Historical idioms garnish our language but are often hard to translate. This comedy helps to illustrate them and tells the story of two Austrian neighbours, who become enamoured. “Foam-beater" (boaster) Hanspeter throws an eye after an addleheaded Annemarie, but she just "shows him the bird" (indicates that he is chuckoo). He must "jump over his shadow" (take the plunge) and get a foot in her door. Amusement for proverb fans who love to make whoopee, gaze into the pale blue yonder, or get to the point.
Petr is a courier, a messenger as a matter of fact. He is one of those young men who believe that on their bikes they have become part and parcel of the atmosphere of modern cities. He is a non-conformist who refuses to settle into today‘s deformed society, he abhors its indolence, consumerism and lies, as well as its pseudo-truths, pseudo-feelings, pseudo-loves and pseudo-values. Petr’s untrammelled personality keeps causing more and more serious problems. And Petr is also one of those who will never admit to themselves that they might be at the end of their tether.
The film is about three close friends, each one having a different perspective about marriage. Govinda plays a divorce lawyer in the film who doesn't believe in marriage and is a Casanova of sorts. Khan plays a character for whom being in love matters most and D'Souza plays his love interest. Kapoor plays a Gujarati who believes in the system of arranged marriage and Desai plays his Gujarati wife.
When a hotelier attempts to fill the chronic vacancies at his castle by launching an advertising campaign that falsely portrays the property as haunted, two actual ghosts show up and end up falling for two guests.
Caught by tabloid paparazzi with his mistress Elena, a famous and beautiful fashion model, billionaire Pierre Levasseur tries to avoid a divorce by inventing a preposterous lie. He uses the presence of a passerby in the photo to claim to his wife that it's not him Elena is seeing but the other man, one François Pignon. Pignon is a modest little man who works as a parking valet. To make the story convincing, Elena has to move in with Pignon.
A year after his father’s death, Victor returns to Buenos Aires in order to reconquer the life he was forced to abandon. He brings a new project with him for his former theater company: a radio-play of Shakespeare’s “Love’s Labour’s Lost”.
Two con artists hire an unwitting medical-school student as a secretary for their latest scam.
A man suspects his girlfriend of being unfaithful, so he sends her a letter, but then finds out that he was wrong. He has 24 hours to stop the package, prevent a disaster, and fall in love. The only problem is the delivery man will not stop until the package has been delivered.
Victor and Hillary are down on their luck to the point that they allow tourists to take guided tours of their castle. But Charles Delacro, a millionaire oil tycoon, visits, and takes a liking to more than the house. Soon, Hattie Durant gets involved and they have a good old fashioned love triangle.
Ten short pieces directed by ten different directors, including Ken Russell, Jean-Luc Godard, Robert Altman, Bruce Beresford, and Nicolas Roeg. Each short uses an aria as soundtrack/sound, and is an interpretation of the particular aria.
Two down on their luck men try to kidnap a wealthy businesswoman's dog to demand a hefty ransom from her. But things go haywire when the dog goes missing.
A family of a father, a mother and their son is looking forward to go on vacation. On the way they experience an accident, and their lives are suddenly and unexpectedly turned upside down.
A wildly inventive deconstruction of the romantic comedy built around the question: What would you do if you could travel to your loved ones’ past, heal their traumas, fix their problems, and change them into the perfect partner?
Oddball Clark meets the girl of his dreams, but the relationship is threatened by his foot fetish.
Dumped on her grandparents for the summer by her indifferent mother, acerbic and self-destructive teenager Greta disrupts the elderly couple's staid life on the Jersey Shore. Eventually, a romance helps Greta face down her demons.
Chris, a sexy teenager who appears mostly bare-breasted on the French Riviera, has a crush on Romain, her mother's lover. In reaction to her inability to attract his attention, she experiments with other risque affairs.
Based on a true story, The Blue Butterfly tells the story of a terminally ill 10-year-old boy whose dream is to catch the most beautiful butterfly on Earth, the mythic and elusive Blue Morpho. His mother persuades a renowned entomologist to take them on a trip to the jungle to search for the butterfly, leading to an adventure that will transform their lives
When madly in love high school graduates Riley and Chris are separated by a tragic car accident, Riley blames herself for her boyfriend's death while Chris is stranded in limbo. Miraculously, the two find a way to connect. In a love story that transcends life and death, both Riley and Chris are forced to learn the hardest lesson of all: letting go.
It's story of Abril, a mysterious woman with a particular life-style that she stands in the way of Bruno, a Chilean young man who lives in Peru and he's passing through an existential crisis. Abril's philosophy impacts to Bruno. One day, he decides to leave everything, including his job and his girlfriend. Suddenly, Bruno tries to follow Abril's life-style, no suspecting the real reasons why she turns her back to the world.
Three loosely connected stories: The relationship between midwife Rosa and therapist Marcel is shaken to the core by a cancer diagnosis. Wandering aimlessly through life, waitress Motte is horrified to discover she’s pregnant – by her best friend Neo, who’s not even sure about his sexual orientation. Finally, cleaning lady Layla refuses to accept that her ex, Navid, has left her for a younger woman. Each situation escalates on one fateful night: A gun is fired, a woman dies, and a child is born. ‘Without you’ – an expression that can be formulated both negatively and positively: ‘I can’t live without you’ also means ‘life is much better with you’. Director Alexandre Powelz maximises this interpretation to its fullest potential. OHNE DICH is a film both about love and its bitter ingredients, and the equally sobering, yet comforting certainty that life goes on.