an appetite for change, and on returning from the field Coriolanus must confront the march of realpolitik and the voice of an angry people.
One of several collaborative dance films by the Brothers Quay & (dancer, choreographer) William Tuckett. Little enough info around on line, but there's briefly by way of Wikipedia entry. Adapted rather loosely from the works of the E.T.A. Hoffman. Familiar Quays' tropes, much in evidence: automata, trompe l'oeil effects, etc. No credit on the sound design (which is fairly elaborate), tho' that is possibly Larry Sider.
Thirteen men and women wake up in a mansion, not knowing who each other is or why they have been abducted. To escape from the mansion, infested by Zombies, they must work together but cannot set aside their suspicions that one or more of their number is involved.
Live chronicle of the landmark federal trial of California's Prop. 8 using the actual court transcripts and first-hand interviews.
What if Konstantin Gavrilovich, from Anton Chekkov's famous play, did not commit suicide and was murdered instead? And who did it? Boris Akunin's take on The Seagull unfolds as a comedic murder mystery.
Weller Martin and Fonsia Dorsey, two elderly residents at a nursing home for senior citizens, strike up an acquaintance. Neither seems to have any other friends, and they start to enjoy each other's company. Weller offers to teach Fonsia how to play gin rummy, and they begin playing a series of games that Fonsia always wins. Weller's inability to win a single hand becomes increasingly frustrating to him, while Fonsia becomes increasingly confident. While playing their games of gin, they engage in lengthy conversations about their families and their lives in the outside world. Gradually, each conversation becomes a battle, much like the ongoing gin games, as each player tries to expose the other's weaknesses, to belittle the other's life, and to humiliate the other thoroughly.
A successful couple with a beautiful daughter, gorgeous home and a mother-in-law and housekeeper that are both eccentric are all the ingredients necessary for a somewhat perfect yet always interesting family. But when Jennifer finds out that her husband Terrance has been cheating on her for years, the family is changed forever. Can Jennifer learn to forgive Terrance so their marriage can be saved, or is it too late to make amends?
Aetherrise (lt. Aukštynpakylėjimas) is a feature film — a experimental psychological surrealistic drama. Mija exists between silent conversations and inner stillness. Things take an unexpected change as her distant friendship with Ieva shifts. Reality slowly starts to connect with dreams, memories and what could be projections of her own mind. This is a visually sensitive and atmospheric story about inner worlds, human connections and how easily one can become lost between reality and illusion.
Hungry is the first in a three-play cycle introducing us to the Gabriels of Rhinebeck, New York. These three plays unfold in real time and track the lives of the Gabriels throughout the coming presidential election year. To the rhythm of peeling, chopping and mixing, Hungry places us in the center of the Gabriel’s kitchen. The family discusses their lives and disappointments, and the world at large and nearby. As they struggle against the fear of being left behind, the family attempts to find resilience in the face of loss.
Eight months after we first meet the Gabriels, Patricia, the family matriarch, joins her children and daughters-in-law as they prepare a meal from the past and consider the future of their country, town and home. Paying tribute to the difficult year behind them, the Gabriels compare notes on the search for empathy and authenticity at a time when the game seems rigged and the rules are forever changing.